Victorian Art

This peaceful late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a rural scene at Clymping in Sussex. Hooper possessed a remarkable ability to t...

Thomas Blinks British, 1860–1912 Pointers in an Extensive Landscape, circa 1900 Oil on artist’s board Faintly signed lower left A finely observed sporting scene by Thomas Blinks, o...

Anglers at Sunset by Edwin Henry Boddington (1836–1905) signed and indistinctly dated 18?? oil on canvas, framed framed: 17 x 30 inches canvas : 12 x 24.5 inches Provenance: private...

Albert Clark Portrait of a Bay Horse in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A finely executed late Victorian equestrian portrait by the ...

The Country House Interior British School, 19th century oil painting on canvas, framed canvas: 21 x 17 inches framed: 24 x 20 inches conditon: very sound, presentable and good. Frame...

This superb Victorian portrait oil painting is attributed to circle of Thomas Lawrence. Painted circa 1836 the sitter is William Henry Cooper, of Pains Hill, Cobham, Surrey and Hig...

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

Artist: John James Audubon (American, 1785-1851) Title: "Roseate Spoonbill" (Plate 362, No. 73) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.75" x 10.44" Image size: 5" x 7.63" Reference: Ayer/Zimmer page 22; Bennett page 5; McGill/Wood page 208; Nissen No. IVB 51; Reese No. 34; Sabin No. 2364; Tyler App. I Condition: In excellent condition Very rare The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series Notes: Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine. The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Major Godfrey Giles 1857 - 1941 An English Pointer 'Denmark' Signed and dated 1889 Oil on panel Panel Size: 10 x 14" (25 x 35cm) Framed size: 16 x 20" (41 x 51cm) Godfrey Giles's d...

Circle of George Earl Portrait of an English Terrier Circa 1890 Oil on board Unsigned 14 x 12 inches A delightful late nineteenth-century portrait of an English Terrier, painted...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Louis Bosworth Hurt British (1856 -1929) Highland Mist Medium: Oil on canvas Framed size: 31 x 47 inches Unframed size: 24 x 40 inches Signed and dated 1900 lower left Born in Ash...

Victorian White Cockatoo with Yellow Crest Perched in an Interior Harry Bright (British, 1846–1895) Signed and dated 1885. Medium: watercolour on paper, on board ,framed. Glass cover...

Title British Black Horse Portrait Equestrian Sporting Country House Oil Painting Key Details Artist: British School, 20th century Medium: Oil painting on panel, unframed Size: 8 x 1...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

Highland Landscape E.C Hamblin, British late 19th/early 20th century signed oil on canvas, framed dated 1914 verso framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private c...

Lofty 19th century organic turtle shell or carapace with all its iconic variegated colors and textures fitted with custom wall hanging hardware.

Scottish Highland Castle Landscape Oil Painting of Eilean Donan Castle Signed by E. Baker (20th century) English Framed: 18 x 23 inches Board: 17 x 21 inches Medium: Oil on board, fr...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...

A late 19th century British Society portrait oil painting of a beautiful young debutante by Victorian artist Annie Louisa Swynnerton which is signed and dated 1893. It has been sugge...

This impressive Victorian French Orientalist oil painting is attributed to an artist from the French School. It was painted in 1882 and is indistinctly signed. The composition is of...

Artist/ School: signed by Douglas Falconer (British, 1913-2004) Title: North Scotland Medium: oil on board, framed and inscribed verso Framed: 14 x 20 inches Board: 12 x 18 inches...

This stunning large British Victorian Scottish landscape oil painting is by noted Kent artist William Sidney Cooper. William trained with his great-uncle Thomas Sidney Cooper at his ...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

Victorian Arrangement, 1864 Oil on canvas 27 x 20 inches (68.6 x 50.8 cm) Framed dimensions: 32 x 24 3/4 inches Signed and dated lower right: G.H. Hall / 1864 Provenance Private col...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...

The Country Gentleman English Portrait Early 19th Century Oil Painting English School, early 19th century oil on canvas, framed Framed: 38 x 30 inches Canvas: 36 x 28 inches Proven...

Exquisite engraving of the original work of the famous British painter Sir Alfred James Munnings, one of the greatest exponents of equestrian art of the twentieth century and a key f...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

Alfred BENNETT Picture Size: 20 x 30" (50 x 76cm) Framed Size: 27 x 37" (69 x 95) Signed and dated 1865 Titled Staffordshire A wonderful example by the highly collected artist Alf...

Adolphus Knell English, 19th century Shipping at Sunrise (or Sunset) Circa 1870 Oil on canvas Not Signed , though possible the remnant of a signature lower left. In an antique gilt f...

G Gray (Early 19th Century) Still Life of Fruit Oil on panel Signed Painting Size 17.5" x 20" (44.4 x 50.8cm) Framed Size 23 x 26 in

Cows Grazing At The Riverbank On the River Trent, near Hoveringham, Nottinghamshire inscribed to the label verso, dated 1853 Oil on Canvas, framed Framed: 21.5 x 24.5 inches Canvas: ...

A. East Figures in an Extensive River Landscape Oil on card Circa 1880 Monogrammed lower right Original frame A finely painted late-19th-century English landscape depicting tra...

The Shepherd and his Border Collie Dog by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collec...

Portrait of a Bavarian Gentleman with Pipe by Theodor Recknagl (1865-1945) German signed oil on board, framed board : 7 x 5.5 inches Provenance: private collection, UK Condition: som...

The Tavern Interior by Daniel Pasmore (British, 1829–1891) signed and dated 1863 oil on canvas, framed in antique gilt frame framed: 39.5 x 47.5 inches canvas: 31 x 39 inches Provena...

Artist: Louis van Houtte (Belgian, 1810-1876) Title: "Azalea Ind. Crispiflora (Rhododendron Indicum)" (Vol. IX, Plate 887) Portfolio: Flore des Serres et des Jardins de L'Europe (Flo...

The Departing Day by Frank Hider (1861-1933) signed oil on canvas, framed framed: 20 x 24 inches canvas: 14 x 18 inches provenance: private collection, UK...

English School, late 19th century oil on canvas, unframed faint signature painting: 15 x 18 inches provenance: private collection condition: overall good and sound condition, some ol...

David James, British (1853 – 1904) Atlantic Waves, North Coast Cornwall Oil on canvas Canvas size: 20 x 30 inches Overall size: 26 1/2 x 36 1/2 inches Signed lower right Provenanc...

This late 19th-century oil painting by Irish artist William McAlpine (1821/22-after 1891) depicts a sailing vessel consumed by fire upon calm coastal waters. Flames tear through th...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

Rare and unusual English 19th century sailors valentine handcrafted with exotic seashells. Around image with figures and architecture. Under a convex lens.

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 35 inches canvas: 20 x 30 inches provenance: pri...

Francis Mabel Hollams (British, 1877–1963) Three Portraits of “Scrap,” a Wire-Haired Terrier Oil on wood panel, monogrammed lower left “FMH” Circa 1940–1950 A delightful and charac...

Anglers in Scotland British School, mid 19th century oil painting on board, framed framed: 7.5 x 10.5 inches board: 6 x 9 inches provenance: private...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

James Loder of Bath (British, active early 19th century) Portrait of a Standing Terrier Signed and dated 1819, lower right Oil on board Presented in a period giltwood frame A refine...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

Rudolf Stone (1820-1870) A set of four hunting scenes Oil on panel Signed Painting Size 6 x 12 in Framed Size 10 x 16 1/2 in Rudolf Stone was a British artist active in the late 19t...

'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...

English School, circa 1870 Continental Mountain Lake with Sailing Boat and Figures on a Path (Companion piece to the previous work) Oil on canvas Monogrammed ES / EJ A closely rela...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Loch Tay Landscape by F. E. Jamieson (1895-1950) signed with the artists pseudonym, W. Richards oil on canvas, unframed canvas: 16 x 24 inches provenance...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...