Victorian Art

This lovely British Victorian still life oil painting is by noted still life painter George Clare. Painted circa1870 the composition is different fruit, including green and red grape...

The Victorian English Gentleman Portrait of a Man seated in a leather chair, holding a letter in his hand. oil on canvas , framed framed: 41 x 33 inches canvas: 36 x 28 inches prove...

Vanity Fair legal portrait of Justice Gainsford Bruce. Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which wer...

Sunshine in the Scottish Highlands British School, 19th century oil on canvas, framed framed: 26.5 x 36.5 inches canvas: 24.5 x 35.5 inches provenance: private collection, UK conditi...

This charming mid-19th-century English oil painting, by an artist acutely aware of the works of Clarkson Frederick Stanfield RA RBA (1793-1867), depicts a Dutch river scene with vari...

'The Spate' by William Perring Hollyer (British, 1834-1922) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches inscribed verso Provenance: private collection,...

Title Antique Scottish Highlands Loch Sunset Landscape Oil Painting Framed Key Details Artist: Arthur Stanford, signed and dated 1900s Medium: Oil painting on canvas, framed Canvas S...

The Castle on the Hill Scottish artist, early 19th century oil on canvas, framed unsigned framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, UK condition: ...

**Title** F E Jamieson Scottish Highland Loch Tay Sunset Oil Painting Kenmore **Key Details** **Artist:** F. E. Jamieson (British, 1895–1950), signed **Title:** Kenmore, Loch Tay **...

Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...

This unsigned painting, attributed to the circle of Martin Theodore Ward around 1840, is an exemplary piece showcasing the talent of this 19th-cen...

The Amphitheatre of Loch Lomond from the Water Mill at Ross-Ben Lomond by John Wilson Ewbank, RSA (1799-1847) signed and inscribed with title verso oil on millboard, 24.5 x 35cms, plus frame provenance: private collection, Scottish borders Very fine and beautiful antique oil painting of this important view in Scotland, depicting the ever beautiful Loch Lomond. The painting is by the very well listed John Wilson Ewbank (1799-1847). John Wilson Ewbank (English, 4 May 1799–28 November 1847), was an English-born landscape and marine painter who was renowned for his naturalistic landscapes and seascapes of the Scottish borders and the North East coast of England. Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he was also taught by Alexander Nasmyth (1758-1840), a popular painter amongst the Scottish and English nobility. Ewbank found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Sadly after the death of his wife he descended into depression and was stripped of his status as an academician in 1838 and died in poverty of typhus in Sunderland in 1847. Ewbank’s calm seascapes were strongly influenced by 17th Century Dutch artists, particularly Willem and Adriaen Van de Velde. Although his best work dates from his early years, Ewbank became a popular and wealthy art teacher in the capital where made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. Ewbank’s sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He was also noted as a painter of landscapes and seascapes as exemplified in this painting. The busy port of South Shields is located on the south side of the mouth of the River Tyne, Northumberland. The settlement was founded by the Romans in AD80 when Agricola built a fort on the Lawe Top. The Romans used it as a supply base for Hadrian’s Wall and by the 5th Century, South Shields was a major Roman military stronghold and commercial centre. By 1500, South Shields had become an important seaport, trading primarily in timber, lead, coal and salt. The first shipbuilding yard was established by Robert Wallis in about 1720, he was soon followed by others, including Thomas Marshall...

'Sam Loates' Vanity Fair portrait of Samuel "Sam" Loates (1865 - 1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899. 395mm by 265mm (sheet)

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

‘A Welsh Hillside Path’ by Benjamin Williams Leader (1831-1923). The painting is signed and dated by the artist and was exhibited at the Royal Academy in 1874. We only offer origin...

An Expansive Highland view By Charles Leslie (1839 - 1886) signed lower right and dated 1875 oil on canvas, framed size: 13.5 x 27.5 inches condition: very good and ready to be enj...

Henry George Todd (British, fl. late 19th century) Still Life of Strawberries with Butterfly Signed and dated 1878, lower left Oil on canvas Presented in an ornate giltwood frame wit...

Cattle Watering in the Highland Loch, Dusk British School, 19th century circa 1860's oil on board, framed framed: 16 x 20 inches board: 12 x 16 inches provenance: private collection,...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Francis Edward Jamieson (British, 1890–1930s) View of an English River Landscape at Sunset Oil on canvas, signed lower right Presented in an ornate antique gilt frame, circa 1890 Th...

Here for your consideration is a very well executed and highly detailed oil on mahogany wooden panel painting by one the the leading Victorian artists of the day, Joseph Thors. Sign...

'Nablous, The Ancient Shechem', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travell...

Title F E Jamieson Signed Scottish Highlands Pitlochry Oil Painting Gilt Frame Key Details Artist: F. E. Jamieson, British, 1895–1950 Signed: Signed lower corner under the pseudonym ...

Bulldog In A Landscape J White (British 19th/20th Century) oil on canvas, framed signed and dated 1908 framed: 32 x 25 inches canvas: 27 x 20 inches provenance: private collection, S...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

Cottages in North Wales indistinctly signed, oil on canvas, framed dated 1888 framed: 16 x 22 inches canvas : 12 x 18 inches Provenance: private collection, UK Condition: very good ...

"The Corn Bill" English Artist, circa 1840's, unsigned oil on canvas, framed in antique gilt scrolled and swept frame framed: 45 x 37 inches canvas: 36 x 28 inches provenance: private collection, UK condition: very good and sound condition; please note the frame is very vulnerable and fragile and as such we are happy to include it free of charge with the painting but cannot warranty its condition on arrival. Historically significant portrait of this early Victorian...

Thomas Blinks British, 1860–1912 Pointers in an Extensive Landscape, circa 1900 Oil on artist’s board Faintly signed lower left A finely observed sporting scene by Thomas Blinks, o...

Portrait of an English Gentleman English artist, 19th century oil on canvas, unframed Canvas: 30.5 x 25 inches Provenance: Private collection, England Condition: overall very good an...

Robert Hancock (British, early 20th century) Fox Hunting Scene with Huntsmen and Hounds in a Winter Landscape Monogrammed lower right, circa 1930 Oil on canvas Presented in an ornate...

Victorian Nineteenth Century Marine Oil Painting of Fishing Boats off the Coast in Choppy Seas at Sunrise. A Traditional British Marine Scene off the Coast depicting Fishing Boats ...

"Loch Lomond" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 12 x 20 inches frame: 15.5 x 23.5 inches Fine qualit...

David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...

'1. 2. Polygoma C. album 3. Vanessa polychloros' Late 19th century colour lithograph of butterflies.

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

This handsome British 19th century portrait oil painting is by noted Artist Rudolph Lehmann. Lehmann was born in Germany but settled in the United Kingdom in 1866. The portrait is a ...

Two Ducks - Trompe l'Oeil Style in Pastel on Paper Two ducks in a realistic style by LV Seely (19th Century). The birds are hanging by their feet, as if they have just been hunted. ...

Vincent De Vos Belgian, 1829–1875 Les Saltimbanques (The Acrobats): Portrait of Three Dogs and a Monkey, circa 1870 Oil on panel Signed lower right Original frame A charming and hi...

This authentic, atmospheric, antique smaller scale portrait oil painting on wood is carefully framed by an old gilt frame. It's a captivating piece that depicts a woman in tradition...

Sidney Richard Percy British, (1821-1886) Near Bontddu, North Wales Oil on canvas, signed & dated 1878 Image size: 23.5 inches x 37.5 inches Size including frame: 30.5 inches x 44.5...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came t...

The Highland Loch signed by F. E. Jamieson (British 1895-1950) oil painting on canvas, framed framed: 18 x 26 inches canvas : 16 x 24 inches provenance: private collection, UK condit...

The Scottish Highlands British School, first half 19th century Circle of Copley Fielding (1787-1855) oil on canvas framed framed: 15.5 x 17.5 inches canvas : 10 x 12 inches Provenan...

In Burnham Woods by Daniel Sherrin (British, late 19th century) titlled to frame oil on board, framed inscribed verso framed: 16 x 14 inches board : 10 x 8 inches Provenance: private...

Edward Lloyd of Ellesmere British, (1818-1901) Bay Horse in a Stable Oil on canvas, signed & dated May 1867 Image size: 24.25 inches x 29.25 inches Size including frame: 31.5 inche...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

'1. 2. Pseudolycaena marsyas 3. 4. Evenus regalis' Late 19th century colour lithograph of butterflies.

The Young Anglers Attributed to William Underhill (act.1848-1870) British. oil on canvas, unsigned, framed framed: 31 x 45 inches canvas: 23.5 x 37 ...

This superb Victorian portrait oil painting is attributed to circle of Thomas Lawrence. Painted circa 1836 the sitter is William Henry Cooper, of Pains Hill, Cobham, Surrey and Hig...

This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...

Artist: John James Audubon (American, 1785-1851) Title: "American Flamingo" (Plate 375, No. 75) Portfolio: The Birds of America (First Royal Octavo E...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

William Raymond Dommersen Dutch, 1850–1920 Fishing Boats at the Shoreline, circa 1890 Oil on canvas Signed lower right A charming late 19th-century Dutch coastal scene by William Ra...

Edwin Loder – son of famous artist James Loder – originally enlisted in the 62nd Regiment of Foot in 1846 at the age of 19, serving mainly in India. After 20 years in the Forces, Ed...

The Old Stone Bridge by Emma Landseer (later, 'Mrs D. McKenzie', working 1845-1860) signed oil on board, framed framed: 13.5 x 16.5 inches board : 11.5 x 15 inches Provenance: privat...

The Two Puppies by Gabriel Metsu, Continental artist late 20th century signed oil on panel, framed framed: 11 x 13.5 inches panel : 7 x 9.5 inches Provenance: private collection, UK ...

The Log Cutter by John Edwards (English. 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition:...

Apple English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is in ...