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Victorian Art

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Style: Victorian
Vintage oil painting by Vincent Clare - fruit and apples oil signed
Located in PARIS, FR
Condition: Excellent overall Condition. Original canvas and frame. No restauration necessary. No retouching under UV light. Dimensions with frame 28 x 34 cm. Free US CONTINENTAL Shi...
Category

Late 19th Century Victorian Art

Materials

Oil

El Deir, Petra
Located in London, GB
Available in the First Edition lithograph Full plate: 90 Presented in a acid free mount We only sell the original 19th century lithographs by David Roberts, please read the informa...
Category

19th Century Victorian Art

Materials

Lithograph

Shipping in the River Humber Off Hull, England
Located in Costa Mesa, CA
This original watercolor on paper features traffic on the River Humber in the City of Hull. Hull or Kingston upon Hull, is a port city in East Yorkshire, England. The painting is hig...
Category

1870s Victorian Art

Materials

Paper, Watercolor

Gaillard, Lecomte, and Cie - Parisian Fashion Trade Hand Painted Catalogue Print
Located in Jacksonville, FL
Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed size of the print measures...
Category

Early 20th Century Victorian Art

Materials

Paper

"A Siamese Water Market" by Edwin Norbury
Located in Mere, GB
"A Siamese Water Market" by Edwin Norbury. Edwin Arthur Norbury. R.C.A 1849- 1918 was a founder member of the royal Cambrian academy visited Siam in 1892 to...
Category

19th Century Victorian Art

Materials

Oil

Principal Court of the Convent of St. Catherine
Located in London, GB
First Edition lithograph Full plate: 120 Presented in a acid free mount
Category

19th Century Victorian Art

Materials

Lithograph

The Pool of Bethesda- Jerusalem
Located in London, GB
THE POOL OF BETHESDA- JERUSALEM Subscription and first edition lithographs in stock Full plate: 12 Presented in a acid free mount £1,200 Published by F.G. Moon & Son, London 1842-49. Subscription edition were coloured during production and First edition are modern hand-coloured lithograph, that was printed a few years after the subscription edition David Roberts. We have both Subscription and First Edition lithographs in stock. The subscription edition was printed on a fine paper, hand coloured and then stuck on card. The first edition was printed on a more coarse paper and not coloured by hand. These ones we colour to match the subscription colouring. Each lithograph is sold in mint condition and in an acid free mount. Please do not hesitate to contact us for more information, or if you are looking for another David Roberts lithograph...
Category

19th Century Victorian Art

Materials

Lithograph

Bird's Nest, Victorian 19th Century Royal Academy Oil
Located in London, GB
William Henry Hunt 1790 - 1864 Bird's Nest Oil on canvas Image size: 11½ x 8⅜ inches William Henry Hunt was a painter and watercolourist of fruit and flowers, landscapes and rust...
Category

19th Century Victorian Art

Materials

Canvas, Oil

Remains of the Triumphal Arch, Petra
Located in London, GB
David Roberts RA Remains of the Triumphal Arch, Petra 1796 - 1864 Subscription and First Edition lithographs Full plate: 100 Presented in a acid free mount
Category

19th Century Victorian Art

Materials

Lithograph

Victorian Terracotta Dogs
Located in Los Angeles, CA
Pair of expressive, hand-painted, terracotta dogs with glass eyes from England.
Category

19th Century Victorian Art

Materials

Terracotta, Paint

Study for Last Sleep of Arthur in Avalon
Located in London, GB
Graphite on paper Image size: 7 1/2 x 9 inches (19 x 23 cm) Carved gilt frame Literature Illustrated in Malcolm Bell's 'Sir Edward Burne-Jones, A Record and Review', London, 1899, p.127. Provenance Major Charles Sydney Goldman 1958 By descent to his Sons John and Margaret Monck (John Goldman Monck) 1958-1963 Commander Victor Robert Penryn Monck (Victor Robert Penryn Monk Goldman) 1958-1963 Christie's London (Christie, Manson and Woods) 1963, John Monck and Cmdr Penryn Monck sale 26 April 1963 part lot 71 Sir John Richardson, 2019 Burne-Jones decided that the folds in the drapery in this study were too complex for the final painting and fairly soon after he simplified the draperies. The work is a drapery study for the seated figures at the centre of Sir Edward Coley Burne-Jones monumental The Sleep of Arthur in Avalon (Museo de Arte de Ponce, Puerto Rico). The artist spent seventeen years working on the complex narrative, even moving his studio to a larger space to accommodate the canvas. Born as a commission from his patron George Howard, 9th Earl of Carlisle, to decorate a wall in his library at Naworth Castle, The Sleep of Arthur in Avalon was left unfinished in Burne-Jones’ studio upon his death. The work was bequeathed to a studio neighbour whose descendants sold it at auction in 1963, where it was purchased by Luis A. Ferré, politician and founder of the Museo de Arte de Ponce. To his friends and family, Burne-Jones was known for his 'unpainted masterpieces'. Indeed, from his youth he made swift sketches, such as this study, that appeared effortless in contrast to his carefully crafted paintings and allowed him to work out ideas and refine details. He also drew outside of the studio, and his contemporaries remarked at his uncanny ability to do so while fully engaged in other activities. The painter W. Graham...
Category

19th Century Victorian Art

Materials

Graphite

Dinan, Brittany clock tower watercolour attr Anthony Vandyke Copley Fielding
Located in London, GB
Attributed to Antony Vandyke Copley Fielding (1787 - 1855) Dinan Tour de l’Horloge (Dinan Clock Tower) Watercolour 28 x 21 cm A spirited watercolour of Dinan, Brittany. Dinan's famo...
Category

Early 19th Century Victorian Art

Materials

Watercolor

19th Century Botanical Engraving “Ipomoea Horsfalliae” by W. J. Hooker. Framed
Located in Jacksonville, FL
A striking 19th-century botanical engraving depicting Ipomoea horsfalliae, also known as Lady Doorly’s Morning Glory. This exquisite floral illustration is attributed to the renowned...
Category

1830s Victorian Art

Materials

Engraving

The President of St John's College Oxford Vanity Fair Spy magazine Leslie Ward
Located in London, GB
To see our other views of Oxford and Cambridge, particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from ...
Category

1890s Victorian Art

Materials

Lithograph

John Fulleylove Trinity College Great Court, Cambridge 1890 watercolour
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Late 19th Century Victorian Art

Materials

Watercolor

The Theatre, Petra
Located in London, GB
First Edition lithograph Full plate: 98 Presented in a acid free mount
Category

19th Century Victorian Art

Materials

Lithograph

Historical genre sporting oil painting of a gentleman holding a gun
Located in Nr Broadway, Worcestershire
Adolphe-Alexandre Lesrel French, (1839-1929) The Sportsman Oil on panel, signed & dated 1905 Image size: 10.75 inches x 7.75 inches Size including frame: 19.5 inches x 16.5 inches A beautifully detailed genre painting of a gentleman with a hunting rifle and smoking a clay pipe by Adolphe Alexandre Lesrel. The man, who is dressed in 17th century costume is seated next to a table containing game, a wine decanter and silver gilt standing cup with cover. All of the props including the 17th century wheel lock...
Category

19th Century Victorian Art

Materials

Oil, Panel

Portrait of a Mary Hardy (nee Sulman), Late 19th Century Victorian Oil
Located in London, GB
Slade School Late 19th Century Portrait of a Mary Hardy (nee Sulman) Oil on panel Image size: 8 x 7 inches Contemporary frame Provenance Lady Town (Grandda...
Category

Late 19th Century Victorian Art

Materials

Panel, Oil

19th Century Botanical Engraving of Chirita Walkeria. Hand-Colored Print by Gar
Located in Jacksonville, FL
A captivating 19th-century botanical engraving depicting Chirita walkeria, a delicate flowering plant named in honor of Anna Maria Walker, a noted naturalist. This hand-colored print...
Category

Early 19th Century Victorian Art

Materials

Engraving

Large Victorian French La Mode Lithograph Print
Located in Jacksonville, FL
Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed siz...
Category

19th Century Victorian Art

Materials

Paper

Portrait de Mlle L... (Portrait of Miss L...) /// Old Masters Figurative Lady
Located in Saint Augustine, FL
Artist: Paul Rodolphe Joseph Dujardin (French, 1843-1913) Title: "Portrait de Mlle L... (Portrait of Miss L...)" Portfolio: Gazette des Beaux-Arts *Signed by Dujardin after Lehmann i...
Category

1890s Victorian Art

Materials

Etching, Laid Paper, Intaglio

Cleansing A Shrike/ Blackbird's Bath - Hand coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category

21st Century and Contemporary Victorian Art

Materials

Walnut, Paint, Ink, Spray Paint, Watercolor, Archival Paper, Photographi...

Portrait oil painting of an Austrian Gentleman with a Pipe
Located in Nr Broadway, Worcestershire
Erwin Eichinger Austrian, (1892-1950) The Pipe Oil on board, signed Image size: 10 inches x 7.5 inches Size including frame: 15.25 inches x 12.75 inches A finely painted portrait ...
Category

Early 20th Century Victorian Art

Materials

Oil, Board

19th Century French bronze sculpture of a soldier
By Léopold Eugène Kampf
Located in Nr Broadway, Worcestershire
Léopold Eugène Kampf French, (1822-1893) The Last Drop Bronze, signed with foundry mark for Alfred Daubrée Height: 16 inches Width: 5 inches Depth: 5.5 ...
Category

19th Century Victorian Art

Materials

Bronze

19th Century seascape oil painting of a hay barge on the Medway
Located in Nr Broadway, Worcestershire
Hubert Thornley British, (exh. 1858 -1898) Hay Barge on the Medway Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 30.5 inches x 24.5 inches A fine...
Category

19th Century Victorian Art

Materials

Canvas, Oil

Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
Located in London, GB
Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...
Category

Late 19th Century Victorian Art

Materials

Paper, Graphite

Baalbec, General View
Located in London, GB
Subscription and first Edition lithographs Full plate: 77 Presented in an acid free mount Original hand coloured subscription edition and modern hand-coloured lithograph for the fir...
Category

19th Century Victorian Art

Materials

Lithograph

"Vor Den Aufstand 1809 in Tirol” KPM Painted Porcelain Plaque
Located in Jacksonville, FL
KPM Painted Porcelain Plaque Entitled ” Vor Den Aufstand 1809 in Tirol ” Frame Size: Hight: 14.60″ x Width: 17″ Frame Thickness: 2.50″ Picture Size:Hight: 10.75″ x Width: 12″ Imm...
Category

19th Century Victorian Art

Materials

Porcelain

19th Century landscape oil painting of figures picking flowers at a river bank
Located in Nr Broadway, Worcestershire
Robert John Hammond British, (1853-1911) Picking Flowers Oil on canvas, signed & dated 1900 Image size: 20.75 inches x 13.75 inches Size including frame: 30.5 inches x 23.5 inches A charming landscape painting of figures picking flowers next to a river by Robert John Hammond. The scene is set against the backdrop of mountains and was most likely painted in summer. The landscape appears similar to that of North Wales, an area the artist visited a number of times. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...
Category

19th Century Victorian Art

Materials

Canvas, Oil

KPM Porcelain Plaque - German "The Mandoline Player"
Located in Jacksonville, FL
Frame Size: Height: 18.75" x Width: 15.75" Frame Thickness: 3.25" Picture Size: Height: 12.25" x Width: 9.50" Immerse yourself in the delicate beauty of this exquisite porcelain a...
Category

19th Century Victorian Art

Materials

Porcelain

Convent of St. Catherine, Mt. Horeb
Located in London, GB
First edition lithographs in stock Full plate: 118 Presented in a acid free mount
Category

19th Century Victorian Art

Materials

Lithograph

Portrait of Herbert Fisher, Mid-19th Century Oil Painting, Original Watts Frame
Located in London, GB
Oil on canvas c.1855 - 1860 Image size: 19 x 14 inches (48.25 x 37.25 cm) Original Watts frame The Sitter Herbert William Fisher (1826 - 1903) was a British historian, best known for his 'Considerations on the Origin of the American War' (1865). Fisher was tutor to the future King Edward VII, and served as Private Secretary to the 5th Duke of Newcastle. in 1863 he became Private Secretary to the Prince of Wales, his former pupil, before being appointed to the position of Vice-Warden of the Stannaries in 1870. One of his daughters, Adeline, married Ralph Vaughan Williams. George Frederick Watts Watts (1817 - 1904) was a British painter and sculptor associated with the Symbolist movement. He is known to have said 'I paint ideas, not things'. Watts became famous in his lifetime for his allegorical works, such as 'Hope' and 'Love and Life' in which the emotions and aspiration life were intended to be represented in a universal symbolic language. Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. He showed artistic promise very early, learning sculpture from the age of 10 with William Behnes, starting to study devotedly the Elgin Marbles (later writing "It was from them alone that I learned") and then enrolling as a student at the Royal Academy Schools at the age of 18. He first exhibited at the Academy in 1837, with a picture of "The Wounded Heron" and two portraits, but his attendance at the Academy was short-lived, and his further art education was confined to personal experiment and endeavour, guided by a constant appeal to the standard of ancient Greek sculpture. He also began his portraiture career, receiving patronage from his close contemporary Alexander Constantine Ionides, who later came to be a close friend. In 1849 the first two of the allegorical compositions which form the most characteristic of the artist's productions were exhibited—"Life's Illusions," an elaborate presentment of the vanity of human desires, and "The people that sat in darkness," turning eagerly towards the growing dawn. In 1850 he first gave public expression to his intense longing to improve the condition of humanity in the picture of "The Good Samaritan" bending over the wounded traveller; this, as recorded in the catalogue of the Royal Academy, was "painted as an expression of the artist's admiration and respect for the noble philanthropy of Thomas Wright, of Manchester," and to that city he presented the work. From the late 1840s onward he painted many portraits in France and England, some of which are described below. Notable pictures of the same period are “Sir Galahad...
Category

1850s Victorian Art

Materials

Canvas, Oil

"Winter Landscape with Sheep and Shepherd", original water colour on paper
Located in Naples, Florida
This is an original unique watercolour by the artist. Florence Emily Lumb lived and exhibited her work between 1897 – 1901 in Liverpool at the Walker Art Gallery.
Category

20th Century Victorian Art

Materials

Watercolor

The Hill, Hampstead, Signed Early 20th Century British Watercolour
Located in London, GB
Watercolour and scratching out on paper, signed lower left Image size: 11 x 17 1/2 inches (28 x 44.5 cm) Original giltwood frame Provenance Christopher Wood Gallery R Mellon, USA ...
Category

Early 20th Century Victorian Art

Materials

Watercolor

Farm Scene with Figures c. 1870 a watercolor by Irish artist working in the US
Located in Philadelphia, PA
John Faulkner (Irish, c. 1830-1888, active United States c. 1870-80) Farm Scene with Figures, c. 1870 Watercolor on paper, 20 x 28 inches (sight) FRAMED: 31 1/4 x 39 1/4 inches Sign...
Category

1870s Victorian Art

Materials

Paper, Watercolor

The Chestnut Seller, Victorian Watercolour Genre Scene
Located in London, GB
Brown ink and watercolour, heightened with white, signed lower right Image size: 18 x 14 1/4 inches (45.75 x 36 cm) Gilt frame Modern moral subjects were a special kind of genre that was invented by William Hogarth which satirised the manners and morals of the period in which the artist lived. They were particular in their frankness and often biting social satire. Genre painting became hugely popular in the Victorian age and towards the end of the nineteenth century a new focus for genre painting emerged. The Artist Joseph H Barnes...
Category

1860s Victorian Art

Materials

Paper, Watercolor

Lakeland Landscape, Original Oil on Canvas, Mountains, Victorian artist
Located in Naples, Florida
This stunning Lakeland landscape (one of a pair) by the artist Charles Leslie (1839–1886) is an original oil-on-canvas painting that is over 100 years old. Leslie was an English landscape painter during the Victorian era. Being from a family of painters and strongly influenced by his grandfather, Edward Williams, another successful landscape painter, Leslie learnt to paint during his formative years. He spent summers with his uncles where he would slave away painting landscape after landscape until he mastered his craft. He then went on to pioneer paintings...
Category

19th Century Victorian Art

Materials

Canvas, Oil

Stirling Castle, 19th Century British School Signed Watercolour
Located in London, GB
BRITISH SCHOOL 19th Century STIRLING CASTLE Watercolour, signed lower right Image size: 12 x 10 inches (30 x 25.5 cm)
Category

19th Century Victorian Art

Materials

Watercolor

Lakeland Landscape (one of a pair), original oil on canvas, Victorian artist
Located in Naples, Florida
Signed by artist. This stunning Lakeland landscape (one of a pair) by the artist Charles Leslie (1839–1886) is an original oil-on-canvas painting that is over 100 years old. Leslie was an English landscape painter during the Victorian era. Being from a family of painters and strongly influenced by his grandfather, Edward Williams, another successful landscape painter, Leslie learnt to paint during his formative years. He spent summers with his uncles where he would slave away painting landscape after landscape until he mastered his craft. He then went on to pioneer paintings...
Category

19th Century Victorian Art

Materials

Oil, Canvas

The Experiment, Dated 1838, Signed English Watercolour
By Alfred H. Taylor
Located in London, GB
Alfred H. Taylor The Experiment Watercolour, signed and dated 1838 Image size: 9 ½ x 8 inches
Category

19th Century Victorian Art

Materials

Watercolor

The New Teacher, 19th Century Victorian Interior Oil
Located in London, GB
George Bernard ONeil 1828-1917 Oil on canvas, signed & dated (18)76 lower right Image size: 22 ½ x 17 inches Original frame The painting depicts the arrival of the new teacher, a curious pupil peeps around a door to see her, while her friends look through the open door to the classroom to catch a glimpse. The artist has gone to great lengths with the painting, such as the highly detailed Dutch tiles on the bottom right of the picture or the window above the door in the background. O'Neil often painted works with several doorways leading off and giving a sense of depth to the work. The use of light and shadow is also cleverly depicted across the work, one light source arrives from where the viewer stands filling the room and the new teacher with light, while the other window above the door in the background also gives a warm glow. George Bernard O'Neill was born on 17th July 1828 in Dublin the ninth of fifteen children of Bernard and Sarah O...
Category

1870s Victorian Art

Materials

Oil

The Music Party, 19th Century Company School Watercolour
Located in London, GB
COMPANY SCHOOL 19th Century The Music Party Watercolour Image size: 4 ¾ x 7 ½ inches Acid free mount
Category

19th Century Victorian Art

Materials

Watercolor

Bronze Statue of Prince Albert Edward as a Sailor Boy
Located in Costa Mesa, CA
This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.
Category

1890s Victorian Art

Materials

Bronze

19th Century seascape oil painting of fishing boats by a Dutch shore
Located in Nr Broadway, Worcestershire
Pieter Cornelis Dommersen Dutch, (1833-1918) Launching the Boat Oil on canvas, signed & dated 1861 Image size: 23 inches x 41 inches Size including frame: 29.75 inches x 47.75 inches A beautifully painted marine scene of a boat being launched from a Dutch shore by Pieter Cornelis Dommersen. In the foreground, fishermen can be seen heaving a boat into the water as others look on. Beyond the beach, a number of ships are shown moored next to a windmill whilst further ships are depicted sailing around the harbour. Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...
Category

19th Century Victorian Art

Materials

Oil, Canvas

Kingston Bridge
Located in London, GB
Watercolour and gouache on paper, signed and dated '09 bottom left Image size: 11 x 10.5 inches (28 x 27 cm) Hand made contemporary frame Painted on his characteristic dark backgrou...
Category

Early 20th Century Victorian Art

Materials

Paper, Watercolor, Gouache

Portrait of Young Girl Victorian British Pre-Raphaelite portrait pencil drawing
Located in Hagley, England
This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a bust length seated portrait of a young girl gazing to her right. Her long hair is bac...
Category

19th Century Victorian Art

Materials

Carbon Pencil

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley
By John Callcott Horsley
Located in London, GB
Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...
Category

19th Century Victorian Art

Materials

Oil, Board

Study of a Standing Female Nude
Located in London, GB
Evelyn de Morgan Study of a Standing Female Nude 1855 - 1917 Black chalk and pastel on grey paper Image size: 12 ½ x 19 inches (48.2 x 31.7 cm) Pre-Raphaelite style frame Provenance J.S. Mass & Co., Ltd., London, J.X. Reynolds & Co., Ltd. Once she had graduated from the Slade School of Art, Evelyn continued to draw every day for the rest of her life. Her drawings are enlightening not only for their skill and subject matter, but also for their ability to teach us her working process. From loose compositional sketches, Evelyn swiftly progressed to detailed life studies for the figures in her paintings. Choosing to draw mainly on a grey wove paper in pencil and pastel, Evelyn produced hundreds of figure studies. Her rigorously-examined double studies of clothed and nude figures are particularly fascinating and underline the artist’s obsession with the human form and her desire for accuracy. A deep understanding of anatomy is obvious in this drawing and looking at the work you feel as though you can reach out and feel the muscle and bone under the skin, that you could feel the pulse of life through the soft skin. Evelyn de Morgan Born into a landowning family, from an early age Evelyn De Morgan, née Pickering, demonstrated a precocious artistic talent and a passionate desire to pursue a career as an artist, writing in her diary on her seventeenth birthday ‘Art is eternal, life is short… I have not a moment to lose’ (Evelyn De Morgan’s Diary, 30 August 1872, De Morgan Foundation Archive). Her maternal uncle, the artist John Roddam Spencer-Stanhope encouraged her talents and accompanied her on her first formative journeys to Italy where she discovered the Renaissance masters, particularly Botticelli. Overcoming initial parental opposition, Evelyn enrolled at the newly formed Slade School in 1873, one of the first women to do so. The Slade revolutionised women’s artistic education by allowing female students to study the nude from life alongside their male counterparts. Whilst at the Slade she began to submit work under her middle name Evelyn, rather than her Christian name Mary, as its gender ambiguity offered a chance for her work to be judged on its own merit. One of her tutors, Edward Poynter...
Category

20th Century Victorian Art

Materials

Pastel, Chalk, Paper

Ruins of Hailes Abbey, 19th century landscape sketch
Located in London, GB
Graphite on buff paper 'Hales Abbey, Gloucestershire' initialled, inscribed and dated 1837 bottom left Image size: 8 x 13 1/2 inches (20 x 34.5 cm) 18th Century Hogarth frame and was...
Category

1830s Victorian Art

Materials

Graphite

An Opulent Evening
By Guiseppe Aureli
Located in Missouri, MO
Guiseppe Aureli (1858-1929) "An Opulent Evening" c. 1880s Watercolor on Paper Signed Lower Right Site Size: approx. 30 x 20 inches Framed Size: approx. 37 x 29 inches Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolorist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes. He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi...
Category

Late 19th Century Victorian Art

Materials

Watercolor, Laid Paper

Breton Chores
Located in Missouri, MO
Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...
Category

1870s Victorian Art

Materials

Canvas, Oil

A Lovely Reflection
Located in Missouri, MO
Auguste Toulmouche (1829-1890) "A Lovely Reflection" 1874 Oil on Panel Signed and Dated Lower Left Site Size: approx 17 x 14 inches Framed SIze: approx. 27.5 x 24 inches Provenan...
Category

1870s Victorian Art

Materials

Oil, Wood Panel

Entwined Shabbat Candleholder
Located in Kansas City, MO
Artist : Genevieve E. Flynn Title : Entwined Shabbat Candleholder Materials : Sterling Silver Date : 2009 Dimensions : 10"x8"x10" Description : Sterling silver chased grapevine leaves encircle the large vine supporting the candlelabra. This image shows 3 Shabbat candles in place. The center vine is a hollow form while the stems of the leaves are cold forged, all in sterling silver. Custom ordering allows you the capability to add more candle cups. Award winning silversmith, Genevieve Flynn, has been working in precious metals for 44 years creating hollowware and art jewelry family heirlooms. Flynn has been invited to create numerous private commissions, including an intricately chased and engraved hand mirror that was presented to music industry personality, Paula Abdul and a commemorative 1985 World Series pin for the late Ewing Kauffman, then owner of the Kansas City Royals and Marion Laboratories. contemporary art, ceramcs, contemporary ceramics, contemporary fine art, ceramic artists, sculpture, contemporary sculpture, jewelry, contemporary jewelry, jewelry art, Margaret De Patta, René Lalique, Bruce Metcalf, fine art jewelry, Suzanne Belperron, Stanley Lechtzin...
Category

2010s Victorian Art

Materials

Silver

In the Study
By Hans Hamza
Located in Missouri, MO
Hans Hamza (Austrian 1879-1945) In the Study Oil on Panel Signed Site Size: approx. 8 x 6 inches Framed Size: approx. 14 x 12 inches
Category

Late 19th Century Victorian Art

Materials

Oil, Wood Panel

In the Study
In the Study
Price Upon Request
Sunset on the Midway
Located in Missouri, MO
George Stanfield Walters (1838-1924) "Sunset on the Midway" c. 1880s Oil on Canvas Signed Canvas: approx 25 x 36 inches Framed Size: approx. 31 x 42 inches George Walters - George Stanfield Walters was born in 1838 and died in 1924. A marine and coastal painter. He was grandson to ship portraitist Miles Walters, and son and pupil of Samuel Walters...
Category

Mid-19th Century Victorian Art

Materials

Canvas, Oil

Leda and the Swan
Located in Missouri, MO
Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...
Category

Late 19th Century Victorian Art

Materials

Bronze

Épanouissement
Located in Missouri, MO
KPM Porcelain After Angelo Asti (French, 1847-1903) "Épanouissement" c. 1900 With Original Gold Gilded Frame Image Size: approx. 6 x 4 inches Framed Size: approx. 9 x 6 inches Eve...
Category

Late 19th Century Victorian Art

Materials

Porcelain, Oil

Queen Louise
Located in Missouri, MO
KPM Porcelain "Queen Louise" c. late 19th century Original Hand-Painted Porcelain Signed "R. Dittrich" Since 250 years, the royal sceptre brand stands fo...
Category

Late 19th Century Victorian Art

Materials

Porcelain, Oil

Marguerite
Located in Missouri, MO
Marguerite Hand Painted Porcelain w/crown stamp #107 Signed "Wagner" Original Gilded Florentine Frame approx 6 x 4 inches /approx 14 x 8 inches framed Since 250 years, the royal sc...
Category

Late 19th Century Victorian Art

Materials

Porcelain, Oil

Ruth
Located in Missouri, MO
KPM Porcelain "Ruth" c. 1900 Original hand-painted KPM Porcelain In Original Gilded Florentine Frame 7 x 4 (16 x 9 framed) Since 250 years, the royal sceptre brand stands for finest...
Category

Late 19th Century Victorian Art

Materials

Porcelain, Oil

Victorian art for sale on 1stDibs.

Find a wide variety of authentic Victorian art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Francis E. Jamieson, Sir Leslie Ward, John James Audubon, and George Cruikshank. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $153,923, while the average work sells for $2,035.

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