1930s Landscape Paintings

Otto Lindberg (1880–1955) – Twilight Reflections, Söderhamn Archipelago Serene Twilight in Söderhamn’s Archipelago This monumental oil on canvas (measuring 65 x 120 cm) presents a s...

Antique French impressionist portrait landscape oil painting. Oil on canvas, lain to board. Signed. Framed. Measuring: 12 by 15 inches overall, and 6 by 9 painting alone.. In excell...

Jēkabs Apinis (1899 in Sloka, Latvia - 1945 in Hamburg, Germany), painter. Jēkabs Apinis was born into a teacher's family. He came to Pleskov as a refugee during the First World War...

This evocative landscape by Otto Lindberg captures the quiet beauty of a forest at dusk. The most striking feature is the luminous pink and violet glow of the fading sunlight, master...

Vintage French landscape oil painting/figurative oil painting of a woman sewing in the garden by French artist, Armand Fouquet. A very charming, calmin...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

Lucien Neuquelman, French (1909 - 1988) - Spring Walk, Year: 1938, Medium: Oil on Canvas, signed and dated lower right, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Frame Size: 20.5 x ...

Lanscape France,Ocean, France , grey, blue, azure, Normandy Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amiens...

A colorful, vibrant 1930s winter scene painting Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting the Old Fish House on the left, with a ...

Lucien Neuquelman, French (1909 - 1988) - Women in Meadow, Year: circa 1938, Medium: Oil on canvas, signed lower right, Size: 9.5 x 13.75 in. (24.13 x 34.93 cm), Frame Size: 16.5...

Carl Johansson, also known as "Ultramarin Johansson," was a Swedish artist born in 1863 and known for his distinctive blue-toned paintings. His work often depicted landscapes, seascapes, and cityscapes, capturing the beauty and essence of Sweden's natural landscapes. We are proud to offer one of his late works from 1935 for sale. This painting depicts a beautiful landscape from Nordingrå, a small village situated on the High coast of Sweden. The beauty of Nordingrå has captured many artists in the 19th-century, inspiring many famous painters, including Helmer Osslund...

Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...

1930s French Impressionist Barbizon School oil on panel view of a wooded landscape with autumn colours by Georges Guerin (1910-1984). The painting is signed top right to the back of ...

Through The Redwoods - American Impressionist American Impressionist oil painting depicting a forest of California redwood trees. A giant red...

Rites of Winter, by 1939, oil on canvas, 32 x 40 inches, exhibited: 134th Annual Exhibition of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, January 29 – March 5, 1939, no...

Large and amazing Colorado landscape painting by Eleanor Dow Green . Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

Maurice UTRILLO Paris : Winter Day at Montmartre Original gouache painting Signed bottom right 40 x 32 cm at view (c. 16 x 13") Painted c. 1934-36 Presented in a golden wood frame ...

Ernest Fiene Tugboat in New York Harbor Signed lower right Oil on canvas 24 1/2 x 34 1/2 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated...

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Finely painted American impressionist coastal landscape painting. Oil on board. Framed. Signed verso. Image size, 13 by 16 inches.

Oil on artist board Circa 1930 -1935 Signed verso and dedicated to JF (possibly John Folinsbee, fellow artist and neighbor). Overall size encased in custom 22K gold leaf frame wit...

"The Great View of Venice" Antoine Bouvard Snr. (French, 1875-1955) Oil on canvas, original, gilt wood frame, Signed, lower right 20 3/4 x 28 1/2 (28 1/2 x 37 frame) inches Anto...

Serene winter landscape of a snow covered hills with a frozen creek and far off house in the distance by Frederick Wagner (American, 1864-1940), c.1930's. Signed "F. W." lower right....

Very nicely painted antique American impressionist beach scene painting. Oil on board. Signed. Handsomely framed in a giltwood impressionist molding. Ready to hang excellent cond...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

Impressive early American impressionist view of New York City oil painting by Johann Berthelsen (1883 - 1972). Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Impressive American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 9H by 11L.

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) unframed This work is accompanied by...

1930s French Impressionist Barbizon School oil on panel view of a river gorge by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top left to the back of the board. The painting is also titled and dated to the back of the board, 'Gorges de la Bourne, Pont en Royans, Aout 1937.' A very charming view of a river passing through a gorge and leading to a sunlit and colourful rocky cliff face. Guerin has achieved a wonderful play between light and shade, bright and sombre colours making it at once classical in interpretation and yet also modern and abstract. His technique of thick impasto technique worked with a brush is especially successful and gives the paintings surface a charming quality. Guerin is noted for his landscapes as well as for his Paris street scenes and views of the Brittany coast. The Gorges de la Bourne or Bourne Gorge is a canyon at the bottom of which flows the River Bourne. It connects Pont-en-Royans to Villard-de-Lans in...

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

Antique American impressionist coastal seascape oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone.

5169 Antique American Large Impressionist seascape oil painting .Oil on canvas circa 1930 Framed Image size 15.5x19.5"

Roland Fisher “Fishermen in Mevagissey Harbour”, circa 1930 Oil on canvas Signed lower right This compelling maritime scene by Roland Fisher captures a moment of industrious calm a...

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitively the Rockport, Mass. fishing pier. Excellent condition with a few very minor areas of paint flaking. The darker areas in the sky is a result of unpainted areas. The canvas is sized with glue but not primed white: observable areas of natural linen color results. Signed wet into wet and dated lower left. No restoration or overpaint. Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River...

Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.

Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1935. Additionally inscribed in Danish, verso, 'Malet af Storfyrstinde Olga, Rusland der senere bosatte sig i Ballerup. Emma Davidsen' (Painted by Grand Duchess Olga...

Provenance On consignment with the gallery from a Pasadena, California corporate collection. The painting was displayed at Mutual Savings and Loan on Colorado Blvd. in Pasadena. A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena is available through the Pasadena Museum of History's library. Label on verso: Mutual Savings No. 3107 Description This painting is untitled, however, the landscape appears to be of California's Palm Springs Desert area with a scattering of smoke trees...

Josep Ventosa Domenech (1897-1982) - Navarcles - Oil on panel Oil measurements 16x22 cm. Frame measurements 31x37 cm.

5149 Antique French Impressionist oil painting landscape Signed lower left Image size 22x18"

Work on canvas

"Trois Pêcheurs" Louis Pastour (France, 1876-1948) Oil on board Signed l.l. 7 7/8 x 4 7/8 (8 1/8 x 11 1/8 frame) inches Louis Pastour was called the “...

5122 Antique landscape Cambridge England 1932

Studio per l’opera Aeroarmonie esposto alla biennale di Venezia del 1934 Sul retro cartiglio : Ufficio storico -Popolo d’Italaia- Autentica prof. Duranti N° archivio 2272 Osvaldo P...

Impressionist winter landscape painting by Walter Sacks (1901 - 1961). Oil on board, circa 1930. Signed. Displayed in a vintage frame. Image size, 12"L x 10"H.

Oil on canvas signed ROBJ, France, 1930s. Couple near the Pound. with frame - 134.6x107x7 cm - 53"x42"x2.75" ; without frame - 116x89 cm - 45.7x35 inches. 50F format. Signed "Robj" l...

Impressive early American winter scene impressionist landscape painting. Oil on board. Framed. Signed. Image size, 18 by 24 inches.

Arthur G. Nebra (1880-1955) Swiss. 'Lake in the Mountains' circa 1930's. oiil on canvas 54cm x 73cm including the original frame. Romantic Realism iso...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 9 x 7 Frame Size: 18 x 22.5 Medium: Oil Circa late 1930s early 40s "Texas Hills & Valleys" Porfirio Salinas was a self-tau...

Here for your consideration is an early original oil on canvas painting of boats on Sebago Lake in Maine by the American artist, Thomas Elston Thorne. Signed lower right and dated 19...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Highway Derelict, May, 1939, oil on canvas board, signed upper right, 18 x 20 inches, exhibited 1) Society of Independent Artists, American Society of Fine Arts (Art Students League), New York, NY, April 19 – May 12, 1940, no. 535 (noted verso, listed in catalog, and see Kantner, Dorothy, Palette Palaver, Pittsburgh Sun Telegraph, April 19, 1940 – “Helen F. Price and Ethel M. Dean, the former of Johnstown, the latter of this city, are two members of the Associated Artists of Pittsburgh who are represented in the Independent Artist’s Exhibition which opens today in New York. Miss Price is represented by . . . ‘Highway Derelict’ . . . .”), 2) Solo Exhibition of Log Cabin Paintings...

Up for sale here is a really impressive early 1900's oil painting by William Clarke Rice, Jr. (1875 - 1928). A great nocturnal view housed in a period giltwood frame. Image size, 2...

Bright, vibrant expressionist oil painting of Oregon coast and crashing surf by Lida Allen Macklin (American, 1872 - 1960), painted 1937. Signed lower rig...

3905 Impressionist French village colorful landscape gouache on laid paper Image size 16x11.5"

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

A fine impressionist oil of Chiswick Mall, by The Thames, London circa 1930's-40's by listed artist Josephine Matley Duddle later Matley-Duddle Ghilchik (1890-1981) oil on canvas la...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...