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Portrait Figurative Paintings

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Art Subject: Portrait
"Bad Hombre XLIV" (2025) By Mark Andrew Bailey, Original Oil Painting, Cowboy
Located in Denver, CO
Mark Andrew Bailey's "Bad Hombre XLIV" (2025) is an original, handmade oil painting that depicts an impressionistic profile portrait of a male cowboy with a beard wearing a hat. Ab...
Category

2010s Impressionist Portrait Paintings

Materials

Canvas, Oil

"Waiting Patiently" (2024) By Matt Talbert, Original Oil Painting, Portrait
Located in Denver, CO
Matt Talbert's "Waiting Patiently" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman looking at the viewer on an abstracted and colorful backgr...
Category

2010s Realist Figurative Paintings

Materials

Oil, Panel

State of Mind 14 - 21st Century, Contemporary, Figurative Portrait, Women
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil, Acrylic

“Two bathers” Vertical , ocean, blue, Impressionism , realism , figurative.
Located in Oslo, NO
This artwork vividly captures two swimmers emerging from the sea, encapsulating the essence of a serene seaside moment. The painting's use of color is striking, with the bright blue ...
Category

2010s Post-Impressionist Figurative Paintings

Materials

Paper, Gouache

"Washington" George Washington American Impressionistic Oil Painting on Canvas
Located in New York, NY
This painting depicts an impressionistic and abstract portrait of George Washington. The thick brush strokes and fun marks create an atmosphere reminiscent of the impressionists from...
Category

2010s American Impressionist Portrait Paintings

Materials

Canvas, Oil

Historical genre oil painting of a gentleman & his dogs
By Frank Dadd
Located in Nr Broadway, Worcestershire
Frank Dadd RI British, (1851-1929) Time for Supper Oil on canvas, signed & dated 1925 Image size: 19.75 inches x 15.75 inches Size including frame: 27 inches x 23 inches A well-exe...
Category

Early 20th Century Figurative Paintings

Materials

Canvas, Oil

Soft Love 2 - 21st Century, Contemporary, Figurative Portrait, Woman, Nature
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Inner Peace - 21st Century, Contemporary, Figurative, Portrait, Women, Africa
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Antique German Signed Oil Painting Portrait of Bavarian Gentleman with Pipe
Located in Cirencester, Gloucestershire
Portrait of a Bavarian Gentleman with Pipe by Theodor Recknagl (1865-1945) German signed oil on board, framed board : 7 x 5.5 inches Provenance: private collection, UK Condition: som...
Category

Late 19th Century Victorian Portrait Paintings

Materials

Oil

woman in white oil on canvas painting portrait
Located in Barcelona, Barcelona
Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...
Category

1940s Fauvist Portrait Paintings

Materials

Canvas, Oil

ANTIQUE FRENCH IMPRESSIONIST OIL PAINTING - PORTRAIT OF SEATED MAN IN HAT
Located in Cirencester, Gloucestershire
Artist/ School: French School, circa 1900. Title: Portrait of a seated man wearing a hat, with a mustache. The work is painted 'en grissaille' deliberately by the artist. Medium: o...
Category

19th Century Impressionist Portrait Paintings

Materials

Canvas, Oil

The Cornish Fisherman Antique English Signed Oil Painting Portrait of Sea Man
Located in Cirencester, Gloucestershire
One of the Crew by David W. Haddon (British early 20th century) signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, England cond...
Category

Early 20th Century English School Portrait Paintings

Materials

Oil

Portrait of a Young Gentleman English circa 1860's Period Framed Oil Painting
Located in Cirencester, Gloucestershire
19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...
Category

Mid-19th Century Victorian Portrait Paintings

Materials

Canvas, Oil

Young Girl with Her Cat
Located in San Francisco, CA
This artwork "Young Girl with Her Cat" c.1990 is an oil painting on panel by noted American artist Gunnar Donald Anderson, b.1927-2022. It is signed at the lower right corner by the artist. The panel size is 20 x 16 inches, framed size is 24 x 20 inches. Framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Gunnar Donald Anderson, age 95 of Sonoma CA passed away on April 26, 2022. Gunnar was born to Sven Gunnar Anderson...
Category

Late 20th Century American Impressionist Animal Paintings

Materials

Oil

Escuela española (XVIII) - Virgen Dolorosa - Óleo sobre tela
Located in Sant Celoni, ES
Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra se puede ver, presenta...
Category

Mid-18th Century Baroque Figurative Paintings

Materials

Oil

C. H. Renneman - 1867 Oil, Unwanted Attention
Located in Corsham, GB
A striking genre scene depicting a man trying to embrace a woman in a dimly lit interior. The woman attempts to push him away as a bystander watches the scene unfold from the doorway...
Category

Mid-19th Century Figurative Paintings

Materials

Oil

1930's French Portrait of Lady Impressionist Oil Painting on Canvas
Located in Cirencester, Gloucestershire
French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition
Category

Early 20th Century Impressionist Figurative Paintings

Materials

Oil, Canvas

[Bruce Sargeant (1898-1938)] Single Rower in Cattails
Located in New York, NY
Signed in red, u.l. Oil on canvas mounted to Masonite This work is offered by ClampArt in New York City.
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Masonite, Oil

"Nebula" - Oil Painting, Introspective Model
Located in Denver, CO
Nebula by Alexandra Manukyan This painting portrays a figure immersed in introspection. Her delicate posture reflects both vulnerability and strength. The swirling pink hues behind ...
Category

2010s Realist Figurative Paintings

Materials

Linen, Oil

1930's French Oil Portrait of Seated Lady in Interior Scene Working Sketch Study
Located in Cirencester, Gloucestershire
Portrait of a Lady by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 9.75 high by 6 inches wide condition: o...
Category

Mid-20th Century Impressionist Figurative Paintings

Materials

Oil

Contemporary Pop Surrealist Humanoid Acrylic Portrait on Canvas with Frame
Located in FISTERRA, ES
Acrylic on canvas figurative painting featuring a stylized humanoid portrait in crimson and turquoise tones, exploring fragmentation, memory, and constructed identity. Ancestor Clone...
Category

2010s Pop Art Portrait Paintings

Materials

Spray Paint, Acrylic, Canvas

Portrait of Old Woman - Painting by Francesco Settimj - 1930s
Located in Roma, IT
Oil on plywood realized in 1930s. Painted on both sides, recto and verso. Good condition.
Category

1930s Modern Figurative Paintings

Materials

Oil

Muse, Large Contemporary Painting by Pierre-Yves Gervais
Located in Long Island City, NY
Muse is a large-scale painting by Contemporary French artist, Pierre-Yves Gervais. With her face turned away from us we can only see the Muses erotic hair pin. This 1994 Oil on Canva...
Category

1990s Contemporary Figurative Paintings

Materials

Canvas, Oil

UNCONSCIOUS RIVALS- Angelo Granati - Italy Oil on canvas painting
Located in Napoli, IT
Unconscious Rivals- Angelo Granati Italia 2004 - This is his reinterpretation of a greatest old master painting by Lawrence Alma-Tadema. Oil on canvas cm.80x60. The painting is a true form of the romantic style of Alma-Tadema. It is an image of two women; one sitting, the other standing and apparently waiting for someone...
Category

Early 2000s Romantic Figurative Paintings

Materials

Canvas, Oil

Rose
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Canvas, Charcoal, Mixed Media, Acrylic

Rose
Rose
$2,200 Sale Price
20% Off
Anatomy Lesson, Segment 3 (Side Profile of Male Bust Gazing at Suspended Hand)
Located in Hudson, NY
Anatomy Lesson, Segment 3 (modern figurative oil painting of male bust in profile with hand) by Robert Goldstrom 2024 oil on linen 12 x 12 inches signed and in excellent condition T...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil

[Hippolyte-Alexandre Michallon (1849-1930)] Man with Fur Cap, Portrait Painting
Located in New York, NY
An oil painting by Mark Beard of a man wearing an animal fur on his head in a gold gilded frame. Man with Fur Cap, 1872 Signed and dated in red, l.l. $3,450 + $350 framing
Category

2010s Contemporary Paintings

Materials

Canvas, Oil

"White Shirt" (2023) Original Painting by Barbara Hack, Female Portrait
Located in Denver, CO
"White Shirt" by Barbara Hack is an original portrait painting depicting a female model. This piece is framed and ready to hang. Barbara Hack’s work is an ongoing reflection on peo...
Category

2010s Impressionist Portrait Paintings

Materials

Metal

Woman with glass oil on board painting Ramón Pichot
Located in Barcelona, Barcelona
Title: Woman with Glass Author: Ramón Pichot Soler (1924-1996) Technique: Oil on hardboard Dimensions: 18.1 x 15 inches Framing: Unframed Estimated year: 1970s Descripti...
Category

1970s Impressionist Figurative Paintings

Materials

Board, Oil

Portrait of Giuseppe Garibaldi - Oil Paint - 19th Century
Located in Roma, IT
Portrait of Giuseppe Garibaldi is an original modern artwork realized in the late 19th Century It represents the "Hero of the Two Worlds", Giuseppe Garibaldi. Mixed colored oil pai...
Category

19th Century Modern Portrait Paintings

Materials

Oil

"Little Girl in White Dress" Impressionist Girl Portrait Oil Painting on Canvas
Located in New York, NY
This painting depicts a whimsical portrait of a young girl. The bright colors and quick brushstrokes are what make this painting so attractive and desirable. The piece is done in a h...
Category

20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

'Young Woman Wearing a Copper Scarf', Paris, Salon d'Automne, Brittany, Skagen
Located in Santa Cruz, CA
Signed lower left, 'W. Schwartz' for Walter Erwin Otto Schwartz (Danish, 1889-1958), dated 1935 and inscribed 'Skagen' lower right. A substantial, psychologically penetrating portrait of a young woman with braids, shown dressed in a charcoal wool coat and wearing a copper-colored neck-scarf. The self-possessed sitter stands and meets the viewers gaze directly, proving herself an unusually confident subject for this noted Danish Modernist. Nephew of the Danish academic artist, Frans Schwartz, Walter Schwartz grew up surrounded by the painters who frequented the Danish art colony on the picturesque island of Skagen. Walter first studied formally (1904-8) with Michael Ancher...
Category

1930s Modern Figurative Paintings

Materials

Canvas, Oil

Dance me to the end of love- 21st Century Romantic painting- a girl with lantern
Located in Nuenen, Noord Brabant
Liseth Visser Dance me to the end of love 80 x 60 cm (Frame is included, framed 85 x 75 cm) Oilpaint on wood panel Dutch Female Artist Lis...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Wood Panel

Mid Century French Portrait Seated Male Nude in a Meditative Pose
Located in Cirencester, Gloucestershire
Title: Seated Male Nude in a Meditative Pose Artist: Josine Vignon (French 1922-2022) Medium: signed black pen/charcoal on artists paper stuck on board, glass covered Size: 9.5 (h...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Ballpoint Pen, Charcoal

America impressionist portrait young boy 1937 Modern Figurative Oil Painting
Located in Buffalo, NY
A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...
Category

1930s American Modern Figurative Paintings

Materials

Oil, Board

Untitled (Censor Painting Pink)
Located in Palm Desert, CA
"Untitled (Censor Painting Pink)" is a nude figurative acrylic on inkjet board painting by Richard Prince in 2009. The artwork is 35 1/2 x 30 inches and 37 1/2 x 32 x 1 1/2 inches wi...
Category

21st Century and Contemporary Contemporary Nude Paintings

Materials

Inkjet, Acrylic

Ronke-Enigma
Located in Ibadan, NG
Ronke-Enigma is a deeply evocative and visually striking oil painting that celebrates Black femininity, cultural memory, and the quiet strength of identity. Rendered in exquisite det...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Cotton Canvas, Oil, Acrylic

"Figure I - Her" Oil Painting 40" x 30" inch by Casey Baugh
Located in Culver City, CA
"Figure I - Her" Oil Painting 40" x 30" inch by Casey Baugh Medium: oil and ash on wooden panel ABOUT THE ARTIST: Baugh's work can be described as narrative impressionistic reali...
Category

21st Century and Contemporary Photorealist Portrait Paintings

Materials

Oil, Wood Panel

“Gypsy Girl”
Located in Southampton, NY
Original oil on mahogany wooden panel of a young gypsy woman in a colorful headdress and costume. Signed middle right and dated 1885, Brussels. Original inscription paper label vers...
Category

1880s Academic Figurative Paintings

Materials

Oil, Board

“Gypsy Girl”
“Gypsy Girl”
$5,200 Sale Price
20% Off
"Masked" (2023) by Pegah Samaie, Original Oil Painting, Female Portrait
Located in Denver, CO
Pegah Samaie's (CA based) "Masked" is an original, handmade oil painting that depicts a woman's face with floating fabric flowers that partially obstruct her features About the Arti...
Category

2010s Photorealist Portrait Paintings

Materials

Oil, Panel

"Elvis", Denied Andy Warhol Silver & Black Pop Art Painting by Charles Lutz
Located in Brooklyn, NY
Elvis, Metallic Silver and Black Full Length Silkscreen Painting by Charles Lutz Silkscreen and silver enamel painted on vintage 1960's era linen with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82" x 40" inches 2010 Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis are uncritical of a generated public image issued for mass consumption fails to appreciate the acuity of his specific re-presentation of the King. As with Marilyn, Liz and Marlon, Warhol instinctively understood the Elvis brand as an industrialized construct, designed for mass consumption like a Coca-Cola bottle or Campbell's Soup Can, and radically revealed it as a precisely composed non-reality. Of course Elvis offered Warhol the biggest brand of all, and he accentuates this by choosing a manifestly contrived version of Elvis-the-film-star, rather than the raw genius of Elvis as performing Rock n' Roll pioneer. A few months prior to the present work he had silkscreened Elvis' brooding visage in a small cycle of works based on a simple headshot, including Red Elvis, but the absence of context in these works minimizes the critical potency that is so present in Double Elvis. With Double Elvis we are confronted by a figure so familiar to us, yet playing a role relating to violence and death that is entirely at odds with the associations entrenched with the singer's renowned love songs. Although we may think this version of Elvis makes sense, it is the overwhelming power of the totemic cipher of the Elvis legend that means we might not even question why he is pointing a gun rather than a guitar. Thus Warhol interrogates the limits of the popular visual vernacular, posing vital questions of collective perception and cognition in contemporary society. The notion that this self-determinedly iconic painting shows an artificial paradigm is compounded by Warhol's enlistment of a reflective metallic surface, a treatment he reserved for his most important portraits of Elvis, Marilyn, Marlon and Liz. Here the synthetic chemical silver paint becomes allegory for the manufacture of the Elvis product, and directly anticipates the artist's 1968 statement: "Everything is sort of artificial. I don't know where the artificial stops and the real starts. The artificial fascinates me, the bright and shiny..." (Artist quoted in Exh. Cat., Stockholm, Moderna Museet and traveling, Andy Warhol, 1968, n.p.). At the same time, the shiny silver paint of Double Elvis unquestionably denotes the glamour of the silver screen and the attractive fantasies of cinema. At exactly this time in the summer of 1963 Warhol bought his first movie camera and produced his first films such as Sleep, Kiss and Tarzan and Jane Regained. Although the absence of plot or narrative convention in these movies was a purposely anti-Hollywood gesture, the unattainability of classic movie stardom still held profound allure and resonance for Warhol. He remained a celebrity and film fanatic, and it was exactly this addiction that so qualifies his sensational critique of the industry machinations behind the stars he adored. Double Elvis was executed less than eighteen months after he had created 32 Campbell's Soup Cans for his immortal show at the Ferus Gallery, Los Angeles in July and August 1962, and which is famously housed in the Museum of Modern Art, New York. In the intervening period he had produced the series Dollar Bills, Coca-Cola Bottles, Suicides, Disasters, and Silver Electric Chairs, all in addition to the portrait cycles of Marilyn and Liz. This explosive outpouring of astonishing artistic invention stands as definitive testament to Warhol's aptitude to seize the most potent images of his time. He recognized that not only the product itself, but also the means of consumption - in this case society's abandoned deification of Elvis - was symptomatic of a new mode of existence. As Heiner Bastian has precisely summated: "the aura of utterly affirmative idolization already stands as a stereotype of a 'consumer-goods style' expression of an American way of life and of the mass-media culture of a nation." (Exh. Cat., Berlin, Neue Nationalgalerie (and traveling), Andy Warhol: Retrospective, 2001, p. 28). For Warhol, the act of image replication and multiplication anaesthetized the effect of the subject, and while he had undermined the potency of wealth in 200 One Dollar Bills, and cheated the terror of death by electric chair in Silver Disaster # 6, the proliferation of Elvis here emasculates a prefabricated version of character authenticity. Here the cinematic quality of variety within unity is apparent in the degrees to which Presley's arm and gun become less visible to the left of the canvas. The sense of movement is further enhanced by a sense of receding depth as the viewer is presented with the ghost like repetition of the figure in the left of the canvas, a 'jump effect' in the screening process that would be replicated in the multiple Elvis paintings. The seriality of the image heightens the sense of a moving image, displayed for us like the unwinding of a reel of film. Elvis was central to Warhol's legendary solo exhibition organized by Irving Blum at the Ferus Gallery in the Fall of 1963 - the show having been conceived around the Elvis paintings since at least May of that year. A well-known installation photograph shows the present work prominently presented among the constant reel of canvases, designed to fill the space as a filmic diorama. While the Elvis canvases...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Enamel

Black Tribe - 21st Century, Contemporary, Figurative, Portrait, Africa, Pattern
Located in Ibadan, Oyo
The suri tribe, an agro-pastoral people, resides in the west Omo zone of Ethiopia's Southern Nations and Peoples' region, known for their unique traditions, practices, including lip ...
Category

21st Century and Contemporary Contemporary Portrait Paintings

Materials

Canvas, Acrylic

Factory Worker
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Factory Worker, c. 1936, oil on canvas, signed lower right, 18 ¼ x 36 inches; exhibited in City ...
Category

1930s American Realist Figurative Paintings

Materials

Oil

Echoes of Love -21st Century, Contemporary, Figurative Portrait, Fashion, Women
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Outstanding
Located in Ibadan, Oyo
I have made the world where I am coming from a stepping stone in my life's journey. I believe in myself and keep striving to be the better version of myself. I read and reading has p...
Category

21st Century and Contemporary Contemporary Portrait Paintings

Materials

Canvas, Oil, Acrylic

Outstanding
Outstanding
$2,000 Sale Price
20% Off
19th Century French Realist Oil Profile Portrait of Lady Beautiful Quality
Located in Cirencester, Gloucestershire
French realist artist of the 19th century oil painting on board, unframed board: 12.5 x 10.5 inches provenance: private collection, France condition: ...
Category

Mid-19th Century Academic Portrait Paintings

Materials

Oil

"Lost in Thought" (2024) By Matt Talbert, Original Oil Painting, Portrait
Located in Denver, CO
Matt Talbert's "Lost in Thought" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman leaning against a wall with bright sunlight shining on her. ...
Category

2010s Realist Figurative Paintings

Materials

Oil, Panel

Escuela española (XVIII) - Óleo sobre tela - San Juan Bautista
Located in Sant Celoni, ES
Escuela Española siglo XVIII Se trata de un óleo sobre tela representando a San Juan Bautista Se presenta sin enmarcar la obra Medidas: 104 x 83 cm. El estado se puede ver, pres...
Category

18th Century Old Masters Figurative Paintings

Materials

Oil

Victorian English Oil Painting Portrait of a Young Girl In a Bonnet with Her Dog
Located in Cirencester, Gloucestershire
Portrait of a Young Girl with Her Loyal Dog English School, 19th century oil on canvas, unframed Canvas: 28 x 20 inches Provenance: private collection, England Condition: very good c...
Category

Mid-19th Century Victorian Figurative Paintings

Materials

Oil

A House Where No One Lives
Located in Zofingen, AG
This artwork captures the intrigue of two wanderers stumbling upon an abandoned house, drawn in by the silent echoes of its past. Their curiosity leads them inside, exploring its em...
Category

2010s Realist Figurative Paintings

Materials

Acrylic

Joyline 2 - 21st Century, Contemporary, Figurative, Women Breastfeeding Child
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

John Begg Jr., Expressionist Portrait by Joseph Solman
Located in Long Island City, NY
In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...
Category

1960s Expressionist Portrait Paintings

Materials

Masonite, Oil

"Pastel Blue", Wood, Original Figurative Portrait Painting, Affordable
Located in Deddington, GB
Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of my visual capture. Her poetic port...
Category

21st Century and Contemporary Minimalist Figurative Paintings

Materials

Wood, Acrylic

Embrace of Solitude - 21st Century Contemporary, Figurative, Portrait, Modern
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...
Category

21st Century and Contemporary Conceptual Figurative Paintings

Materials

Canvas, Acrylic

Fine Large 17th/ 18th Century English Portrait of Mr. Gilbert Charity Founder
Located in Cirencester, Gloucestershire
Portrait of Mr. Gilbert (believed to be the founder of 'Gilberts Charity, Bridgwater, Somerset) English School artist, late 17th/ early 18th century oil...
Category

Late 17th Century Old Masters Portrait Paintings

Materials

Oil, Canvas

Judith with the Head of Holofernes, Antique Oil Painting after Cristofano Allori
By Alessandro di Cristofano Allori
Located in Berlin, DE
Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...
Category

18th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

"Luminous, " Oil Painting
Located in Denver, CO
Sara Scribner's (US based) "Luminous" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in a white dress with delicate white butterflies drawing near her in the darkness. About the Artist: Sara Scribner (B. 1982 Fremont, California) is a figurative painter living in Oklahoma. She earned a BFA in painting from the Academy of Art University in San Francisco. She has exhibited in museums and galleries across the US and in Europe, including European Museum of Modern Art (MEAM) museum in Barcelona, Spain, Wausau Museum of Art in Wausau, WI, Wally Workman Gallery...
Category

2010s Surrealist Portrait Paintings

Materials

Oil, Panel

Sojourner
Located in Ibadan, Oyo
"Sojourner" by Morakinyo Femi is a captivating artwork that presents a young man seated in a fashionable attire, adorned with striking jewelry and sport...
Category

1970s Contemporary Figurative Paintings

Materials

Canvas, Oil, Acrylic, Pastel

Sojourner
Sojourner
$3,600 Sale Price
20% Off
Ribera workshop (Baroque master) - 17th century figure painting - Saint Joseph
By Jusepe de Ribera
Located in Varmo, IT
Jusepe de Ribera (Xàtiva 1591 - Naples 1652) circle of - San Giuseppe. 108 x 80 cm without frame, 123 x 95 cm with frame. Antique oil painting on canvas, in a carved and gilded woo...
Category

Mid-17th Century Baroque Figurative Paintings

Materials

Canvas, Oil

"A Life That Mattered" (2022) by Lisa Fricker, Original Oil Portrait Painting
Located in Denver, CO
Lisa Fricker's "A Life That Mattered" is an original, handmade oil painting that depicts a portrait of a woman looking down seemingly glancing away from the viewer. This painting mea...
Category

21st Century and Contemporary Portrait Paintings

Materials

Oil, Panel

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