Victorian Art

"Summer on the Cornish Coast" by Bryan Hook (British, 1856–1925) Signed and dated 1880. Original artist’s inscribed label verso. Medium: oil on canvas, framed. Framed: 24.5 × 32.5 in...

Attributed to John Alfred Wheeler 1821 – 1903 Picture Size: 13 x 16.5" (33 x 42cm) Framed Size: 17.75 x 21.25" (45 x 54cm) Oil on panel. Unsigned Provenance: Bonhams Sporting Sale ...

Scottish Mountain Loch with Cattle and Rocky Foreground by Benjamin Williams Leader (British, 1831–1923) Signed and dated lower left, 1881. Medium: oil on canvas, framed. Framed: 23 ...

Scottish Highland Landscape of Loch Lurgan Oil Painting By Prudence Turner (British, 1930–2007) Signed lower right. Inscribed verso "Loch Lurgan". Medium: oil on canvas, framed. Fram...

The Two Sporting Spaniels By J. A. Wheeler (British, late 19th/ early 20th century) Signed middle lower left. Oil on board, framed. Framed: 16 x 17.5 inches (height x width) Board: ...

Highland Cattle Grazing on a Scottish Moor beneath Dramatic Skies by Edward Hargitt (British, 1835–1895) Signed. Framed: 19.5 × 25 inches Canvas: 12 × 18 inches Medium: Oil on canvas...

The Sunlit Harvest Field by Peter Leslie (British, 1877–1953) Signed lower front corner Framed: 29 × 41 inches Canvas: 24 × 36 inches Medium: oil on canvas. Provenance: private colle...

British Countryside Landscape Antique Oil Painting Woodland Meadow View H. Easy (19th–20th Century British) Framed: 17 x 23.5 inches Board: 15 x 22 inches Medium: Oil on board, frame...

Fine Antique Norwich School, English River Landscape Oil Painting Watermill Church Tower Scene by Joseph Paul (British, 1804–1887) Framed: 37 x 30 inches Canvas: 31 x 25 inches Medi...

Beautiful British Countryside Heathland Landscape Antique Oil Painting H. Easy (19th–20th Century British) Framed: 17 x 23.5 inches Board: 15 x 22 inches Medium: Oil on board, framed...

Fine Welsh Mountain Lake Landscape Antique Oil Painting Figures by River by Benjamin Williams Leader (1831–1923) British signed and dated lower left corner Framed: 16 x 23.5 inches C...

Cherry Blossom Tree and Figures in a Cottage Garden Landscape by Dolores A. Baxter Oil on canvas, framed. Framed: 17 x 23 inches Canvas: 15 x 21 inches Provenance: Private Collection...

'On the Coe, Glencoe' Sunset Scottish Highlands Landscape by F. E. Jamieson (1895-1950) signed oil on canvas, framed framed: 20 x 28 inches canvas: 16 x 24 inches provenance: private...

JOHN ANTHONY WHEELER Portrait of a Jack Russell Terrier John Anthony Wheeler, English, 1821–1903 Portrait of a Jack Russell Terrier British Sporting Art Oil on artist’s board, cir...

Early Victorian Portrait of a Lady Wearing a Lace Bonnet Watercolour By H. Payne (Early Victorian School) Signed and dated 1839. Framed: 15.5 x 13 inches Drawing: 11.5 x 9.5 inches M...

Victorian Rural Farmyard Horse and Cart Country Landscape Oil Painting English School, 19th century indistinctly signed and dated Oil on canvas, framed. Framed: 26 x 36 inches Canvas...

Circle of Henriëtte Ronner-Knip (Dutch-Belgian, 1821–1909) Portrait of Companion Dogs and Cats Oil on canvas, circa 1890 Signed lower right Painted in the closing decades of the nin...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

British Fox Hunting Scene By E. Ball (British School, early 20th century) Signed and dated '63'. Framed: 20.5 × 26.5 inches Board: 18 × 23.5 inches Medium: oil on board. Provenance: ...

Sunlit Highland Loch with Mountains Beyond at Sunset, Scottish Landscape "Glencoe" by Joel B. Owen (British, early 20th century) signed and dated 1925 Oil on canvas, framed Framed: 2...

'Bringing them Home' English School, 19th century signed by the artist, 'F. Thomas' oil on canvas, framed framed: 25 x 35 inches canvas : 20 x 30 inches Provenance: private collectio...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Crossing Borderland by Thomas Henry Gibb ( British, 19th century ) inscribed verso dated 1894 signed oil on canvas, framed framed: 31 x 49.5 inches canvas: 28 x 46.5 inches Provenan...

19th Century English Folk Art Portrait of a Prize Cow in a Pastoral Landscape Mart (fl. 19th century) Signed oil on canvas, framed Framed: 25.5 x 29 inches Canvas: 20.5 x 24 inches P...

"Going to Market, Woking Common" Pastoral River Landscape with Figures Under a Dramatic Sky George Cole (British, 1810–1883), inscribed to the mount, seemingly unsigned Oil on canva...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

This late 19th-century oil painting by Irish artist William McAlpine (1821/22-after 1891) depicts a sailing vessel consumed by fire upon calm coastal waters. Flames tear through th...

Figures Outside Thatched Country Inn English Rural Genre Scene by English School (British, mid-19th century) oil on canvas, framed in an ornate gilt moulded frame Framed: 22 x 18.25...

Scottish Highland Castle Landscape Oil Painting of Eilean Donan Castle Signed by E. Baker (20th century) English Framed: 18 x 23 inches Board: 17 x 21 inches Medium: Oil on board, fr...

Portrait of an officer of the 94th Regiment of Foot, circa 1830 * see notes below Irish School oil on canvas, unframed canvas: 30 x 25 inches Labeled verso Provenance: private collec...

Danish School, 19th Century A charming late 19th-century Scandinavian composition depicting a solitary woman making her way towards a garden gate. Paintings of this kind invite the ...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Woman in Cottage Interior French School, 19th century signed initials oil on wood panel, framed in period antique gilt frame framed: 15 x 12.5 inches panel: 9 x 6.75 inches Provenan...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) signed lower corner oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private col...

Golden Light across the River E.J. Wilson ( English, 20th Century) signed oil on board, framed framed: 20 x 28 inches board : 18 x 26 inches Provenance: private collection Condition:...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

Attributed to George Earl, English, 1824–1908Portrait of a Black, White and Tan DogBritish Sporting ArtOil on canvas, circa 1880UnsignedPresented in its original giltwood frame This...

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

Tranquil Pastures by Thomas Spinks (British, 1847-1927) signed and dated (18)91 oil on board framed framed: 9.5 x 12.5 inches board : 7 x 10 inches Provenance: private collection, En...

'1. Devanica tricolor 2. Erasmia pulchella 3. Amesia sanguiflua' Late 19th century colour lithograph of butterflies.

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Woodland Walk by George Willis-Pryce (1866-1949) signed oil on board, framed framed: 13 x 19 inches board: 10.5 x 6 inches Provenance: private collection, UK Condition: the frame has...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

Sunset over the Highland Loch by F. E. Jamieson (British 1895-1950) signed (with pseudonym) oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private co...

Robert Hancock (British, early 20th century) Fox Hunting Scene with Huntsmen and Hounds in a Winter Landscape Monogrammed lower right, circa 1930 Oil on canvas Presented in an ornate...

Classical Still Life English School, signed and dated 1968 signed oil on board, unframed board : 28 x 25.5 inches Provenance: private collection, England Condition: a very few minor ...

The White Terrier English School, 19th century oil painting on board, gilt framed framed: 12 x 11 inches board : 9 x 7 inches Provenance: private collection, Cotswolds, England Condi...

Portrait of a Pug Dog French School, 19th century, unsigned inscribed verso possibly with the artists name/ former owner oil on canvas, framed framed: 26 x 22 inches canvas : 22 x 19...

In Burnham Woods by Daniel Sherrin (British, late 19th century) titlled to frame oil on board, framed inscribed verso framed: 16 x 14 inches board : 10 x 8 inches Provenance: private...

The Country Watermill English School, circa 1830's oil on canvas, framed framed: 23 x 29 inches canvas: 18 x 24 inches Provenance: private collection, Cotswolds, England Condition: v...

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Figures Resting in an Expansive Mountain Valley Landscape 19th Century British School, indistinctly signed Medium: oil on canvas, framed. Framed: 29 × 41 inches. Canvas: 24 × 36 inch...

Preparing the Ships Coastal Marine Scene with Figures and Sailing Vessels English, mid 19th century oil on board, framed in a gilt moulded frame Framed: 10.75 x 14.5 inches Board: ...

Majestic Highland Loch Landscape (we believe this depicts Loch Lomond in the Trossochs region of Scotland). signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed...

Tranquil Landscape by Rex Vicat Cole (British 1870-1940) * see notes below signed & dated 1899 oil on canvas, framed framed: 16 x 20 inches canvas: 10 x 14 inches provenance: private collection, UK condition: very good and sound condition; please note the frame is antique and as such has minor losses to the plaster and gilt, we include it free of charge but cannot warranty its condition. Reginald (Rex) Vicat Cole was the son of the artist George Vicat Cole. He began to exhibit in London in the 1890s and was elected a member of the Royal Society of British Artists in 1900. He taught at King’s College London with Byam Shaw and together they opened their own establishment, the Byam Shaw and Vicat Cole School of Art in Camden Street, Kensington in 1910. At the outbreak of the First World War Vicat Cole and Byam Shaw enlisted in the Artists Rifles...

Sunset in the Scottish Highlands By F. E. Jamieson (British 1895-1950) Signed with the artist’s pseudonym “Henry Cooper” signed oil painting on canvas, framed framed: 24 x 33 inches...