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Stowell ShermanWPA Scene American Modernism 20th Century Workers Strike Realism Industrial c. 1930s
c. 1930s
About the Item
WPA Scene American Modernism 20th Century Workers Strike Realism Industrial "Pawns" 16 x 20 inches,. Oil on board, c. 1930’s. Signed lower left.
Stowell Sherman (1886 – 1973) was born in Providence, studied at the Rhode Island School of Design. Has exhibited widely and his work is found in museums and private collections. Has received prizes for oils, watercolors and lithography, among them the purchase prize for an oil for the permanent collection of Rhode Island Museum of Art, Eliza Gardiner Prize for a watercolor at Providence Water Color Club, Buckley Memorial Prize for best black and white at Rockport Art Association.
- Creator:Stowell Sherman (1886 - 1973, American)
- Creation Year:c. 1930s
- Dimensions:Height: 22 in (55.88 cm)Width: 26 in (66.04 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU115629027742
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We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate.
BIO
Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola...
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ABOUT THE PAINTING
This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple.
Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting.
PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles.
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1940s American Modern Landscape Paintings
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Canvas, Oil
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