
Zamy Steynovitz Beauties Carrying A Bunch of Grapes Original Oil
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Zammy SteynovitzZamy Steynovitz Beauties Carrying A Bunch of Grapes Original Oil
$4,200List Price
About the Item
- Creator:
- Dimensions:Height: 19.5 in (49.53 cm)Width: 24.5 in (62.23 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3821034493
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Dove of Peace, Bounty of Fruit Original Oil by Zamy Steynovitz
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Located in Surfside, FL
Zamy Steynovitz was bon in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children. Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world. His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes. In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist. Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times. As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Mehahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmund Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000. Exhibitions One Man Show 1970 - Museum - Ramat - Gan 1973 - Brussels - Gallery L'Angle Aigu 1974 - London - International Gallery 1974 - Paris - Grand Palais Gallery 1975 - Milan - Brera Gallery 1976 - N.Y. Valentino Gallery - N.Y. Hilton 1977 - N.Y. Valentino Gallery - N.Y. Hilton 1978 - Basel - Actual Gallery 1978 - Geneve - Bohren Gallery 1978 - Oslo - Nobel Peace Prize Exhibit 1979 - London - Hamilton Gallery 1979 - N.Y. - Art Israel Kalt - Waldinger Gallery 1979 - N.Y. - Canty Art Gallery 1979 - Amsterdam - Schipper Gallery 1979 - Washington - International Art Fair 1980 - Cleveland -Jewish Museum 1980 - Tel-Aviv - Habima National Art Fair 1981 - Abraham - Goodman House N.Y. 1981 - San Lucas Galley - Bogota 1982 - Pedro Gerson Gallery - Mexico City 1983 - Simon Bolivar...
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Zamy Steynovitz Beauties Carrying A Bunch of Grapes Original Oil
By Zammy Steynovitz
Located in Surfside, FL
Perfect for the Oenophile, Sommelier, Vintner or Wine Lover in your life!
Zamy Steynovitz was bon in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children.
Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world.
His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes.
In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist.
Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times.
As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Mehahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmund Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000.
Exhibitions One Man Show
1970 - Museum - Ramat - Gan
1973 - Brussels - Gallery L'Angle Aigu
1974 - London - International Gallery
1974 - Paris - Grand Palais Gallery
1975 - Milan - Brera Gallery
1976 - N.Y. Valentino Gallery - N.Y. Hilton
1977 - N.Y. Valentino Gallery - N.Y. Hilton
1978 - Basel - Actual Gallery
1978 - Geneve - Bohren Gallery
1978 - Oslo - Nobel Peace Prize Exhibit
1979 - London - Hamilton Gallery
1979 - N.Y. - Art Israel Kalt - Waldinger Gallery
1979 - N.Y. - Canty Art Gallery
1979 - Amsterdam - Schipper Gallery
1979 - Washington - International Art Fair
1980 - Cleveland -Jewish Museum
1980 - Tel-Aviv - Habima National Art Fair
1981 - Abraham - Goodman House N.Y.
1981 - San Lucas Galley - Bogota
1982 - Pedro Gerson Gallery - Mexico City
1983 - Simon Bolivar...
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PAINT Abstract Belgian Contemporary Oil Painting Ellen De Meutter Woman Artist
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Ellen De Meutter
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31.5 x 23.6 in (80.0 x 59.9 cm)
Provenance: Secrets & Lies show at her American gallery Roberts & Tilton, LA in 2007
Ellen De Meutter (1981) teaches painting at the Royal Academy of Fine Arts of Antwerp. In 2006-2007 she followed the HISK programme in Ghent, in 2013-2014 she did a residency at the Jan Van Eyck Academy in Maastricht.
De Meutter is represented by Tim Van Laere Gallery since 2006. (they represent Tal R, Marcel Dzama, Tomasz Kowalski and Franz West) Her work has been shown in various exhibitions in Belgium, the United States, Italy, Spain, the Netherlands, Germany and Japan. In 2010 she had her first solo museum exhibition in Museum Dhondt-Dhaenens.
Ellen De Meutter alters her viewer's reality by presenting a language in which she classifies the figures, shapes and colors from her personal world into a captivating utopia. Contrary to current trends in Flemish art, De Meutter is not simply relaying an anecdote; she composes unique imagery that allows her to experiment with the placement of the subject and unique treatments of her medium. De Meutter's repertoire of vivid, semi-neon colors contrast the muted grays blacks and grays on which they lay. These seemingly energetic colors are at once enhanced by the dark undertones of the canvas below, while simultaneously insinuating a concealed gravity of subject. Belgian art critic and curator, Luk Lambrecht remarks on De Meutter's painting: "she folds back 'her' world onto itself, into a solid mass of color from which, very slowly, vague contours emerge, which safeguard our expectations about looking at an image." De Meutter's scenes are reminiscent of schoolyard games, incorporating a series of text and symbols. By combing figurative imagery with basic abstraction, Ellen De Meutter creates wildly successful compositions that allude to her comprehensive understanding of contemporary painting. She was included in the show, Tomorrow is a long time: Ellen De Meutter, Gelitin, Kati Heck, Anton Henning, Friedrich Kunath...
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