Human Skin

Antique Teaching Aid - Structure of the Human Skin, Plaster on Wood An antique hand-painted anatomical wall model depicting the structure of the human skin with roots of the hair.

Teaching Aid Showpiece - Structure of the Human Skin, Resin on Wood 1950s A vintage hand-painted anatomical model depicting the structure of human skin with hair roots.

Teaching Aid Showpiece - Structure of the Human Skin, Plaster on Wood 1930s An antique hand-painted anatomical model depicting the structure of human skin with hair roots.

A highly detailed pull-down wall chart showing skin and tongue. Used as teaching material in German schools.

Shapes and forms when observed closely suggest human skin, veins, and organs, symbolizing our mortality.

The patina is one I developed over many years, selected for its ability to accentuate the sculpted form and reflect light in a way similar to that of human skin. This patina contain...

Muted red, terracotta, blue, and gray tones flow across the canvas, creating a gentle contrast between the warmth of human skin and the cool blue-gray velvety texture of the cat’s fur.

Louis Thomas Jérôme Auzoux (1797-1880) Skinned Human anatomical Model Paris, around 1850 135 cm In the 1820s Louis Auzoux, a French medical graduate made papier mâché dissectable an...

A great vintage medical pull-down wall chart by Hagemann, Duesseldorf part 8 of the serie our human body illustrating skin and its performance.

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars.

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

The subjects are natural and revealed, whether covered with feathers or fur or human skin. His narratives are intentionally open-ended and invite the viewer to participate in the sto...

Right panel: Hatchet Inn, Frogmore Street, Bristol – One of Bristol’s oldest surviving pubs, built in the 16th century and famous for its half-timbered façade and legendary folklore,...

When first produced in 1977, the CAB was the first chair to feature a free-standing leather structure, inspired by how human skin fits over our skeleton. The leather upholstery is co...

Alabaster, a soft and translucent stone, was highly prized by 17th-century Sicilian sculptors for its ability to mimic the softness of human skin and for the way it captured light. T...

She believes that leather's natural calming effect is due to its resemblance to human skin. The subtle grey sand color of the suede complements the overall soft dramatic effect of t...

This is one of the most popular and beloved deities in Mongolia- she (yes, this is a she) is typically shown (as here) sitting on a human skin atop her horse, walking through a sea o...

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

Legend has it that the pub’s door was once covered in human skin beneath layers of paint, adding to its eerie and fascinating history.

The magic happens when the ephemeral, volatile nature of paint on human skin is forever captured by the lens and immortalized in the image.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork.

The structure of my sculptures is like human skin, cut and marked by a life lived. This sculpture will be shipped in a wooden crate.

The structure of my sculptures is like human skin, cut and marked by a life lived. This sculpture will be shipped in a wooden crate.

Immensely talented, Dauvergne's painting is imbued with poetry, as as the present painting shows, he renders human skin with mastery. Painted on a panel measuring 19 x 11 cm; our pai...