Victorian Art

J.G. (English, fl. early 20th century) Fox Hunting Scene with Huntsman and Hounds Oil on board, circa 1906 A spirited and finely observed English fox hunting scene depicting a field...

Samuel Henry Alken (British, 1810-1894) A fall at the brook Oil on canvas Canvas size 10 x 14 in Framed size 12 1/2 x 16 1/2 in This lively and dramatic composition captures the hei...

Harvest Scene with Shire Horses Hay Cart English Countryside Landscape by Donald Ayres (British, b. 1936) signed oil on canvas, framed Framed: 22 x 28.5 inches Canvas: 18 x 24 inches...

The London to Brighton coach circle of Charles Henry Cooper Henderson, British 19th century signed indistinctly lower right corner oil on board, framed framed: 11 x 17 inches board: ...

Fishing the Highlands attributed to Julius Caesar Ibbetson (1759–1817) inscribed verso oil on wood panel, framed Framed: 11 x 15 inches panel: 8.5 x 13 inches Provenance: private c...

This exceptionally charming antique Continental oil painting depicts an intimate and tender scene of a mother with her young child, re...

Hebert James Draper Signed bottom right Oil on canvas Picture size 53 x 27" / 135 x 68.9cm Frame size 64 x 38" 163 x 96.5cm 1864-1920 Herbert James Draper was born in London. He...

Rydal Water, Lake District by J.W.Eyre, signed lower right and titled verso oil on canvas over board, framed dated 1840 verso framed: 23 x 31 inches board: 16 x 24 inches Provenance:...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

Still Life of Fruit by Oliver Clare (British 1853-1927) oil on canvas, framed framed: 11 x 14 inches canvas : 6 x 9 inches Provenance: private collection, England Condition: very go...

Robert Hancock (British, early 20th century) Fox Hunting Scene with Huntsmen and Hounds in a Winter Landscape Monogrammed lower right, circa 1930 Oil on canvas Presented in an ornate...

Frank Moss Bennett British, (1874-1952) The Bowling Match Oil on canvas, signed & dated 1922, with original slip Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 in...

Wonderful English 19th century Fall landscape, with a figure on a pathway passing sone Elm or Oak trees. This piece is signed lower right and is framed in a Vintage American Gold Le...

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Cattle Watering by Stream by George Henry Jenkins (British, 1843-1914) signed oil on board, framed framed: 16 x 24 inches board: 12 x 20 inches Provenance: private collection, Englan...

The Close of Day by Edwin Henry Boddington (1836–1905) signed lower front corner oil on canvas, framed framed: 30 x 42 inches canvas : 24 x 36 inches Provenance: private collection,...

Resting by the River English artist, 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10 x 12.5 inches provenance: private collection, England condition: very go...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

'Jumbo' Vanity Fair legal portrait of Mr Samuel Pope QC, an Irish barrister. Accompanied by original descriptive text. 380mm by 260mm (sheet)

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

The River Cottage by Henry Cooper (British, active between 1890-1930) signed lower corner oil painting on canvas, framed framed size: 24 x 32 inches condi...

Early 20th-century English oil painting with the subject taken from one of Robert Bloomfield's poems, The Farmers Boy. "E'en Sober Dobbin lifts his clumsy heel, and kicks, disdainful of the dirty wheel Edward Algernon Stuart Douglas...

The Fisherman and his Catch 19th century British School, unsigned oil on canvas, framed framed: 13 x 15 inches canvas: 10 x 8 inches Proven...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Alfred de Breanski Snr British, (1852-1928) Sunset over a Scottish Highland Loch Oil on canvas, signed Image size: 19.5 inches x 29.5 inches Size including frame: 26.5 inches x 36....

Wright Barker R.B.A. (1864-1941) "Faithful companions" - Collies in a Highland loch landscape signed and dated 'Wright Barker/ 1898' (lower right) Oil on canvas Canvas Size - 36 x 48...

Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) signed with the artists pseudonym oil on canvas, unframed canvas: 20 x 30 inches provenance: private colle...

A large impressive original Victorian oil painting which was painted circa 1890 by Scottish listed artist Joseph Farquharson RA. This Romantic Scottish landscape view is in fine condition and is framed in a Victorian gilt gallery frame. He was a noted landscape painter of snow scenes around Finzean in Aberdeenshire and often painted at dusk or dawn. This painting however depicts a sublime Scottish river landscape with a river and the mountains in the background. It is a very expansive panoramic view. A large painting in good condition and a lovely example of a 19th century Scottish landscape. Similar examples of his paintings are on display in Kelvingrove Art Gallery Glasgow and the National Gallery Scotland. Signed Joseph Farquharson. Provenance. Scottish collection. Condition. Oil on canvas. Image size is 37 inches by 27 inches, fine condition. Framed size is 44 by 34 inches, housed in a gilt gallery frame. Excellent condition. Born in Edinburgh, Scotland in 1846, Joseph Farquharson combined a long and prolific career as a painter with his inherited role as a Scottish laird. He painted in both oils and water colors. His mother, a celebrated beauty, was an Ainslie. His early days were spent in his father's house in Northumberland Street below Queen Street Gardens and later at Eaton Terrace beyond the Dean Bridge, Edinburgh and at Finzean. His father Francis was a doctor and laird of Finzean in Aberdeenshire. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father’s paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints he could call his own and only a year later he exhibited his first painting at the Royal Scottish Academy. His first major portrait was of ' Miss Alice...

Melanie Sherman Vintage Moth I (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches Sig...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

English School, circa 1800 Napoleonic Wars Marine Scene oil on canvas, framed framed: 10.5 x 13 inches canvas: 8 x 10 inches private collection, England condition: The painting is i...

Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...

Louise Lenka German, Early 20th Century Sparrows Eating Cherries in a Landscape Circa 1910 Oil on wooden panel Signed on the reverse and lower left Presented in a gilt period frame ...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

Crofter Cottahes by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed framed: 23 x 30 inches canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards". F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

Artist: John James Audubon (American, 1785-1851) Title: "Whooping Crane" (Plate 313, No. 63) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Orig...

Gathering the Harvest English School, 20 th century, painted in an earlier style oil painting on board, in moulded gilt frame framed: 14 x 16 inches board: 8.5 x 10 inches provenanc...

Charming antique sailors valentine handcrafted in exotic seashells in a star form with a rocky coastline image under a convex oval lens.

Highland 'Coos' in a Scottish Highland Loch Landscape by Donald Ayres (British b. 1936) (artists bio follows below) signed oil painting on board, framed. framed: 17 x 21 inches boar...

Cattle Watering in the Highland Loch, Dusk British School, 19th century circa 1860's oil on board, framed framed: 16 x 20 inches board: 12 x 16 inches provenance: private collection,...

Pastoral Landscape with Figure and Cattle English School, mid 19th century signed lower front corner oil on canvas, framed Framed: 18 x 24.5 inches Canvas: 14 x 21 inches Provenance:...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...

Artist/ School: Circle of Patrick Nasmyth (1787-1831) British Title: A Highland Landscape with Figures in the foreground, Medium: Oil on Card, Inscribed on a label verso Size: car...

The Cotswolds Stone Wall Builder by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, ...

Lords and Ladies Flower English School, 19th century Medium: watercolour drawing on paper, glass covering, framed Size: 12 x 8 inches Provenance: private collection, England. Condi...

Fall farm scene painting by John Linnell, oil on board signed and dated in the lower right. The painting measures 26.5" x 28.5" including the fram...

Apple English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is in ...

HENRY H. PARKER A wonderful statement piece ideal for any prominent position that you have. The colours and the quality are superb and the piece is titled and signed on the reverse ...

Family Scene, Children by the Victorian Cottage By T. Stevens, British late 19th century Signed oil painting on canvas, framed Framed: 12.75 x 19 inches canvas: 10 x 16 inches Condi...

Winter Sports Dutch School, 20th century signed oil on board, framed framed: 14 x 18 inches board: 13 x 17 inches provenance: private collection, UK condition: very good and sound co...

Charming antique oil painting on canvas of a dog in repose with a bell on his collar, executed in a slightly naive style and presented in a wood frame. Illegibly signed in the bottom...

Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

George Turner British, (1843-1910) A Highland Drove Oil on board, signed, further signed & inscribed verso Image size: 12 inches x 17.25 inches Size including frame: 18 inches x 23...

This superb, large British Victorian portrait in an interior oil painting is attributed to circle of Ralph Peacock. Peacock painted a large number of children of wealthy 19th century families, often with luscious ornate backgrounds and textiles such as the wall paper, marquetry piano...

'1. 2. Polygoma C. album 3. Vanessa polychloros' Late 19th century colour lithograph of butterflies.

French Impressionist Church Tower Village Scene Architectural Study Work French School, 20th century oil on board, unframed board: 10.75 x 9 inches Provenance: private collection Con...

'1. Iliades agenor 2. Parides aeneas' Late 19th century colour lithograph of butterflies.

"Going to Market, Woking Common" Pastoral River Landscape with Figures Under a Dramatic Sky George Cole (British, 1810–1883), inscribed to the mount Oil on canvas, framed Framed: 32 ...