Victorian Art

Highland Cattle, Rannoch, Scotland signed by Prudence Turner, British b. 1930, signed. oil painting on board, framed inscribed verso framed: 12.5 x 14.5 inches board: 8 x 10 inches...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 24.5 x 35 inches canvas: 20 x 30 inches provenance: private collection, UK condition...

Portrait of a Young Girl with Her Loyal Dog English School, 19th century oil on canvas, unframed Canvas: 28 x 20 inches Provenance: private collection, England Condition: very good c...

Portrait of a Nun French School, 19th century oil on canvas, simple wooden slip frame framed: 27.5 x 20 inches canvas: 27 x 19.75 inches provenance: private collection, Champagne reg...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honourable mention in 1881 and a third place medal in 1888. William Thornley also went by the names Georges William and William...

Thomas Percy Earl British, (1874-1947) Deerslayer Oil on canvas, signed & dated 1913 & inscribed ‘Deerslayer’ Image size: 24.25 inches x 29.25 inches Size including frame: 30.5 inch...

John Emms (1841-1912) "Bobs", a collie Oil on canvas Signed and dated 1901 lower right Inscribed 'Bobs' lower centre Canvas Size - 24 x 30 in Framed Size - 31 x 36 1/2 in Provenance The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. John Emms was a British artist best known for his dynamic and characterful paintings of dogs, especially working breeds like foxhounds, terriers, and collies. Born in Blofield, Norfolk, in 1843, Emms developed a deep connection to the countryside and rural life, which became the heart of his artistic inspiration. While he painted horses and hunting scenes, it was his dog portraits that brought him enduring recognition. Emms had a remarkable ability to capture the individuality and spirit of each animal, portraying them not just as pets or working animals, but as noble and expressive beings. His brushwork was confident and lively, and he often painted dogs with a sense of pride, intelligence, and dignity. Among the many breeds he painted, collies held a special place. Emms portrayed them with great sensitivity, often emphasizing their alert expressions, soft coats, and loyal nature. His collie paintings...

Stormy Seas at Dusk, Cornwall by George Henry Jenkins (British, 1843-1914) Signed oil on board, framed Framed: 12 x 18 inches Board: 9 x 15 inches Provenance: Private collection, South West England This dramatic seascape painting...

Tranquil Mountain Lake at Sunset signed by F. E. Jamieson (British 1895-1950) signed with one of the artists pseudonym's oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 ...

Hare Coursing by J.C Mitchell (British sporting artist, 19th century) dated 1879 signed oil on board, framed framed: 11.5 x 14 inches board: 9.25 x 12 inches provenance: private coll...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.

'Harvesting - Betws-y-Coed' (Wales) William Gray C. 1828 signed oil on canvas, framed in gilt period antique frame. framed: 22 x 29 inches canvas: 14 x 22 inches Provenance: private...

Harry Pennell ARCA Picture Size: 24 x 40" (61 x 102cm) Outside Frame Size 31 x 47" (79 x 120cm) Signed oil painting on canvas Exhibition Period 1900 – 1930 Harry Pennell (1879-193...

Highland Cattle at Dusk by WILLIAM LANGLEY (1852-1922 signed oil on canvas, framed framed: 17 x 21 inches canvas: 12.5 x 16.5 inches Provenance: Private collection, previously exhibi...

The Half Way Hotel English artist, late 19th century (double sided painting with a hunting scene to the reverse). oil painting on board, unframed board: 13 x 10.75 inches provenance...

Victorian Landscape Beach Scene Oil Painting of Mother, Child and Dog on the Beach. A beautiful and tender scene of a Mother with her young child and pet Dog playing gently by the Sea. A true gem of the Victorian era where the motif of family was strongly portrayed and romanticised. Frederick Thomas Charles Underhill British 1832 - 1896 London painter of genre, coastal scenes and biblical subjects. Born in Birmingham. Exhibited from 1851-75, at the RA between 1852-67. Titles at the RA including 'Sea Coast, 1852, 'The Gypsy Mother', 1855 and 'Hagar and Ishmael...

Artist/ School: Irish School, early 20th century, indistinctly signed lower corner Title: Golden Sunlight over the soft mountains of Ireland. Medium: ...

The Highland Loch by F. E. Jamieson (British 1895-1950) oil painting on canvas, unframed canvas : 20 x 30 inches provenance: private collection, UK condition: very good and sound con...

Poultry Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

The Highland Loch by Andrew Grant Kurtis, British 20th century signed to the lower front and stamped verso oil painting on canvas, unframed canvas: 24 x 48 inches provenance: private...

Alfred Duke British, (c1860-1905) Over the Hedge Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 20.75 inches x 27.75 inches An animated sporting...

The Highland Loch signed by F. E. Jamieson (British 1895-1950) indistinctly titled verso, most likely a loch in the Trossochs region of Argyll. oil painting on canvas, framed framed...

Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

'The Cavalry Division' Vanity Fair portrait of Field Marshall John French (1852-1925). He was an English commander who served in the Soudan, Boer War and World War I. Godfrey Doug...

Tranquil Pastures English School, 19th century oil painting on canvas, unframed canvas: 30 x 40 inches provenance: private collection, England condition: overall very good - small ...

Artist/ School: French School, 20th century, signed by Eug. Mavie Title: Napoleonic War Ships at Sea, beautifully detailed with remarkable detailing. Medium: oil on canvas, unfram...

Henry Redmore British, (1820-1887) Trading Schooners & Dutch Luggers on the Humber Estuary Oil on canvas, signed & dated 1873 Image size: 23.5 inches x 37.5 inches Size including frame: 31.25 inches x 45.25 inches An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor. Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist. He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

Artist/ School: French School, 19th century Title: still life of fruit and flowers (and vegetables) within an ornamental, classical setting. Medium: oil painting on canvas, frame...

Outstanding Late Victorian English river harvest landscape. John Horace Hooper lived in London. Landscape painter. English School. A prolific artist evidenced by the frequent appea...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Pastoral Landscape with Figure and Cattle English School, mid 19th century signed lower front corner oil on canvas, framed Framed: 18 x 24.5 inches Canvas: 14 x 21 inches Provenance:...

David Roberts R.A. 1796 - 1864 Interior of the Great Temple of Aboo Simbel Subscription edition and First edition lithographs available Full plate: 139 Acid free mount With David ...

Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) oil on canvas, unframed canvas: 20 x 30 inches provenance: private collection, UK condition: The painting ...

'Hydrophobia' Vanity Fair medical portrait of Louis Pasteur. Louis Pasteur (1822 - 1895) was a French chemist and microbiologist born in Dole. He is remembered for his remarkable b...

This superb British Victorian Pre-Raphaelite conversation piece figurative oil painting is attributed to Thomas Musgrave Joy, artist to Queen Victoria. Painted circa 1845 the composi...

Well modeled 19th century French bronze of a standing naked woman. Signed Cartinet, this piece is a wonderful example of the skill of a Sculptor. The piece retains all its origina...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

This lovely British Victorian still life oil painting is by noted still life painter George Clare. Painted circa1870 the composition is different fruit, including green and red grape...

LESLIE E.B. SMYTHE 19th century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active paintings in both Scotland and England. He ...

Louis Lottier (1815-1892) French 'Merchants gathered on a beach with a town beyond Medium: oil on canvas, unframed. Size of panting 8.5" x 15" inches overall good and satisfactory c...

The instrument is done in a Brazilian Rosewood finish and is of the carved Victorian style. The piano has been fully restored and refinished, inside and out, and the restoration was ...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

Artist/ School: F. E. Jamieson (British 1895-1950), signed with the artists pseudonym 'McGregor'. Title: Sunset in the Scottish Highlands Medium: signed oil painting on board, fra...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection...

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

Victorian Scottish Landscape Figurative Oil Painting with Horse and Rider, Cattle, Sheep and Dog in River Landscape with Lincluden Abbey Ruin...

This captivating English Victorian 19th-century landscape by Henry Manders masterfully captures the timeless beauty and industrious spirit of rural life during the harvest season. Ma...

The Harvest English School, late 19th century oil on canvas, framed framed: 28 x 38 inches canvas: 20 x 30 inches provenance: private collection, Suffolk, England condition: very goo...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist/ School: F. E. Jamieson British, signed Title: Sunset in the Scottish Highlands Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenan...

"Borrowdale" * see notes below British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection condition: minor rubbing to outer edges a...

Charles Edward Stewart (fl. 1887-1938) A collie lying down signed 'C.E. Stewart' (lower right) Oil on canvas Canvas Size 28 x 36 in Framed Size 35 x 43 in Provenance with Ross Hamil...

Gathering the Harvest English School, 20 th century, painted in an earlier style oil painting on board, in moulded gilt frame framed: 14 x 16 inches board: 8.5 x 10 inches provenanc...