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Style: Victorian
Vintage Sailors Valentine
Located in Palm Beach, FL
Lofty vintage sailors valentine handcrafted with exotic organic seashells ambitiously composed with a heart and flowers inside geometric borders. Prese...
Category
Late 20th Century Victorian Art
Materials
Wood
Whooping Crane /// John James Audubon Ornithology Natural History Wading Birds
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Whooping Crane" (Plate 313, No. 63)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Origi...
Category
1840s Victorian Art
Materials
Watercolor, Lithograph
Butterflies, late 19th century antique natural history colour lithograph
Located in Melbourne, Victoria
'1. 2. Polygoma C. album 3. Vanessa polychloros'
Late 19th century colour lithograph of butterflies.
Category
Late 19th Century Victorian Art
Materials
Lithograph
Fine Victorian 1870’s English Oil Painting Lady Walking on Country Path framed
Located in Cirencester, Gloucestershire
'A Lady on a Country Path'
C. Ward (19th-20th Century) British
signed oil painting on canvas, framed
dated 1877
framed: 16 x 24 inches
canvas: 12 x 20inches
provenance: private coll...
Category
19th Century Victorian Art
Materials
Oil
19th century English village scene with cottages, horses landscape and people
Located in Woodbury, CT
Georgine Lara
English Village landscape
A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...
Category
1890s Victorian Art
Materials
Canvas, Oil
Traditional English Oil Country Cottage Children Playing in Lane & Chickens
Located in Cirencester, Gloucestershire
The Country Lane
by Les Parsons (British b. 1945) * see below
signed
oil on canvas, framed in swept gilt frame.
framed: 15.5 x 19.5 inches
canvas: 12 x 16...
Category
20th Century Victorian Art
Materials
Canvas, Oil
The Woodman's Family in a Landscape - British 1869 Victorian art oil painting
Located in Hagley, England
This lovely British Victorian oil painting is by Edward Charles Williams of the Williams Family of artists and related to George Morland. The painting is a figurative landscape entitled the Woodman's family and entails five figures and a dog gathered around a tree that the Woodman is tackling with his axe. The painting is signed and indistinctly dated (only visible with ultra violent light) lower left, the date being 1869. For me, the highlight of the painting is the artistry and attention to detail with which Williams has portrayed the light on the trees above and the exquisite colouring of the leaves. There are even two birds finely depicted in the tree foliage.
Signed and indistinctly dated 1869 lower left (only visible under ultraviolet light).
Provenance. Berkshire estate.
Condition. Oil on canvas, image size is 40 inches by 36 inches and in good condition.
Housed in a complementary frame. Framed size is 48 inches by 44 inches and in good condition.
Edward Charles Williams (London 10 July 1807 – 25 July 1881) was an English landscape painter during the Victorian Era, and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (c.1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His father was a well-known landscape artist, who taught him how to paint; otherwise he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on 11 December 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterwards to Sarah Susannah Horley, who had been Mary Ann's nurse – Edward and Sarah did not marry for another 10 years until 3 October 3, 1868, when they wed at the St. Pancras Old Church in Camden, London. He largely stopped painting after the 1859 death of his second wife, adding value to the small number of paintings that he did produce from 1859 on − Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works are unknown, and they are assumed lost during two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Edward Charles also collaborated on several paintings with William Shayer, where Williams would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died 25 July 1881 at Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves. Edward Charles Williams was born into an artist family that is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy, Alfred Walter Williams.
Category
19th Century Victorian Art
Materials
Oil
Early 20th century English Antique portrait of a Polo Pony
By George Paice
Located in Woodbury, CT
This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...
Category
1910s Victorian Art
Materials
Oil, Board
Butterflies, late 19th century antique natural history colour lithograph
Located in Melbourne, Victoria
'1. Iliades agenor 2. Parides aeneas'
Late 19th century colour lithograph of butterflies.
Category
Late 19th Century Victorian Art
Materials
Lithograph
Antique Victorian English Oil - Mother & Her Family Portrait
Located in Cirencester, Gloucestershire
Artist/ School: English School, late 19th/ early 20th century.
The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wardle'.
Title: Antique Family Portrait...
Category
Late 19th Century Victorian Art
Materials
Oil
Historical genre oil painting of a couple eloping
Located in Nr Broadway, Worcestershire
Jules Girardet
French, (1856-1938)
Le Coeur a des Raisons
Oil on canvas, signed
Image size: 41 inches x 33 inches
Size including frame: 50.25 inches x ...
Category
Early 20th Century Victorian Art
Materials
Canvas, Oil
19th Century Scottish landscape oil painting of Highland cattle at Glen Goil
Located in Nr Broadway, Worcestershire
William Watson Jnr
British, (1847-1921)
Up Glen Goil, West Highlands
Oil on canvas, signed & dated 1892, further inscribed verso
Image size: 23.5 inches x 35.5 inches
Size including frame: 36.25 inches x 48.25 inches
This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool.
William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.
As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.
Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Portrait of Two Puppies in Interior Room Setting Signed Oil Painting
Located in Cirencester, Gloucestershire
The Two Puppies
by Gabriel Metsu, Continental artist late 20th century
signed oil on panel, framed
framed: 11 x 13.5 inches
panel : 7 x 9.5 inches
Provenance: private collection, UK
...
Category
Late 20th Century Victorian Art
Materials
Oil
19th Century historical genre oil painting of a courtship
By Henry Gillard Glindoni
Located in Nr Broadway, Worcestershire
Henry Gillard Glindoni
British, (1852-1913)
The Suitor
Oil on canvas, signed & dated 'Jan 1908'
Image size: 27.5 inches x 35.5 inches
Size including frame: 41 inches x 49 inches
Thi...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Tea Time
By Frank Bramley
Located in Wiscasett, ME
Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...
Category
1890s Victorian Art
Materials
Oil
$58,000
Cattle in Pastoral Landscape by Stream Victorian English Oil Painting Gilt Frame
Located in Cirencester, Gloucestershire
Cattle by Stream
English artist, late 19th century
inscribed on label verso
oil on board, framed
framed: 14 x 17 inches
board: 9.5 x 13 inches
provenance: private collection, England...
Category
Late 19th Century Victorian Art
Materials
Oil
The Privateer Ship America
Located in Wiscasett, ME
Oil on canvas, signed lower right. Dimensions listed include the frame. Featuring the Privateer ship "America" under full sail. Title and dated on the reverse. The dimensions listed ...
Category
1980s Victorian Art
Materials
Oil
Large Marine Oil Painting Continental Harbour Merchants & Fishermen Trading
Located in Cirencester, Gloucestershire
D.Lucas
Classical Italianate Landscape
oil painting on board, framed
framed: 21 x 27 inches
board: 18 x 24 inches
provenance: private collection, Yorkshire
condition: overall very go...
Category
20th Century Victorian Art
Materials
Oil
Napoleonic Wars Marine 1800's Oil Painting Soldiers on Beach War Ship at Sea
Located in Cirencester, Gloucestershire
English School, circa 1800
Napoleonic Wars Marine Scene
oil on canvas, framed
framed: 10.5 x 13 inches
canvas: 8 x 10 inches
private collection, England
condition: The painting is i...
Category
Early 1800s Victorian Art
Materials
Oil
Walter Heath Williams, Victorian Mountainous coastal landscape
Located in Harkstead, GB
An extremely atmospheric Victorian oil of a dramatic rocky coastline. Taken from a high viewpoint on the coast, possibly North Devon, looking out to an azure sea under a back lit sky...
Category
Late 19th Century Victorian Art
Materials
Canvas, Oil
19th century seascape oil painting of a ship off the Scottish coast
Located in Nr Broadway, Worcestershire
Richard Ball Spencer
British, (1812-1897)
The Perthshire off Ailsa Craig
Oil on canvas, signed
Image size: 22.25 inches x 36.25 inches
Size including frame: 31 inches x 45 inches
This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work.
Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names.
By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Portrait of a woman in a garden oil painting on panel by Jan Van Beers
Located in Gavere, BE
Info artist :
Van Beers studied at the Academy in Antwerp. In 1873, he undertook a trip to London with Alexandre Struys. In 1878, Van Beers went to Paris where he worked in the stud...
Category
Early 1900s Victorian Art
Materials
Oil, Wood Panel
Huge Scottish Signed Painting Sheep in Winter Snowy Sunset Landscape
Located in Cirencester, Gloucestershire
Artist/ School: Scottish School, 20th century, after Joseph Farquharson (1846-1935)
Title: Sheep in Snowy Winter Landscape
Medium: oil on canvas, fra...
Category
20th Century Victorian Art
Materials
Oil
Early 1800's English Oil Painting The Country Stable Groom Horse & Figures
Located in Cirencester, Gloucestershire
Artist/ School: Englsh School, early 19th century, circle of George Morland
Title: The Country Stable
Medium: oil on canvas, framed
actual canvas size: 25. x 30 inches
framed: 34....
Category
Early 19th Century Victorian Art
Materials
Oil
19th Century coaching oil painting
Located in Nr Broadway, Worcestershire
John Charles Maggs
British, (1819-1896)
Bristol, Bath & London Coach Outside The Crown Inn, Bath
Oil on canvas, signed & dated 1882
Image size: 17.5 inches x 29.5 inches
Size includ...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Classic English Fox Hunting Horses Riders & Hounds in Landscape, British Oil
Located in Cirencester, Gloucestershire
Michael Constable (20th Century British School)
oil on canvas, framed
framed: 28.5 x 34 inches
canvas: 24 x 30 inches
provenance: private collection,...
Category
Late 20th Century Victorian Art
Materials
Oil
Elegant Ladies in Grand Drawing Room Interior, Fine 19th Century British Oil
Located in Cirencester, Gloucestershire
Artist/ School: David Wilkie Wynfield, (British 1837-1887)
Title: Elegant Ladies in a Drawing Room interior scene
Medium: oil on panel, framed
Framed: ...
Category
19th Century Victorian Art
Materials
Oil
The Cornish Fisherman Antique English Signed Oil Painting Portrait of Sea Man
Located in Cirencester, Gloucestershire
"The Old Salt" (Cornish fisherman)
by David W. Haddon (British, late 19th/ early 20th century)
signed and dated
oil on board, framed
framed: 18 x 14 inches
board: 16 x 12 inches ...
Category
Late 19th Century Victorian Art
Materials
Oil
Antique English Signed Oil Painting Shepherd Leading Sheep Village Country Lane
Located in Cirencester, Gloucestershire
"Leading them Home"
British School, late 19th century
indistinctly signed
oil painting on board, framed
framed: 14 x 18 inches
board: 10 x 13.5 inches
Provenance: private collection...
Category
Late 19th Century Victorian Art
Materials
Oil
'Badminton', Alfred Watson, Vanity Fair caricature portrait, 1897
Located in Melbourne, Victoria
'Badminton'
Chromolithograph. 1897.
Vanity Fair portrait of Alfred Edward Thomas Watson (1849-1922) who was a Music and Drama Critic. He wrote for the Saturday Review and occasion...
Category
Late 19th Century Victorian Art
Materials
Lithograph
Walter Heath Williams, Victorian Mountainous coastal landscape
Located in Harkstead, GB
An extremely atmospheric Victorian oil of a dramatic rocky coastline. Various sailing vessels are seen braced against a stiff wind, making their way through a channel bordered by cra...
Category
Late 19th Century Victorian Art
Materials
Oil, Canvas
Antique Oil of an English Village landscape, with horses, people, a pub.
Located in Woodbury, CT
Wonderful and very unique English Victorian Village scene, with figures, animals, a Pub, and lots more
.
John Holland Senior was a painter of landscapes and coastal scenes who was bo...
Category
1880s Victorian Art
Materials
Canvas, Oil
Fine Napoleonic Wars Period French Tall Ships at Sea, Signed Oil on canvas
Located in Cirencester, Gloucestershire
Artist/ School: French School, 20th century, signed by Eug. Mavie
Title: Napoleonic War Ships at Sea, beautifully detailed with remarkable detailing.
Medium: oil on canvas, unfram...
Category
20th Century Victorian Art
Materials
Oil, Canvas
Antique English Oil Painting Tranquil River Cottage in Landscape signed painting
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson, British 1895-1950, signed
Title: The River Cottage
Medium: oil on canvas, framed
Framed: 15 x 23 inches
Painting: 12 x 20 inches
Provenance: priv...
Category
Early 20th Century Victorian Art
Materials
Oil
Buttermere Lake District Moody & Atmospheric Landscape Clouds over Lake, signed
Located in Cirencester, Gloucestershire
Artist/ School: Robert Hogg 1981, signed and inscribed verso
Title: 'Storm Clouds Over Fleetwith PiKe Buttermere'
Medium: oil on board, framed
Framed: 21 x 30 inches
Board: 18 x ...
Category
20th Century Victorian Art
Materials
Oil
Susannah (Without the Elders) /// Old Masters British Nude Bath Biblical Story
Located in Saint Augustine, FL
Artist: Frederick Goodall (English, 1822-1904)
Title: "Susannah (Without the Elders)"
*Monogram signed and dated by Goodall lower left
Year: 1885
Med...
Category
1880s Victorian Art
Materials
Gesso, Oil, Paint, Canvas
Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume
Located in ludlow, GB
Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume. Signed Oil Painting on Canvas, on stretchers and Framed in period Frame.
A humorous and beautifully pai...
Category
19th Century Victorian Art
Materials
Oil
Waves Crashing along the Beach. Antique marine painting Oil on Canvas
Located in St. Albans, GB
Lauritz Holst
Exhibited 1878 - 1926
Picture Size: 16.5 x 29" (41.25 x 72.5cm)
Outside Frame Size: 22.5 x 35" (56.25 x 87.5cm)
He was born in Bogense, Denmark in 1848
Holst was a m...
Category
1880s Victorian Art
Materials
Oil
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1794-1812 (First-second ser...
Category
1790s Victorian Art
Materials
Watercolor, Engraving, Intaglio
Animal oil painting of a cockerel, chickens & chicks
By Edgar Hunt
Located in Nr Broadway, Worcestershire
Edgar Hunt
British, (1876-1953)
Cockerel, Chickens & Chicks
Oil on canvas, signed & dated 1933
Image size: 7.75 inches x 13.75 inches
Size including frame: 14.5 inches x 20.5 inches...
Category
Early 20th Century Victorian Art
Materials
Canvas, Oil
Game Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Game Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Art
Materials
Engraving
Three Terrier Dogs in a Stable Interior. Oil on Canvas by George Armfield
Located in St. Albans, GB
GEORGE (SMITH) ARMFIELD
This is a classic example of George Armfield's paintings with terriers.
Picture Size: 10 x 14" (25 x 35cm)
Outside Frame Size: 16 x 20" (40 x 50cm)
Exhibitio...
Category
1860s Victorian Art
Materials
Oil
Lt General Higginson, Vanity Fair military caricature portrait, 1884
Located in Melbourne, Victoria
'A Good Soldier'
Chromolithograph. 1884.
Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson. He joined the Grenadier Guards at 19 and fought in the Crimean W...
Category
Late 19th Century Victorian Art
Materials
Lithograph
Fine Victorian Oil Painting The Village Duck Pond Signed & Dated 1860's
Located in Cirencester, Gloucestershire
The Village Duck Pond
by W. Cartwright (British exhibited between 1875-1899)
signed and dated 1860's
oil on canvas, framed
framed: 18 x 14.5 inches
canvas: 15.5 x 12 inches
provenanc...
Category
Mid-19th Century Victorian Art
Materials
Oil
Fine Antique British Botanical Watercolour Painting White Dimorphotheca Flower
Located in Cirencester, Gloucestershire
A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...
Category
Early 20th Century Victorian Art
Materials
Watercolor
George Washington, early 19th century portrait engraving
Located in Melbourne, Victoria
'Giorgio Washington'
Stipple engraving by Giovanni Antonio Sasso (active 1809-1816) after Jean Bosio (1767-1832), 1818.
220mm by 155mm (platemark)
295mm by 220mm (sheet)
George W...
Category
Early 19th Century Victorian Art
Materials
Engraving
Riders and dogs on a country path
Located in Stoke, Hampshire
Charles Towne (1763-1840)
Riders and dogs on a country path
Oil on canvas
28 5/8 x 36 1/8 in
72.6 x 91.8 cm
Provenance
With Thomas McLean, London;
With Arthur Ackermann & Sons, Lond...
Category
Early 19th Century Victorian Art
Materials
Oil, Canvas
$9,519 Sale Price
50% Off
Antique Scottish Victorian Oil Painting - Scottish Highland Loch Scene Sunset
Located in Cirencester, Gloucestershire
Artist/ School: P. MacArthur., Scottish School, 19th century, signed lower corner
Title: Dusk over the Loch, Scottish Landscape
Medium: signed oil painting on canvas, framed
frame...
Category
19th Century Victorian Art
Materials
Oil
Card Game in the Parlour Charming Victorian Genre Interior Scene Oil Painting
Located in Cirencester, Gloucestershire
Card Game in the Parlour
by ALEXANDER AUSTEN (1859-1924)
signed oil on canvas, framed
framed: 17 x 15 inches
canvas: 12 x 10 inches
Provenance: Private collection, Yorkshire, England...
Category
19th Century Victorian Art
Materials
Oil
A French Chasseur a Cheval de la Garde Imperiale, drinking outside a Inn or Pub
Located in Woodbury, CT
A French Chasseur a Cheval de la Garde Imperiale, drinking outside an Inn or Pub.
Frank Moss Bennett was born in Liverpool, England on 15 November 1...
Category
1890s Victorian Art
Materials
Oil, Canvas, Panel
Early 1830's Scottish Victorian Painting Figures in Highland Loch Landscape
Located in Cirencester, Gloucestershire
A Day out in the Highlands
Scottish School, circa 1830's period
original watercolour painting on paper
unframed
painting: 12.75 x 16.5 inches
A lovely tranquil scene of figures enj...
Category
Early 19th Century Victorian Art
Materials
Watercolor
Scottish Highlands Loch Scene Cattle Watering Dusk Atmospheric Light 19th C. Oil
Located in Cirencester, Gloucestershire
Cattle Watering in the Highland Loch, Dusk
British School, 19th century circa 1860's
oil on board, framed
framed: 16 x 20 inches
board: 12 x 16 inches
provenance: private collection,...
Category
Mid-19th Century Victorian Art
Materials
Oil
19th century English interior barn scene with a family of goats and baby goats.
Located in Woodbury, CT
This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...
Category
1830s Victorian Art
Materials
Canvas, Oil
Five Terriers in the Forest. Signed D. Griffin
Located in St. Albans, GB
D. GRIFFIN
This is a pseudonym of George Armfield.
Picture Size: 14 x 18" (36 x 46cm
Outside Frame Size: 21 x 25" (54 x 64cm)
Signed and dated bottom left
Free Shipping
He was bor...
Category
1880s Victorian Art
Materials
Oil
Sheep on Blustery Yorkshire Moors Landscape English Impressionist Oil
Located in Cirencester, Gloucestershire
Lewis Creighton ( British 1918-1996)
signed oil on board, unframed
board : 16.5 x 20 inches
Provenance: private collection
Condition: very good condition
Lewis Creighton was born i...
Category
Mid-20th Century Victorian Art
Materials
Oil
At the Window, Late 19th Century Oil Painting, gilt Frame
Located in London, GB
Arthur Wardle
1864 - 1949
At the Window
Oil on board, signed lower left
Image size: 13 1/2 x 7 3/4 inches (34.25 x 19.5 cm)
Hand made gilt frame
Arthur Wardle
Wardle, who was self-...
Category
Late 19th Century Victorian Art
Materials
Oil, Board
VICTORIAN OIL FOLLOWER OF JOHN CONSTABLE RURAL RIVER LANDSCAPE WITH FIGURES
By (Follower of) John Constable
Located in Cirencester, Gloucestershire
"The River Cottage"
British School, 19th century
follower of John Constable
oil painting on board, framed
painting: 12.5 x 12.5 inches
fram...
Category
Mid-19th Century Victorian Art
Materials
Oil
Jamestown, St Helena. French seascape ship lithograph, 1844
Located in Melbourne, Victoria
'Rade et Ville De Jame's Town'
Jamestown, St Helena
Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844.
295mm by 450mm ...
Category
Mid-19th Century Victorian Art
Materials
Lithograph
Early 20th Century Historical genre oil painting of two gentlemen in a garden
Located in Nr Broadway, Worcestershire
Frank Moss Bennett
British, (1874-1952)
In the Garden
Oil on panel, signed & dated 1917
Image size: 11 inches x 13.5 inches
Size including frame: 20 inches x 22.5 inches
A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men are shown drinking wine and eating fruit at a linen covered table...
Category
Early 20th Century Victorian Art
Materials
Panel, Oil
Large scale 19th Century historical genre oil painting of a group of musicians
Located in Nr Broadway, Worcestershire
Robert Alexander Hillingford
British, (1828-1904)
The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire
Oil on canvas, signed
Image size: 40 inches x 59 inches
Size including frame: 47.5 inches x 66.5 inches
Exhibited at the Royal Academy in 1883, no. 844
Exhibited at the Yorkshire Institute
A large-scale Royal Academy painting...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Victorian art for sale on 1stDibs.
Find a wide variety of authentic Victorian art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Francis E. Jamieson, Sir Leslie Ward, John James Audubon, and George Cruikshank. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $153,923, while the average work sells for $2,035.
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