Building Figurative Paintings

Oliver Dennett Grover Grand Canal, 1926 Signed and dated lower left Oil on canvas 24 x 30 inches Grover's family relocated to Chicago during his childhood. There, he dedicated a si...

➡️Rustic Cottage in a Woodland Clearing⬅️ This painting, signed simply 'Adam,' appears to be the work of an artist closely associated with the Barbizon school—a movement that emerge...

Il Mercato a Piazza del Popolo è opera del pittore olandese Jacob van Huchtenburgh, nato a Haarlem e presente, nel corso dei primi anni Sessanta del Seicento, a Roma, a stretto conta...

Laurence Rushton (1919-1994), original street scene in oil. Signed to the lower left. Well-presented in a contemporary silver-gilt frame with linen slip. On canvas on stretchers.

Provenance: Galeria Durban Cesar Segnini, Caracas Venezuela. Emerio Dario Lunar was born on January 27, 1940 in Cabimas, Zulia state. Self-taught ...

Colorate opere di Aeropitture tecnica mista su giornali ,quotidiani tra il 1927 e 1935 Colori brillanti Pubblicato sul catalogo della Mostra "Michele Falanga aeropitture 1925-1937 G...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

Michael Miller’s "Barn in the Rain" is a captivating oil painting on linen panel that embodies the quiet stillness of rural landscapes, in the calm before a storm. Measuring 10 x 10 ...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Open Road" (2023) depicts an American midwestern plains scene of a small-town during sunset. Artist Biography: ...

Josh George's (US based) "Nighttide" is an original, handmade mixed media painting that depicts a city at night with a moody sky. About the Artist: Josh George is a contemporary r...

Harrods View painted Plein Air All Prima. Discover new works by Tushar Sabale available to buy online and in our art gallery at Wychwood Art. Tushar Saba...

"Hallman's" is a landscape with figures and farmhouse, by American Impressionist painter Albert Van Nesse Greene. The painting is a 13.5" x 19....

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Cottage in Notgrove, Gloucestershire by Elizabeth Chalmers [2022] original and hand signed by the artist Pen and Ink with Watercolour Image size: H...

Antonio Caputo (Italian, 1933-2021) Tempio Maggiore (The Bridge) Hand signed lower right, 'Tonino Caputo' Oil on canvas depicting the Great Synagogue of Rome with its distinctive ...

Sarah Robertson, The Louvre On the River Seine View, 30 x 22 in, Mixed Media on Paper A luminous riverside perspective of the Louvre, this painting blends old-world architecture with...

A fine pair of huge Italian 18' century Capriccio with Classical ruins, tempera oil on canvas . Atr.Pietro Paltronieri, il Mirandolese (Mirandola 1673-1741 Bologna). Measurements ...

Amedeo Sica (Italian, XX-XXI), City Market Scene, Oil on Canvas, signed lower right, distressed giltwood frame. Image: 15.75" H x 19.5" W; frame: 20" H x 24" W. Provenance: From a Ft...

This stunning original 1942 oil painting, titled "Victor, Colorado", is by acclaimed American artist Martyl Suzanne Schweig (1918–2013). A vibrant and historically rich landscape, this work captures the abandoned ghost town of Victor, Colorado, set against the majestic backdrop of the Rocky Mountains. Rendered in rich hues of green, gold, and earthy brown, Schweig brings to life the rugged beauty and quiet mystery of Colorado’s once-booming mining towns. The painting was completed during a plein-air painting trip with noted artist Adolph Dehn...

Acrylic on canvas In my dream, I saw the old city gate from sixty years ago. It was tall and majestic, carrying the vicissitudes of history, and looked particularly beautiful again...

Dale O Roberts' "Tuscan Hill Town" is an original, hand made encaustic painting that depicts a colorful Tuscan hillside. About the artist: Born 1959 in Waterville NY, Dale O Robert...

Urban Sunset #2, 2019

Based in Kent, UK, Adam De Ville says - I am a self taught painter of landscapes, cityscapes, still life, abstract and portraits. Painting is about storytelling, feeling, character...

Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...

Acrylic on canvas Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore C...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Josh George's (US based) "The Queen's Formal Entrance" is an original, handmade mixed media painting that depicts a colorful city street with a whimsical sky. About the Artist: Jos...

"Le Rouge Cloitre sous la neige" oil painting on canvas by Louis Clesse 20Th c. Wonderfull oil on canvas by Louis Clesse , Belgian School (1889 -1961 ). Clesse was a Belgian figurat...

Here we have a serious painting that flaunts classical architecture in an efficient disciplined technique, but the whimsical nature of the figures atop the building add a humorous el...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

Signed Lower Right

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the captivating scene of "Walking Under Blossom" by ...

Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...

This rare, original WPA-era painting, Church in Leadville (1938), was created by renowned Colorado and Woodstock modernist artist Jenne Magafan (1916-1952). The watercolor and ink wo...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Great antique Italian painting from the second half of the 19th century. Oil painting on canvas depicting countryside landscape of romantic style. Framework that has undergone a cons...

'Downtown Skyline and Tug' 2012 by NY contemporary artist Lawrence Kelsey. Oil on canvas, 42 x 34 in. A painting of downtown New York City in late afternoon in atmospheric hues of or...

Stephanie Buer's (US based) "Summer School" is an original, handmade oil painting that depicts a grey exterior wall of a school with a graffitied phrase. Stephanie Buer, now based ...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 67x76. Sirio Pellegrini, born in Rome on March 1, 1922, of...

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

Josh George's (US based) "A Level of Organization" is an original, handmade mixed media painting that depicts a bustling inner city interchange. About the Artist: Josh George is a ...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 SAINT MARKS SQUARE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 15-1/2 x 21-3/8 ...

American artist Harry Bennett designed this stunning gouache painting on cardboard. This early hyperrealist design features a church or school in the middle of nowhere in the country...

The Hotel Negresco, Nice Promenade des Anglais, Cote d'Azur by Laszlo Ritter (Hungarian Impressionist painter, 1937-2003) signed oil on canvas, unframed canvas: 28 x 30 inches proven...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Signed Lower Right A painting for a poster print.

The Monte-Carlo Opera House & Promenade French School, late 19th century signed watercolor on artists paper, unframed painting: 11 x 18.5 inches provenance: private collection, the F...

Linda Adair's (Germany based) "Seeking Solace" is an oil painting that depicts a figure in an industrial interior space Linda Adair is a contemporary figu...

Artist/ School: R. Diaz De Soria Robert (1883 -1971) Title: Purple Architecture Medium: oil painting on thin board , unframed Size: painting: 15 x 18 inches Provenance: the ar...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

A capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...

The main green gardening show in Milan, stimulated Margherita Leoni to create her first screen. Using her painterly skills, the artist designed and created a self-supporting, zig za...

A 'View of Saint-Médard Church, Paris', gouache on art paper, by Lucien Génin (circa 1930s). As viewed from the Rue Mouffetard, the church, which dates from the mid-1400s, continues ...

Parisian School Untitled, c. 1910 Oil on canvas 12 1/4 x 30 1/2 in. Framed: 15 1/8 x 33 1/4 x 1 1/2 in. Signed lower right: S. Bazzo

This captivating gouache on paper painting, dating from the early 19th century, offers a beautifully detailed view of St. Peter's Square in Vatican City, making it a likely relic of ...

Empire State Building, Manhattan, Cityscape Painting, New York, by British Landscape Artist. Art measures 60 x 40 inches Wakefield's work...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...