Italian 17th Century Old Master

Fine 17th Century Still Life Oil Painting Italian Old Master Fruit on Ledge

German School, early 20th century oil on canvas, framed framed: 33 x 27.5 inches canvas: 30 x 25 inches private collection, UK the painting is in overall very ...

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

Manner of Emilio Greco, 20th Century oil on board, framed framed: 24 x 29 inches board: 16 x 20 inches provenance: private collection, England The painting is in very good and presen...

Classical Still Life of Flowers English artist, 20th century signed oil on board, unframed dated 1980 board: 14.5 x 11.5 inches provenance: private collection, UK condition: overall ...

17th century Dutch Still-life, An opulent table with a roemer, oysters and wine attributed to Pieter Van Berendrecht The present painting is a beautiful and characteristic example of the 17th century Dutch genre of "Monochrome Banketjes". An opulent meal is depicted on a large table, which has been covered by a dark grey tapestry and a white table cloth. On luxurious silver plates, several delicacies are being presented amongst which are a large ham, bread, oysters and a lemon. A roemer, surrounded by an elegant vine and a wine flute have been delicately placed between these plates. An intricately decorated silver cup, a salt cellar, an earthenware mustard cup and other accroutements further enrich the composition, creating a feast for all senses. The painter wonderfully captured how each of these objects reflect the light in their own distinct way, it is a testament to his skill that the painting looks so realistic, almost like a 17th century photograph. Pieter van Berendrecht or Pieter Jansz. van Beerendrecht (Haarlem, 1616 - Weesp, 1672) was a painter active in the Dutch Golden Age, who specialized primarily in still-lifes and monochrome banquet scenes. His paintings are known for their monochrome style, influenced by Haarlem painters Willem Claeszoon Heda and Pieter Claesz. The monochrome banquet scenes he specialized in often featured a limited palette, emphasizing subtle variations in tone and texture, which required a high level of skill to execute effectively. A precious pack of black peppers can be seen to the far right, this was a very expensive and coveted possession. These works commonly depicted tables set with an array of foods, drinking vessels, and other dining accoutrements, arranged with a keen sense of composition and lighting. Van Berendrecht was born on May 5th, 1616, in Haarlem as the son of Johannes Pietersz. Berendrecht. He became a member of the local Saint Luke's Guild in 1632. Van Berendrecht's association with the Saint Luke's Guild in Haarlem suggests he was well integrated into the artistic community of his time. The Guild was an important institution for artists, providing them with support and promoting their work. His status as a master painter by 1642 indicates his recognition and respect within this community. Pieter married in Haarlem in 1644 and remarried in Amsterdam in 1653. In 1662, he was a witness at the wedding of his son Pieter in Weesp, who would later follow him in his footsteps as a painter. Van Berendrecht is also mentioned by his contemporary and fellow painter Vincent van der Vinne...

A rare and most attractive still life by William Smith of Chichester. The sumptuous textures of the peaches and grapes contrasting with the dark ba...

Fred G. Meier, art historian, confirmed with the following comment, after a photographic examination of the work, that it belongs to the studio of Georg Flegel...

This exquisite floral still life, likely created in the late 17th century, is attributed to a follower of Daniel Seghers. The painting showcases a vivid...