Oversized Interior Paintings

Ross Tamlin's unique photorealistic compositions merge traditional painting methods with modern industrial techniques to create captivating works of art. Using layers of oil and enamel paint, Tamlin creates an illusion of corrugation that adds depth and texture to his pieces. His use of industrial imagery and found objects is a nod to contemporary art, while his bold color palette and incorporation of text is a nod to the Pop Art movement. Tamlin created this one-of-a-kind, vibrant, and colorful painting measuring 54-inches high by 44-inches wide and 1.25 inches deep with oil and enamel paint on canvas. The sides of the canvas are painted in a continuation of the front, eliminating the need for framing. In addition to being signed by the artist on the front, the artwork also comes with a certificate of authenticity issued by the art gallery. The certificate guarantees the authenticity and provenance of the artwork. Free local Los Angeles are delivery. Affordable U.S. and worldwide shipping available. In this artwork, Tamlin reworks the traditional idea of landscape painting by incorporating text and familiar places' names, such as Metropolitan cities, painted in large letters over the colorful photorealistic painted corrugated metal. This photorealistic painting by Ross...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours...

This art - work is part of the project «Difficult Relationships». The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a v...

40H x 60W inch, Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original pai...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

Amit Kalla - Untitled - 48 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

This is a stunning elegant textured oil painting with a bright red & green palette. Ekaterina Popova's intimate interior series capture the light subtleties and feelings of romantic ...

"Story No. 6 Diptych" Abstract Painting 60 x 97" inch by Yoram Katz ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Art Academy in Jerusalem. Resides in Los Angeles, Ca...

Saturated, intimate depiction of sharing a bed with a partner by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on an out of focus photograph, this piece stradd...

This striking large Orientalist oil portrait painting is by a talented Turkish School artist from the late 19th century. The portrait is extremely well painted, dating to circa 1890 ...

Traces mixed media on canvas 100x120 cm 2017 original art ready to hang Marilina Marchica (Agrigento, 1984) Marilina Marchica, born in Agrigento, where she works and lives, she gr...

Mentler persistently challenges the art world to see beyond the surface. He revives the essence of numerous past masters and gives a place in today’s modern era. His work will teach ...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light is how we connect in some realm; whether it be a mentor, a friend, a stranger, a nurse. It is this innate human connection that brings us together and for me, a chandelier represents the complexity and beauty of this and so the idea of providing this light for one another is what motivates me in this collection." Almonte is constantly developing her aesthetic, further breaking the barriers of how she applies paint onto the canvas by carefully manipulating her dried acrylic pallet. Cutting and reapplying the leftover paint onto new works of art, Almonte creates a refreshing and unique design that gives her work a new dimension and a more 3D-like feel. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 60 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection of her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro, and happy Mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In this contemporary surrealist painting, Nathan Neven skillfu...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Golden Lady" by Nathan Neven is an enchanting piece that capt...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an ...

Title: Piano 1 Medium: Oil on canvas Size: 47 1/4 x 35 3/4 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

Acquiescence, 2012 Oil on canvas (Signed on the reverse) 80.76 H x 80.76 W in 180 H x 180 W cm Radu Rodideal is interested in the atmosphere of his work...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

The Emotional Reunion, 2019 Oil on canvas 120 H x 140 W cm 47 1/4 H x 55 1/8 W in The artwork was part of the solo show ONIRIX. ONIRIX is a project about how we remember and inte...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

Jaremi Picz (1955) - Epicentrum Quantinum U/G/W Acrylic on canvas from 2024. The work is enhanced with UV paint. Dimensions of work: 120 x 120 cm. Hand signed and titled on the ba...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Jum...

"Limited Time Offer" Painting 48 x 48 in by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installation...

In this oil painting, I've immersed myself in capturing the simple joy of an abundant harvest. The vibrant, impressionistic brushstrokes convey the lushness of nature and the warmth ...

Ready to hang with the edges painted A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy c...

Experiment. A modern, abstract, expressive, sophisticated painting that fits harmoniously into a modern interior. The work was created using the technique of dripping and splashing p...

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Abstract 2132 - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mighty presence of W...

"Dance of the Flowers" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible pow...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

"Gerber Daisy" by Carl Grauer Contemporary Still Life Painting of Pink Flower Pot on Kitchen Window Sill Acrylic on Canvas in Custom Frame 40 x 30 inch...

"Squares and Things" painted by the eminent artist, Charles McGee, literally breaths his African American heritage and his extraordinary vibrant use of colors. Provenance is The Arwin Galleries on Grand River in Detroit, Michigan - label on verso. This early painting of McGee's shows his mastery in creating a painting in the style of the French Impressionist Edouard Manet, "Still Life with Melon and Peaches" located in the National Gallery of Art, Washington, DC, and in the style of Fauvist/Expressionist painter Henry Matisse, "Still Life with Blue Tablecloth", located in the Hermitage Museum, Saint Petersburg, Russia. McGee makes the well-known genre of still life his own creating an exciting marvelous work incorporating the homely quilt - the powerful symbol of the African American road to safety from slavery - as his main focus. Quilts symbolize warmth, comfort, and as shown by the collection of quilts gathered by the artists in Gee's Bend the designs on the quilts hung outdoors at locations along the Underground Railroad showed fugitives the road north and to safety. "Squares and Things" was first shown at The Arwin Galleries, Inc., Detroit, Michigan, one of the stops along the Underground Railroad. This piece is signed by the artist, Charles McGee, and is an extraordinary example of his early work before he moved into Abstract Expressionism and his many sculptural works now located throughout Michigan. Several of these works are: "Noah's Ark: Genesis, 1984," on display at the Detroit Institute of Arts, his brilliant 2005 "Progression" a 45-foot wide aluminum sculpture at Beaumont Hospital, Royal Oak, Michigan, and his stunning 2016 "United We Stand" sculpture at the Charles H. Wright Museum of African American History . His genius can be seen in sculpture installments throughout the city of Detroit. . He was born into a family of sharecroppers. While helping his grandfather tend the land, "he observed firsthand the order and harmony that exists within nature." He had no formal schooling until moving to Detroit at age 10, where he found that "everything was on the move and it hasn’t slowed down yet." in 2017 he observed, "I learned something not being in school — because life is school . . .I learn something every time I move. Every time I go around a corner, something new is revealed to me.” McGee took advantage of the GI Bill to attend classes at the Society of Arts and Crafts, now the College for Creative Studies, Detroit, MI. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, and Philip Pearlstein. After retiring from the Corps of Engineers, McGee spent 1968 studying art in Barcelona. Despite not knowing the language at the outset, he immersed himself in the culture and opened himself to a whole new range of experience that would play out in his artwork. "If you free yourself, you have this kind of opportunity to have those experiences, horizons, and new vistas." (per interview with Nick Sousanis author of a book on Charles McGee.) He returned to Detroit and curated "Seven Black Artists" at the Detroit Artists Market in 1969, which along with McGee himself, included Lester Johnson, Henri Umbaji King, Robert Murray, James Lee, Allie McGhee...

"Solicitude" invites the audience into a world of contemplation and reflection, where the central theme revolves around the power of empathy and its a...

In crafting this piece, I poured my soul into an exuberant celebration of color and monochromy, using the brushes and palette knife's bold strokes to invite a dance of joy and freedo...

Ashit Sarkar - Untitled - 36 x 30 inches (unframed) 44 x 38 inches (framed) Charcoal on Canvas Inclusive of shipment in roll form. Style : Wom...

ABOUT THE ARTWORK "Madonna with Roses," part of the Inner Garden Series, represents a modern interpretation of maternal strength and tenderness. The artwork delves into the complexit...

Mid century kitchen still-life with an antique coffee grinder, ladle, and measuring cup on a table by Maurice Blond (Polish, 1899-1974), c.1950s. Signed ...

"Evolution 1" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

Tranquil XXI - Large Pallet Knife Relief Blue Gradient Abstract Painting ia a spectacular huge XXXL original abstract artwork from the Tranquil serie. This artwork is shipping UNMOUNTED and ROLLED UP in a tube. International shipping prices have risen 50%, making international shipping for large stretched...

"Evolution 2" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

Abstract 2108 - is original, authentic, and personally signed by the artist. Created using acrylic on canvas, a clear, gloss coating protects your cherished fine art investment from ...

"Evolution 3" (FRAMED) Abstract Painting 34 x 45" inch by Yoram Katz Medium: Pencil on Paper Size framed: 37 x 48 inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel ...

The artwork Flowing Energy 37 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

A single vent can be seen along the baseboard of a nondescript white wall in a quiet interior. The warmth of the worn, golden brown hardwood floor is unexpectedly dramatic against th...

In crafting this piece, I poured my fervor for the dramatic interplay of light and shadow into each stroke. My acrylics dance across the canvas in a symphony of stark contrasts and s...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Odofin Ernest Shina...