Victorian Art

"Birthplace of Henry Clay, Hanover County, Virginia" is an original hand-colored lithograph by Kelloggs & Thayer. The piece features a homestead and farm anima...

Ernest Walbourn British, (1872-1927) By the Pond Oil on canvas, signed Image size: 24 inches x 36 inches Size including frame: 31.5 inches x 43.5 inches Ernest Walbourn was painter ...

Léopold Eugène Kampf French, (1822-1893) The Last Drop Bronze, signed with foundry mark for Alfred Daubrée Height: 16 inches Width: 5 inches Depth: 5.5 ...

"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

Sunset over the Highlands, 'Allan Waters' by F. E. Jamieson (British 1895-1950) signed, lower corner & titled verso oil painting on canvas laid over board, framed canvas: 16 x 24 inches framed: 19 x 27 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this idyllic hazy view of the famous and beautiful mountains and river 'Allan Waters' in Scotland. The Allan Water is a river in central Scotland. Rising in the Ochil Hills, it runs through Strathallan to Dunblane and Bridge of Allan...

James Edwin Meadows British, (1828-1888) A Country Track Oil on canvas, signed & dated 1861 Image size: 29.5 inches x 47.5 inches Size including frame: 36.5 inches x 54.5 inches Jam...

Alfred H. Taylor The Experiment Watercolour, signed and dated 1838 Image size: 9 ½ x 8 inches

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 22.25 INCHES x 18.25 INCHES** Edward Armfield British, (1857-1935) The Rat Trap & Under the Wheelbarrow Oil on canvas, pair...

Paul Joseph Gayrard French, (1807-1855) Six Tours Bronze, signed, also signed with foundry signature & mark for Boyer Height: 9 inches Width: 9 inches Depth: 6.5 inches Paul Josep...

Hermanus van Brussel Dutch, (1763-1815) The Farmyard Oil on canvas Image size: 18.25 inches x 21.25 inches Size including frame: 24.5 inches x 27.5 inches Provenance: Frost & Reed V...

Emile Laporte French, (1858-1907) Tyrtée or Tyrtaeus Bronze, signed Height: 19 inches (48.5cm) Width: 7.5 inches (19cm) Depth: 6 inches (15cm) Emile Laporte was born in Paris on Nov...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

BRITISH SCHOOL 19th Century STIRLING CASTLE Watercolour, signed lower right Image size: 12 x 10 inches (30 x 25.5 cm)

John Harris after Harry Hall The Merry Beaglers Restrike print - c. mid twentieth century 48x65cm Aquatint with hand colouring The most famous beagling...

"Deux Ex Capacites De L'Ancien Regime-Profils Contemporains #1" is an original lithograph on Sur Blanc (white woven) paper by Honore Daumier. It depicts ...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

COMPANY SCHOOL 19th Century The Music Party Watercolour Image size: 4 ¾ x 7 ½ inches Acid free mount

Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written label verso with the artist’s address Image size: 31.5 inches x 54.5 inches Size includi...

Henri Désiré Gauquié French, (1858-1927) Fac et Spera (Do and Hope) Bronze, signed, bears seal ‘Vrai Bronze Garanti Paris’ Height: 23.5 inches Width: 13 inches Depth: 11.5 inches Henri Désiré Gauquié was born in Flers-lez-Lille on 22 October 1858. He initially studied art at the Academy of Valenciennes under René Fache. After competing in Lille, he obtained a scholarship to study at the Paris School of Fine Art at the studio of Jules Cavelier. He started exhibiting at the Paris Salon from 1881. In 1886, he won a third class medal and a travel grant from the Ministry of Public Instruction and Fine Arts for his group ‘Perseus, Vanquisher of Medusa’. This was later purchased by the State for the museum of Agen. After spending time in Italy and Belgium, Gauquié returned to France. He went on to win several other medals at the Salon including second prize in 1890 for his sculpture of Brennus and first prize in 1895 for his marble group Bacchante and Satyr , now owned by the city of Tourcoing. He also won a bronze medal at the L’Exposition Universelle in 1889, and a silver medal in 1900. In the same year he was appointed knight of the Legion of Honour and promoted to the rank of Officer of the Order of Academic Palms. He produced several public monuments in collaboration with the architect Henri Guillaume dedicated to public figures such as Alexandre Le Grand...

A serenade signed ‘H.J. Owen’ (lower right) and inscribed ‘A serenade.’ (lower left) pencil, pen and ink and watercolour with heightening 12 ¼ x 8 ¾ in. (31.1 x 22.2 cm.) with frame ...

Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...

Historical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...

Émile Eisman-Semenowsky French/Polish, (1857-1911) Eastern Beauty Oil on panel, oval, signed & inscribed Paris Image size: 10.25 inches x 8.25 inches (oval) Size including frame: 18...

An early 20th century English watercolour painting with body colour, by the talented English watercolourist Thomas William Morley. Painted on artist's board. Signed to the lower right.

A very unusual English watercolor depicting an extensive landscape with trees, and fields in a explosion of color. The artist painted in the early part of the 20th century and it is ...

"Woman Manicuring Her Nails" is an original lithograph by Maximilien Luce. The artist signed the piece lower right and it is numbered (#7). It features a woman seated in an interior taking care of her nails. 8 1/4" x 5 3/4" image 14 1/8" x 10 3/4" paper 19 1/4" x 16 1/2" frame Maximilien Luce (1858 – 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Gausson and Cavallo-Péduzzi introduced Luce in about 1884 to the Divisionist technique developed by Georges Seurat. This influenced Luce to begin painting in the Pointillist style. In contrast to Seurat's detached manner, Luce's paintings were passionate portrayals of contemporary subjects, depicting the "violent effects of light". In addition to Pissarro and Signac, he met many of the other Neo-impressionists, including Seurat, Henri-Edmond Cross, Charles Angrand, Armand Guillaumin, Hippolyte Petitjean, Albert Dubois...

"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. 23" x 30" art 29 ...

Artist: Henry Stannard, British (1844 - 1920) Title: Burning the Weeds Year: circa 1885 Medium: Watercolor on Board, signed Size: 9.5 in. x 13.5 in. (24.13 cm x 34.29 cm) Frame Size:...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

Erwin Eichinger Austrian, (1892-1950) The Pipe Oil on board, signed Image size: 10 inches x 7.5 inches Size including frame: 15.25 inches x 12.75 inches Erwin Eichinger was a genr...

The Harvest, Victorian Oil Painting English School, 19th Century Oil painting on canvas, framed Framed size: 18 x 26 inches Fine Victorian oi...

Wonderful and historically interesting scene of a steam ship off the coast of Sandy Hook, New YorkCity before its voyage to Brazil. Part of a collection of pencil drawings , all uns...

American ships off either the coast of Brazil or Barbados from the 1860's

A very interesting scene off of the coast of Bridgetown, Barbados. The USS Shamokin at sea on one of its first voyages after being de-commisioned from the American Navy.

Wolverhampton School of Practical Art Original artwork for engraving published for London Illustrated News (25 June 1853) 17.5x29cm Watercolour

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.75 INCHES X 16.75 INCHES** John Holland Snr British, (1830-1886) Village Life Oil on canvas, pair, both signed Image siz...

Franz Xavier Bergman Austrian, (1861-1936) Whirling Dervish Bronze, cold painted, signed 'B' in a vase Height: 6¾ inches Width: 2 inches Depth: 2 inch...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

George Goodwin Kilburne British, (1839-1924) A Tender Moment Oil on canvas, signed Image size: 15.75 inches x 12.75 inches Size including frame: 20.5 inches x 17.5 inches George G...

C-type archival print, edition of 10 12 x 16 inches, edition of 10, $1500 35 x 40 inches, edition of 3, $3500 20 x 24 inches, edition of 7, $1800 This sepia-toned antique-style figurative photograph was created by London-based photographer Nick Simpson. Here, the artist exemplifies steampunk style with a steam-powered rhinoceros of his own invention. Much of the photograph is staged, with real sets, props, and models wearing elaborate costumes, while other details are rendered in a photo-editing program. About the work: London-based artist Nick Simpson is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpsons for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

Pierre Louis Joseph De Coninck French, (1828-1910) The Coral Necklace Oil on canvas, signed Image size: 31 inches x 23 inches Size including frame: 38 inches x 30 inches Pierre Loui...

William Oliver British, (1823-1901) The Flower Maiden Oil on canvas, signed, Image size: 36 inches x 24 inches Size including frame: 47.25 inches x 35.25 inches William Oliver Williams known as William Oliver was a figurative and genre artist who specialised in paintings of young women. He was born in Worcester in 1823 the son of a William Williams a surgeon and Jane Oliver. He moved to London and enrolled at the Royal Academy in 1848. He married Jane Hughes on 30 December 1852. Two of their sons also became artists: William Oliver ‘Rhys...

Set of 9 sheet music covers from the early part of the 20th Century, London, by various artists. Altogether they portray a real feeling of the fun of the age and what people were...

Alfred Augustus Glendening Snr British, (1840-1921) Shepperton on Thames with St Nicholas Church Oil on canvas, signed Image size: 16 inches x 26 inches Size including frame: 22.5 i...

Wonderful China Trade painting dating from the mid 19th century. This piece is rich in color and is of fine quality with the depiction of the figures.

Original drypoint printed in black ink on laid paper bearing a portion of the Van Gelder watermark (fleur-de-lys in a crowned shield surmounting the letters “VGZ”). Signed and dat...

‘In the Lledr Valley’ by Robert Gallon (1845-1925). The painting - which depicts a mother and child outside a Welsh cottage on a summer’s day - is signed by the artist and hangs in a...

This late 19th-century oil painting by British artist Edwin Hughes (1842-1922) depicts a blacksmith holding a horseshoe while conversing with a gentleman through a window. His assist...

The Old Thatched Mill attributed to Caleb Robert Stanley (British 1795-1868) oil on canvas, framed framed: 30 x 35 inches canvas : 25 x 30 inches provenance: private collection, Engl...

Oil on panel, signed and dated '1874' bottom left and entitled on reverse Image size: 14 x 9 inches (35.5 x 22.75 cm) Hand made gilt frame Grimshaw's popularity, both in his lifetim...

‘Llyn Gwynant and Mount Snowdon’ by Edward Charles Williams (1807-1881). The painting – which depicts figures seated on the lake shore before the iconic Mount Snowdon (Yr Wyddfa) i...

The Young Family of Cats by Josef Schmitzberger (1851-c.1936) German signed oil on canvas, unframed canvas: 24 x 29.5 inches provenance: private collection, England condition: very g...

Antique Victorian English 19th C scene of Pheasants in an extensive landscape. A very rare example of Armfields none dog art. He was known to paint different subjects but I have onl...

Portrait of Young Girl in Blue Dress John Hodgson Campbell (British 1855-1927) signed and dated 1881 oil on canvas, framed framed: 35 x 30.5 inches canvas: 30 x 25 inches provenance:...

An idyllic view of a waterfall in full spate in an extensive mountainous landscape. Painted by a master of the subject, demonstrated by the fact that the artist became known as Edmund "Waterfall" Gill. Presented in what appears to be the original frame. All in all, a very handsome piece. Edmund Gill...

Portrait of a Victorian Lady English School, circa 1860-1870 period oil on canvas, unframed canvas: 12 x 9.75 inches provenance: private collection condition: very good and sound con...

Antique oil portrait painting of a rabbit by English artist Abel Hold (1815-1893), signed in the lower left corner A Hold. This atmospher...

Stormy Seas English School, 19th century signed oil on canvas, unframed canvas: 16 x 24 inches provenance: private collection, UK condition: very good and sound condition