Oil Interior Paintings

La obra va firmada por el artista en la parte inferior Se presenta enmarcada la pintura El estado de la obra es bueno Medidas obra: 47 x 56 cm. Medidas del marco: 71 x 80 cm. Emilio Grau Sala Nace en Barcelona en 1911. Maestro catalán de la Escuela de París, recordado por sus magníficas escenas realistas. Se forma en la Escuela de Bellas Artes de Barcelona. Tras varias exposiciones en su ciudad natal y ya siendo un pintor de éxito, contrae matrimonio con la pintora Ángeles Santos Torroella. De ambos nacerá en 1937 el futuro pintor Julián Grau Santos. En 1936 expuso en el Museo de Arte Moderno de Madrid y, coincidiendo con el inicio de la Guerra Civil Española, se traslada a París. Conoció de cerca las vanguardias inclinándose por una figuración colorista, derivada del impresionismo y el fauvismo. Allí entrará rápidamente en contacto con el núcleo de artistas españoles. Realiza una pintura próxima al postimpresionismo francés, con un marcado acento lírico. En París alcanzó un gran éxito realizando multitud de exposiciones. En 1936 recibe el Premio Carnegie. Grau Sala destaca, además, como creador de escenarios teatrales y como excelente ilustrador. Fallece en Barcelona en 1975. Celebró diversas muestras individuales, sobre todo en Barcelona y París, pero también en ciudades como Nueva York, Toulouse, Londres o los Ángeles. En el 2015, su hijo Julián Grau Santos cede la obra familiar de su padre para la venta a Beatriz Bálgoma como marchante. A partir de este momento la galerista expondrá obras del artista en diversas ferias de prestigio nacionales e internacionales como Feriarte, Lisbon Art...

"Winter Folly" - Original 2003 Oil on Masonite 2003 oil on masonite still life painting titled "Winter Folly" by American artist Richard M. Bacon (American, 20th Century). Colorful...

A charming 1950s Mid-Century Modern painting of two children seated together in a soda shop by the noted Chicago artist, Francis Chapin. Artwork size: 15 1/2” x 21"; Framed size: 17...

Alan Latter (born 1961) Le 14 juillet Signed and inscribed with title and dated ‘2020’ verso, oil on canvas, 20 x 16 inches Born in Islington in 1961, Alan Latter's work is influenc...

Title: Modern French Oil Painting Seated Woman in an Expressive Interior Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 7....

A summer landscape with wildflowers, a forest lake and a cloudy sky is a beautiful decoration for any interior. The painting is created en plein-air in one of favourite artist's place. The play of warm and cold shades bewitches and creates a unique fabulous atmosphere of the windy summer day...

Title: Modern French Oil Painting Portrait of a Woman Expressive Figurative Study by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on canvas board, unframed Paintin...

"La Recontre" is an original oil on board painting by Jean-Claude Gaugy. The painting is a contemporary portrait of a couple looking at each other seductively on a four-piece master ...

Title: Modern French Oil Painting Two Reclining Nudes in a Red and Blue Abstract Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting ...

Title: Modern French Oil Painting Woman Reading in a Chair Figurative Interior Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil p...

Original small oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand,...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

In my creation, I've poured my soul into capturing the ephemeral beauty of bloom against a tranquil sky. The brushstrokes dance with life, echoing nature's awakening, all while a tow...

This painting is part of a series that reflects the beauty of the plant world from an unusual perspective - through an intense macro view. These are semi-abstract canvases where the...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

In my artwork, I've poured the vitality and serenity of the sea onto canvas, capturing the dynamic dance between water and land. The interplay of light reflects the boundless energy ...

OPAC, the Organization of Photorealist Artists and Collectors, presents Johanness Wessmark, who often been called the Thomas Arvid of Sweden. Johannes has perfected the photorealistic portrayal of all things wine, be it corks, bottles, labels, storage units and racks. His work is shown throughout Europe and North America at such important galleries and shows as Galleri Backlund, Galleri Sjöhästen, Gallery Eklund, Gallery Knud Grothe, Gallery Nord, Gallery Oscar, Affordable Art Fair, All Media Fine Art Exhibit, Älvängen, ArtHouse Karlstad, Clarion Hotell Plaza, EngGården Gallery, Fowlerville Fair, Frykenstrand Hote, Gothenburg Book Fair, IGOR´s 9th Annual International Juried Exhibition, Jones & Terwilliger Galleries, Karlstad Hospital Gallery, Kil Art-association, Konstfrämjandet Eskilstuna, Konstfrämjandet Karlstad, Konstfrämjandet Västerås, Liljevalchs Konsthall, Los Angeles Artshow, Melon Festival Art Show, National Watercolor Show, No White Walls, Malmö, Pfizer Art Association, Red Wine & Brew Opera House Show, Sillegården, Västra Ämtervik, Spånga Art-association, Speed Art Design, Mariestad, Stjärnfors Grinder Gallery, Sundsbergs Gård, Sunne, Tierps Art-association, Värmlands Artist Association and Värmlands Museum. Artist Statement: Traditional photorealists who have impacted me include Richard Estes, Ralph Goings, Robert Bechtle, Charles Bell, Tom Blackwell, Chuck Close, Robert Cottingham, Don Eddy, Audrey Flack, Ron Kleeman, Richard McLean, John Salt and Ben Schonzeit. More recent photorealist influences include Pedro Campos...

In this work, I wanted to capture the essence of serenity and vibrancy coexisting. The delicate dance of light and shadow through the blossoms is a fleeting moment I've brought to st...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

The original oil painting, "Red Vines" is an impressionistic view of a woman sweeping the walkway in front of a building covered in red vines. Cook use of vi...

Red Peonies signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 22 high by 18 inches wide condition: ov...

Purple Dining Interior English artist, indistinctly signed contemporary / 21st century signed oil on canvas, framed Framed: 30.5 x 24.5 inches Canvas: 24 x 18 inches Provenance: Private collection, England Condition: This painting is in excellent condition, with vibrant colors and well-preserved details. The canvas is intact, and the paint shows no signs of cracking or fading. The piece is framed in a white wooden frame, which complements the bright and lively nature of the artwork. Description: This vibrant oil painting captures a sunlit breakfast nook, showcasing a delightful interplay of colors and light. The artist uses bold and dynamic brushstrokes to depict a round table set...

This painting makes part of my series dedicated to the scenes of a summer period. This vibrant landscape called "Sweet serenity in Provence" is done in a modern contemporary express...

In this expressive oil painting, I've captured the ethereal essence of a tranquil lavender field. The vibrant strokes reflect the dynamic dance of nature, encompassing a symphony of ...

"Saint” Figurative Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept an...

Cats are the true inhabitants of warm countries such as Morocco and Turkey. They embody the essence of city life, where warm sandy walls, vibrant decorative patterns, and fragrant citrus trees define the landscape. Cats effortlessly assume the role of urban royalty, whether lounging beneath palm trees in secluded garden corners, perched proudly in bustling squares, or soaking up the sun's rays beside tranquil pools. Their unhurried pace and ability to savor each moment poignantly remind humans to pause and appreciate life's simple pleasures, particularly after the relentless pursuit of work. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

This original painting from collection «Unity with Nature» in which the theme of herbal spirits helping us to remain in harmony with nature speaks on a symbolic level about the re...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

In this piece, my brush danced with acrylics on canvas to capture an essence of rebirth and clarity. The soft interaction of pastels—pinks and blues melding into creamy whites—presen...

This piece titled "Lamia" is an original piece by Andrew McIntosh and is made from oil on tradtional gesso panel. This piece measures 16.5”h x 12.75” f...

As I caressed the canvas with my brush, oil paints gave life to this tranquil scene, a symphony of blues, and whites composing the serene wintry melody. My strokes carried the whisper of crisp mountain...

by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 18 high by 13 inches wide condition: overall very good an...

In this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...

A Large, Vibrant 1950s Mid-Century Modern Still Life Painting / Interior Scene by Noted Chicago Artist, Rudolph T. Pen. Depicts a delightful interior scene painted in subtle harmoni...

French School, mid 20th century signed lower front corner oil on board, unframed board: 29.5 x 25.5 inches provenance: private collection, France condition: very good and sound condi...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In this contemporary surrealist painting, Nathan Neven skillfu...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Golden Lady" by Nathan Neven is an enchanting piece that capt...

"Violet Drapery” Figurative Oil Painting 53x27.5 in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This small scale still life study by John D Martin imparts a s...

The Discussion is an original oil on canvas realized in the 19th Century by an italian artist. Original oil tempera on board. Gilded wood Frame is included. 30.5 x 34.5 x 34.5 cm ...

In crafting this painting, I sought to capture the raw, untamed spirit of the sea against a serene coastal backdrop. Utilizing oil paints, I blended techniques from expressionism and...

In this vibrant oil painting, I've captured the raw power and perpetual motion of the ocean. My brushstrokes are alive with the energy of the frothing waves, beckoning the viewer to ...

Flowers In Vase signed oil on board, unframed board: 18 x 13 inches provenance: private collection condition: very good and sound condition

Ornate Classical Fruit Still Life Italian School, 17th century oil on canvas, unframed canvas: 22 x 27 inches provenance: private collection, UK condition: very good and sound condi...

Rizaldy Celi Jr. (American, Filipino-Vietnamese, born 1983) "Untitled" 2025 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. Rizaldy Celi Jr.'s ...

Large Multi Coloured French Expressionist Abstract Oil Painting by Armand Rottenberg (French 1903-2000) oil painting on board, framed Framed 37.5 x 27 inches Stunning original abs...

Oil on panel Panel size: 4.75 x 6 inches each Framed size: 9.25 x 11 inches each Monogrammed and dates '66

"Tree in Mist” Landscape Oil Painting 12" x 12" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept...

5-3745 Oil on canvas board of a litter of kittens frolicking on a sofa

Lacey Jane's "Red Room" is an original, handmade oil painting that depicts an ambiguous interior setting bathed in red light.

Clyde Steadman's "What Are You Having" is an original, handmade oil painting that depicts the interior of a bar with a bartender at the counter.

Profusion of Flowers French School. circa 1960's-1970's period signed oil on board, unframed board: 23.5 x 31.5 inches provenance: private collection, France condition: very good and...

Oil measures 100x100 cm. Frameless. Painter, psychoanalyst and poet, he exhibits his works regularly in Barcelona since 1982. Focused mainly on painting, he also makes drawings and ...

5084 Mirror reflections of a French recling woman with artist in reflections in the mirror

Raymond Bonilla's "Study for 'After the Drop Off'" is an original, handmade oil painting that depicts a balcony draped with colorful flowers basking in warm light. About the Artist...

Still Life of Fruit French School, mid 20th century oil on canvas 10.5 x 16 inches provenance: private collection, France The painting is in sound condition but very much showing the...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...