French School Figurative Paintings

Small Farm in the South of France by French Artist, Ely Laumonier (1895-1960) Art measures 24 x 18 inches Frame measures 28 x 22 inches (approx.) Antique Original Signed, Oil on ...

Pair of Detailed European Landscapes in Watercolor and Gouache on Paper These two watercolor and gouache paintings depict idyllic European rural scenes with soft colors and detailed...

"Perspective du Canyon du Verdon - Provence" - France Oil on canvas signed lower right, 100 x 73 x 2.5 cm, titled and dated on the back,1990. Framed with a natural oak floating frame...

THE BEAUTIFUL FRAME - Angelo Granati Italia 2003 Oil on canvas cm.90x70. Gold leaf gilded wooden frame mis. ext.110X90 In this painting, Maestro Angelo Granati drew inspiration from the paintings of the French school. Mom and daughter...

"Les mouettes à Kastel-Meur" - Bretagne, Finistère, France “The seagulls at Kastel-Meur" - Brittany, Finistère, France Oil on canvas signed ​lower right, 90 x 30 ​x 2,5 cm, titled an...

Charles HERRMANN-LÉON (born Léon Charles Sigismond HERRMANN) (Le Havre 1838 - Paris 1908) Portrait of a Young Woman Oil on canvas H. 54 cm; W. 41 cm Signed and dated upper right - 18...

Paris, rue des Solitaires, oil painting by Pierre Coquet Reference number F489 The painting is framed with a natural oak floated frame. 65 x 50 cm (70 x 55 cm frame included) This work is painted with oil on a paper that is laid on a board and placed in a made to measure wood strectcher. It is signed in the low right Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. The composition here is a little atypical, as there is a certain symmetry between the top and bottom of the painting. You could almost turn it upside down, there's a kind of mirror effect. The support for the painting is a cardboard box salvaged from the art school where he taught (Corvisart-Paris). The students used it to protect their tables. Pierre kept them and painted on them, and we can see little drawings or annotations made by students who had fun scribbling on them. Provenance : Workshop of the artist (stamped and numbered on the back) About Pierre : Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Françoise Juvin - Venice, Piazza San Marco Reference number FJ142 Framed with a black wood floated frame. 24 x 30 cm frame included (19 x 23 cm without...

"Vue plongeante sur la porte d’Amont – Etretat" - Normandy, France "Overlooking the Porte d'Amont - Etretat" - Normandy, France Oil on canvas signed lower right, 92 x 60 x 2,5 cm, ti...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

"Depuis le col de Brouis" - Provence, Alpes Maritimes, France “From the pass of Brouis” - Provence, Alpes Maritimes, France Oil on canvas signed ​lower right, 54 x 73 ​x 2,5 cm, titl...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) l'Aumance à Hérisson - Allier Oil on panel H. 26.5 cm; W. 35 cm Signed lower left, dated 1899, located Titled on the back...

Carl SCHLICHTING-CARLSEN (Flensburg 1842 – Hellebæk 1931) The Painter's Rest Oil on canvas H. 130 cm; W. 93 cm Signed and dated lower left – S. Carlsen (18)94 This artist of German ...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

Bride & Lily by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 21.5 x 18 inches condition: overall very good, minor surface scuffs ...

Louis Auguste SECOND, known as FEREOL (Amiens, 1795 - Orleans, 1870) Still Life with Mallard and Hare Oil on paper mounted on canvas Signed and dated at the bottom Exhibition labels in the upper left corner 37 x 27 cm 1854 Louis-Auguste Second, known under the name of Fereol, had an interesting multifaceted artistic career. He was born in an acting environment: himself the son of an actor, he was the cousin of Marie Dorval (the famous romantic actress who was Alfred de Vigny's mistress) and the nephew of Mademoiselle Mars. After having done the military school of Saint-Cyr, he became a second lieutenant in the young imperial guard and took part in the campaign of France in 1814. But he quickly reconverted in the spectacle and becomes in 1817 lyric singer (tenor) at the Opéra-Comique where he officiated until 1838, before exercising his talents at the Théâtre de la Renaissance. He is also a playwright (for example he wrote "Five Years of Intermission" in 1833). A fairly famous figure at the time, his miniature portrait by Paul Gomien was exhibited at the Salon of 1835. Painting is another of his activities, and not the least. A pupil of Xavier Leprince, he exhibited at the Salon in 1824, and this very regularly until 1848. In 1834, he exhibited no less than 7 paintings! These are essentially landscapes, of a fairly classic style, representing views of the North (Douai, Boulogne, etc.), Picardy (Amiens), Paris and its surroundings, Fontainebleau, and above all of Sologne and Orleans, city where he attended high school. At the Salon, he was domiciled in Paris at various addresses in the Batignolles district until 1835, then in Orleans from 1837. Widower in 1832 of his cousin Eugénie Boutet de Monvel whom he had married in 1822, he retired to his property of "L'ormette" in Saint-Denis en Val in the Loiret, before settling definitively in Orléans itself. in 1846. He leads a fairly active social life there (he had already founded the Musical Institute there, for example). His son Félix was born there in 1825, where he was a lawyer before embarking on a career as a doctor. A staunch Bonapartist, holder of the Saint Helena medal, he was awarded the Legion of Honor in 1862. His exaggerated patriotism manifested itself one last time when he committed suicide on September 5, 1870 after learning of the surrender of Sedan. He is the great-grandfather of the brothers Jacques and Pierre Brissaud, the famous painters and illustrators. Representative of the French tradition of hunting still lifes, this painting depicts a hanging...

Marc Joseph Octave Théodule BOISSIN (Bénévent-l’Abbaye, 1839 - Paris, 1891) Allegory of Geography Oil on canvas Signed lower right 75 x 125 cm without frame 100 x 150 cm with frame...

French School, circa 1950 Portrait of a Chinese Woman with Two Fennec Foxes Oil on cardboard H. 60 cm; W. 50 cm Circa 1950 This painting depicts a young woman with a calm face and t...

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

Gustav VERMEHREN (Copenhagen 1863 – Copenhagen 1931) Rest Oil on canvas H. 72 cm; W. 79 cm Signed lower right and dated 1911 (twice) Exhibition: 1963, F...

"La vallée du Verdon depuis les balcons de la Mescla" - Provence, Var Oil on canvas signed lower right, 65 x 92 x 2,5 cm, titled and dated on the back, 1989 Framed with a natural oa...

"Dentelle by Greta Wehbé (2017) Acrylic painting on canvas, 24 x 33 x 2,5 cm Framed with a natural oak floating frame (27 x 38 x ​3,5 cm frame included) This landscape painting stan...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Antoine VESTIER, attributed to (Avallon, 1740 - Paris, 1824) Portrait of a man under the Revolution Oil on canvas H. 46 cm; L. 37 cm Circa 1793-95 This beautiful unsigned portrait i...

Aude AZAÏS "The Shadow of Their Desire" - Terrace in Marqueyssac Pastel on paper (framed under glass) H. 65 cm; W. 50 cm Signed lower left - 2023 It was after seeing a small reprodu...

Composition with a jar, oil painting by Pierre Coquet Reference number F488 Framed with a natural oak floated frame 48 x 70 x 2 cm (53 x 75 x 3,5 cm frame included) This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back. In this composition, the brushstrokes are thicker and the touches of white revive the overall effect, which has been treated in rough, earthy tones. An orange background can be seen underneath, lighting up the materials in places. The play of light completes the rendering of the modeling. In this painting, there's all the humility of a painter who wants to give life to these objects while remaining simple. Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Françoise Juvin - Hilly landscape in the South of France Reference number FJ88 Framed with a natural oak floated frame. 29 x 37 cm frame included (24 x 32 cm without frame) This work...

Edmond YON (Montmartre 1841 – Paris 1897) Riverbank with birds Oil on canvas H. 79.5 cm; L. 130 cm Signed lower right and dated 1876 Original frame Exhibition: 1876, Salon des Artis...

Christian-Henri Roullier was born in Lyon, France, in 1845, and was an infant when his parents arrived in gold-rush San Francisco. After much difficulty, Roullier senior found employment at the White House, a pioneer department store owned by a popular and successful French businessman, Raphael Weill. From then, the Roulliers' life took a prosperous turn. Christian-Henri resided with his family in San Francisco at the beginning of his career. During the Franco-Prussian War he was listed, with other members of the city's French community, as a local subscriber to a French patriotic fund. He subsequently traveled to Paris to study painting with Jean-Leon Gerome the leading teacher of the day. He also studied sculpture with W. E. Fremiet and explored both media throughout his life. A successful artist, Roullier exhibited widely in France. His work was included in most Paris Salon exhibits between 1878 and 1914. He exhibited at the San Francisco Art Association and the Mechanics' Institute of San Francisco in 1883, suggesting that he had returned to San Francisco, perhaps working with Jules Tavernier, whom he depicted in buckskin and knee-high boots in an oil entitled Tavernier Painting. Roullier probably joined the gregarious Tavernier in Monterey as well. Among his portraits, he executed two of Josiah Stanford, now in the collection at the Cantor Center for Visual Arts at Stanford University. When in France, Roullier and his sister Blanche spent half of their time in Paris, the remainder at a beautiful property the family bought in the small town of Saint-Nizier sous Charlieu, some ten miles from Roanne. Blanche became a successful pastellist who also exhibited at the French salons and received several awards. Like his friend and fellow-painter Armand Charnay, Roullier painted rustic, local scenes of his native region, except for a few canvases of Tunisia done in colors reminiscent of his California work. He died in Paris on July 25, 1926. A retrospective exhibit of his work was held at the 1926 Paris Winter...

Françoise Juvin - Hilly landscape over the Rhône river in France Reference number FJ169 Framed with a natural oak floated frame. 23,5 x 34 cm frame included (18 x 26 cm without frame...

Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; L. 73 cm Signed on the helmet:...

Jean-Victor Bertin and workshop (Paris 1767 - 1842) Landscape of the Île-de-France region Oil on canvas H. 38 cm; W. 46 cm Related work: painting of the same composition held at the...

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak floated frame painted in black 70 x 55 cm frame included (65 x 50 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

French school circa 1810 Portrait of a woman in front of a landscape in a trompe l'oeil H. 106 cm; L. 91 cm Oil on canvas Preserved in its original vine leaf frame, this large portr...

Red-haired beauty portrait oil painting on canvas by René Avigdor 19Th Century Rene Avigdor was born in Nice and spent his career in France. He specialized in portraits, especiall...

Alexandre Thomas FRANCIA (Calais, 1817 – Brussels, 1884) Herons near a waterfall, probably in Scotland Oil on canvas Signed lower right 48 x 68 cm There is still some doubt about ...

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural oak floated frame 43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included) This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back. With simple, soft colors, Pierre brings these objects together in a neutral atmosphere, enhanced by this orange, which adds a luminous touch to the composition. Mostly broad brushstrokes, sometimes barely a sketch in the background. The material effects stand out well, the light coming from the right reinforces the contours of each of the objects presented. Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Félix COTTRAU (Paris, 1799 - Paris, 1852) The adoration of the shepherds Oil on canvas Signed and dated lower right 100.5 x 76 cm 1842 Exhibition: Paris Salon of 1842 under number...

Françoise Juvin - Landscape in Italy Reference number FJ178 Framed with a natural oak floated frame. 25,5 x 31 cm frame included (21 x 26 cm without fr...

Portrait of a Lady in a Lilac Hat French, late 20th century oil on board, unframed board: 16 x 13 inches Provenance: private collection, France Condition: very good condition For m...

Alexandre DEFAUX (1826, Bercy - 1900, Melun) Yport, the Amont Cliff Oil on panel H. 59.5 cm; W. 38.5 cm Signed and located lower right A student of Corot, Alexandre Defaux was a fai...

Huile sur toile Dim sans cadre 92/70 cm Dim avec cadre 118/91 cm Ecole française Signé Chatinière 1898 Né en avril 1828 à Montpellier (Hérault). XIXe siècle. Français. Peintre et lit...

Françoise Juvin - Sea landscape around Cannes Reference number FJ125 Framed with a natural oak floated frame. 22,5 x 32 cm frame included (17 x 26 cm w...

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Adélaïde SALLES-WAGNER (Dresden, 1824 – Paris, 1890) Portrait of Mr. Pierre Rougé Portrait of Mrs. Mathilde Rougé, born Rauch Pair of oils on canvas Signed lower right for one and ...

Ricardo FLORÈS (Alençon, 1878 – Rennes, 1918) Notre-Dame. Grey weather Oil on canvas 46 x 55 cm without frame 65 x 74 with frame 1907 Exhibition: Fourth exhibition of the Société ...

Françoise Juvin - Seaside Landscape in Cannes, France Reference number FJ55 Framed with a natural oak floated frame. 24,5 x 29 cm frame included (19 x 23 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

François CARLIER-RUBRECQ (active around 1820-1830) Study of various works of art Oil on canvas H. 50 cm; L. 58.5 cm Signed and dated upper left, countersigned on the stretcher 1825 ...

Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full-length portrait of Jules Michel Simonet (1834-1881) as a child with his dog Oil on canvas Signed...

Jean DESPUJOLS (Salles 1886 – Shreveport 1965) Portrait of a Henri Martin, mayor of Saint Médard en Jalles (Gironde) Oil on canvas H. 75 cm; L. 60 cm Signed lower right around 1920/2...

Hans SEILER (Neuchâtel 1907 – 1986) The cliffs of Marqueyssac and Castelnaud, seen from La Roque Gageac Oil on canvas H. 40 cm; L. 83 cm Signed lower right, dated 1973 Provenance : ...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart of Cantal, Marie Réol left to study Fine Arts in Paris, where she met Louis-Marie Désiré-Lucas. This Breton master will become “his” master. Going from teacher, to friend, then husband whose stylistic influence will be felt throughout Marie Réol's career. The couple is divided between Douarnenez where Désiré-Lucas has a large residence, Espalion where they have a house overlooking the Lot and the Vieux Pont, as well as in Paris. Obviously, through his friendship with the Périgord Lucien de Maleville...

Dancing Ballerina by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 20 x 25.5 inches condition: overall very good, minor surface sc...

Guillaume-François Colson (1785-1860) Sur la plage oil on canvas 35 x 65 cm signed 'Colson' (lower right) Price: £18,000 GBP Provenance: MacConnal-Mason Fine Paintings Private coll...

French school circa 1815 Portrait of Madame Leblond Oil on canvas H. 66 cm; W. 55 cm Named on the back Comparable to the works of painters such as Louis Hersent, our portrait, unsig...

Alexandre François LOISEL (Neuilly-sur-Seine, 1783 - Neuilly-sur-Seine, 1865) Road from Subiaco to Tivoli Oil on canvas Signed and dated lower right 50 x 60 cm 1836 Son of a renti...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...