Reginald K. Gee

"Convention Speaker, " Acrylic Painting on Parchment signed by Reginald K. Gee

1999

"Man with Drill Machine" is an original acrylic painting on parchment paper by Reginald K. Gee. The artist signed the piece lower right. It features a neo-Expressionistictly rendered...

"Sunset Over the South Atlantic Shore, Ghana, Africa" is an original acrylic painting on paper by Samuel B. Kpetenkple. This piece depicts five figures standing before the whitecap waves of the ocean. 3 1/8" x 4 1/2" art 10 3/4" x 12" frame Artist Statement: "As often said there are some few "indigenous and naturals" who seem to have been born with brushes and pallet knifes in their hands. Nii Kpetenkple Samuel is one of such gifted and talented Artist; Painting to me, is one of the eloquent media for expressing myself about all the corners of the world and all that it holds; Of course it is not by accident, that i went into Painting. Nii Kpetenkple was born and bred in a coastal town, a suburb of Accra called NUNGUA, it's only 10 miles away from Accra. I am now in my late twenties. Nii Kpetenkple, had his training as an Artist at one of the secondary schools in Accra - Ghana. Later I had my tertiary training at Ultimate school of Art, (u.s.a) Ghana. I enjoy sketching, swimming, reading and music that keeps me working always. My childhood experiences with fishermen in their fishing expedition, fish mongers, market women, local houses or structures and meaningful Ghanaian symbols with abstract figures made me one of the expert in that area. As an Artist, art enables me to see nature as eternal, grasp a fragment of the Almighty's plan, even a bit of land scape, few pieces of fruits or a human form. Throughout my period of contemplation and years of uninterrupted close contact with nature, vast truths flashed upon my mental horizon, to which i gave expression in my paintings. I had no doubt that, i had discovored a new realm in the world of painting and would carry on to a fuller completion with what many gurus of the Art industry like Picasso, Leonardo Da Vinci, Michelangelo, Rembrandt, Cezanne, Van gogh, Gauguin, Ablade Grover, Amon Kotei...

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...