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La loge by Jean-Gabriel Domergue
La loge by Jean-Gabriel Domergue

La loge by Jean-Gabriel Domergue

By Jean-Gabriel Domergue

Located in New Orleans, LA

Jean-Gabriel Domergue 1889-1962 French La loge Signed (bottom right) Oil on panel Jean-Gabriel Domergue presents an elegantly seductive woman seated in a loge in this vibrantly-h...

Category

Early 20th Century Post-Impressionist Figurative Paintings

Materials

Oil, Panel

La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art

La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art

By Louis Legrand

Located in Saint Augustine, FL

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plate (printed signature) l...

Category

Early 1900s Post-Impressionist Figurative Prints

Materials

Drypoint, Etching, Intaglio

La loge, Swiss by Charles Bourquin - Oil on canvas
La loge, Swiss by Charles Bourquin - Oil on canvas

La loge, Swiss by Charles Bourquin - Oil on canvas

Located in Geneva, CH

Came to America some time before 1844, when he was first listed in the Philadelphia directory. He may have been in NYC before this, since his wife, Eliza C. Bourquin, was born there ...

Category

Early 1900s Realist Landscape Paintings

Materials

Oil

La Grande Loge - Galerie 65 Cannes - 1964
La Grande Loge - Galerie 65 Cannes - 1964

La Grande Loge - Galerie 65 Cannes - 1964

Located in Sant Celoni, ES

Artista: Toulouse Lautrec Año: 1964 Afiche litográfico original de Toulouse Lautrec creado en 1964 para una exposición en la Galerie 65 Cannes, impreso por Mourlot Medidas del ca...

Category

1960s Art Nouveau Interior Prints

Materials

Lithograph

'La musique et les roses' by Dietz Edzard, (Bremen 1893 – 1963 Paris)
'La musique et les roses' by Dietz Edzard, (Bremen 1893 – 1963 Paris)

'La musique et les roses' by Dietz Edzard, (Bremen 1893 – 1963 Paris)

By Dietz Edzard

Located in Knokke, BE

After the war, Edzard produced some of his most memorable canvases. La Famille dans la Loge (1946) is particularly notable as a statement of faith in the family after a lengthy perio...

Category

Early 20th Century Impressionist Still-life Paintings

Materials

Canvas, Oil

Pierre-Auguste Renoir, Standing Bather, 1951 (after)
Pierre-Auguste Renoir, Standing Bather, 1951 (after)

Pierre-Auguste Renoir, Standing Bather, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Mother and Children, 1951 (after)
Pierre-Auguste Renoir, Mother and Children, 1951 (after)

Pierre-Auguste Renoir, Mother and Children, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Bathers, 1951 (after)
Pierre-Auguste Renoir, The Bathers, 1951 (after)

Pierre-Auguste Renoir, The Bathers, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Washerwomen, 1951 (after)
Pierre-Auguste Renoir, The Washerwomen, 1951 (after)

Pierre-Auguste Renoir, The Washerwomen, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Washerwomen, 1951 (after)
Pierre-Auguste Renoir, The Washerwomen, 1951 (after)

Pierre-Auguste Renoir, The Washerwomen, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Maternity, 1951 (after)
Pierre-Auguste Renoir, Maternity, 1951 (after)

Pierre-Auguste Renoir, Maternity, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Louis Valtat, 1951 (after)

Pierre-Auguste Renoir, Louis Valtat, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Odalisque, 1951 (after)
Pierre-Auguste Renoir, Odalisque, 1951 (after)

Pierre-Auguste Renoir, Odalisque, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Paul Cézanne, 1951 (after)
Pierre-Auguste Renoir, Paul Cézanne, 1951 (after)

Pierre-Auguste Renoir, Paul Cézanne, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Richard Wagner, 1951 (after)
Pierre-Auguste Renoir, Richard Wagner, 1951 (after)

Pierre-Auguste Renoir, Richard Wagner, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Claude Renoir Writing, 1951 (after)
Pierre-Auguste Renoir, Claude Renoir Writing, 1951 (after)

Pierre-Auguste Renoir, Claude Renoir Writing, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Children Playing with a Ball, 1951 (after)
Pierre-Auguste Renoir, Children Playing with a Ball, 1951 (after)

Pierre-Auguste Renoir, Children Playing with a Ball, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Pinned Hat and The Bather, 1951 (after)
Pierre-Auguste Renoir, The Pinned Hat and The Bather, 1951 (after)

Pierre-Auguste Renoir, The Pinned Hat and The Bather, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Claude Renoir with Head Lowered, 1951 (after)
Pierre-Auguste Renoir, Claude Renoir with Head Lowered, 1951 (after)

Pierre-Auguste Renoir, Claude Renoir with Head Lowered, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Portrait of Auguste Renoir, 1951 (after)
Pierre-Auguste Renoir, Portrait of Auguste Renoir, 1951 (after)

Pierre-Auguste Renoir, Portrait of Auguste Renoir, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Pinned Hat, Color State, 1951 (after)
Pierre-Auguste Renoir, The Pinned Hat, Color State, 1951 (after)

Pierre-Auguste Renoir, The Pinned Hat, Color State, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Child with a Biscuit, 1951 (after)
Pierre-Auguste Renoir, Child with a Biscuit, 1951 (after)

Pierre-Auguste Renoir, Child with a Biscuit, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Pinned Hat, 1951 (after)
Pierre-Auguste Renoir, The Pinned Hat, 1951 (after)

Pierre-Auguste Renoir, The Pinned Hat, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Portrait of a Woman, 1951 (after)
Pierre-Auguste Renoir, Portrait of a Woman, 1951 (after)

Pierre-Auguste Renoir, Portrait of a Woman, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Pierre Renoir, Frontal Portrait, 1951 (after)
Pierre-Auguste Renoir, Pierre Renoir, Frontal Portrait, 1951 (after)

Pierre-Auguste Renoir, Pierre Renoir, Frontal Portrait, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Auguste Rodin, 1951 (after)
Pierre-Auguste Renoir, Auguste Rodin, 1951 (after)

Pierre-Auguste Renoir, Auguste Rodin, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Portrait of Jeanne Baudot, 1951 (after)
Pierre-Auguste Renoir, Portrait of Jeanne Baudot, 1951 (after)

Pierre-Auguste Renoir, Portrait of Jeanne Baudot, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)
Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)
Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)
Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)
Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)
Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

Pierre-Auguste Renoir, Woman with Vine Branch, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)
Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Pierre with Three Sketches, 1951 (after)
Pierre-Auguste Renoir, Pierre with Three Sketches, 1951 (after)

Pierre-Auguste Renoir, Pierre with Three Sketches, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Ambroise Vollard, 1951 (after)
Pierre-Auguste Renoir, Ambroise Vollard, 1951 (after)

Pierre-Auguste Renoir, Ambroise Vollard, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Young Woman in Bust, 1951 (after)
Pierre-Auguste Renoir, Young Woman in Bust, 1951 (after)

Pierre-Auguste Renoir, Young Woman in Bust, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, Claude Renoir Turned to the Left, 1951 (after)
Pierre-Auguste Renoir, Claude Renoir Turned to the Left, 1951 (after)

Pierre-Auguste Renoir, Claude Renoir Turned to the Left, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Pierre-Auguste Renoir, The Pinned Hat, Black State, 1951 (after)
Pierre-Auguste Renoir, The Pinned Hat, Black State, 1951 (after)

Pierre-Auguste Renoir, The Pinned Hat, Black State, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

La loge a l'opera
La loge a l'opera

La loge a l'opera

Located in Bridgehampton, NY

Presented by 'Daphne Alazraki Fine Art' for Market Art & Design Medium: Oil on canvas. Framed dimensions: 25 x 28 3/4 inches (63.5 x 73 cm). Signed lower right: Jean Gabriel Domergue...

Category

20th Century Paintings

Materials

Oil

La Loge au Mascaron Doré
La Loge au Mascaron Doré

La Loge au Mascaron Doré

By Henri Toulouse Lautrec

Located in Columbia, MO

HENRI DE TOULOUSE-LAUTREC La Loge au mascaron doré 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Category

19th Century Post-Impressionist Figurative Prints

Materials

Lithograph

La Loge, Oil Painting by Charles Levier
La Loge, Oil Painting by Charles Levier

La Loge, Oil Painting by Charles Levier

By Charles Levier

Located in Long Island City, NY

Artist: Charles Levier, French (1920 - 2003) Title: La Loge Year: circa 1970 Medium: Oil on Canvas, signed l.r.

Category

1970s Modern Figurative Paintings

Materials

Oil

Miss Ida Heath
Miss Ida Heath

Miss Ida Heath

By Henri Toulouse Lautrec

Located in Columbia, MO

HENRI DE TOULOUSE-LAUTREC La Loge au mascaron doré 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Category

19th Century Post-Impressionist Figurative Prints

Materials

Lithograph

'Carnivale in Venice' by Dietz Edzard (Bremen 1893 – 1963 Paris)
'Carnivale in Venice' by Dietz Edzard (Bremen 1893 – 1963 Paris)

'Carnivale in Venice' by Dietz Edzard (Bremen 1893 – 1963 Paris)

By Dietz Edzard

Located in Knokke, BE

After the war, Edzard produced some of his most memorable canvases. La Famille dans la Loge (1946) is particularly notable as a statement of faith in the family after a lengthy perio...

Category

Mid-20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

Mai Thu - Femme à sa toilette - Original Lithography
Mai Thu - Femme à sa toilette - Original Lithography

Mai Thu - Femme à sa toilette - Original Lithography

By Mai Thu

Located in Collonge Bellerive, Geneve, CH

Kristin Baker, Laura Owens, Mai-Thu Perret, Amanda Ross-Ho (curated by Margherita Artoni), Galleria Monica De Cardenas, Milan, IT Le confort moderne (curated by Mathieu Copeland), C...

Materials

Lithograph

Dans La Loge

Dans La Loge

By Jean-Louis-Marcel Cosson

Located in Marlow, Buckinghamshire

A fascinating image looking into the backstage of the theatre where figures are preparing. Hugely expressive in its brushwork. A really magnificent piece by this popular artist. c.19...

Category

1930s Impressionist Figurative Paintings

Materials

Oil, Board

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

Pierre-Auguste Renoir, Seated Nude Woman, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classica...

Category

1950s Impressionist Figurative Prints

Materials

Lithograph

Impressionism Oil Painting LA LOGE After Pierre-Auguste Renoir
Impressionism Oil Painting LA LOGE After Pierre-Auguste Renoir

Impressionism Oil Painting LA LOGE After Pierre-Auguste Renoir

By Pierre-Auguste Renoir

Located in Gallatin, TN

Impressionism Oil Painting LA LOGE After Pierre-Auguste Renoir LA LOGE (The Theatre Box) is an 1874 oil painting by Pierre-Auguste Renoir.

Category

Late 19th Century Portrait Paintings

Materials

Canvas, Oil

La Loge
La Loge

La Loge

By Jean-Gabriel Domergue

Located in Paris, FR

Jean-Gabriel Domergue 1889-1962 French La Loge, Circa 1930 Oil on canvas Signed lower left Certificate by Mr.

Category

20th Century Figurative Paintings

Materials

Canvas, Oil

Adrien Marie, Dans la Loge, Huile sur toile
Adrien Marie, Dans la Loge, Huile sur toile

Adrien Marie, Dans la Loge, Huile sur toile

Located in BOULOGNE-BILLANCOURT, FR

Au lieu de se concentrer sur ce qui se passe sur scène, Adrien Marie a choisi de représenter l’intérieur d’une loge où trois jeunes femmes élégantes, en robes décolletées, cheveux re...

Category

Late 19th Century Art Nouveau Figurative Paintings

Materials

Canvas, Oil

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La Loge For Sale on 1stDibs

On 1stDibs, you can find the most appropriate la loge for your needs in our varied inventory. In our selection of items, you can find Post-Impressionist examples as well as a Art Deco version. Finding the perfect la loge may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 20th Century. When looking for the right la loge for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of brown, gray, black and white. Finding an appealing la loge — no matter the origin — is easy, but Dimitri Bouchene, Henri de Toulouse-Lautrec, Jean-Gabriel Domergue and Louis Legrand each produced popular versions that are worth a look. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in lithograph, engraving and oil paint can add an especially memorable touch. If space is limited, you can find a small la loge measuring 4.75 high and 6.5 wide, while our inventory also includes works up to 25 across to better suit those in the market for a large la loge.

How Much is a La Loge?

The price for a la loge in our collection starts at $215 and tops out at $337,500 with the average selling for $1,078.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.