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Stephanie Serpick Art

American

Stephanie Serpick is a visual artist working primarily as a painter. She received her MFA from the University of Chicago, and her BFA from Carnegie Mellon University. Her work has been shown in various exhibitions in the U.S. and internationally. Born in Baltimore, Maryland, she currently lives and works in New York. The work concerns the themes of isolation and grief, and this was magnified during the pandemic. Our forced isolation and the challenges it brought to our physical and mental health provides a shared experience from which to consider grief and eventual healing. In the most recent work, images of windows, including blowing or transparent curtains, lend a feeling of being cut off from the outside world. And like the bedding in A New Fall and It’s Always Darkest Before Dawn, these paintings are devoid of a human presence, and therefore feel lonely and isolating, reflecting what many have experienced during the pandemic. The paintings of bedding are represented by unmade beds and tossed sheets on intentionally blank, somewhat rough backgrounds. Both the empty bed and the windows represent a place for grief, solitude and healing. As such, the work speaks to our shared feeling of trauma, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are found photographs, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the imagery that is flat, yet rough with work and time. The bedding and windows are seen from different perspectives, but still indicate a scene of desolation and despair.

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Artist: Stephanie Serpick
Stephanie Serpick, A New Fall 16, 2018, Oil On Panel, 18 x 24 inches, Realism

Stephanie Serpick, A New Fall 16, 2018, Oil On Panel, 18 x 24 inches, Realism

By Stephanie Serpick

Located in Darien, CT

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Category

2010s Photorealist Stephanie Serpick Art

Materials

Oil, Panel

Stephanie Serpick, Interior Visions 8, 2023, Oil On Panel, Realism

Stephanie Serpick, Interior Visions 8, 2023, Oil On Panel, Realism

By Stephanie Serpick

Located in Darien, CT

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Category

2010s Photorealist Stephanie Serpick Art

Materials

Oil, Panel

Stephanie Serpick, A New Fall 1, 2017, Oil On Panel, 16 x 20 inches, Realism

Stephanie Serpick, A New Fall 1, 2017, Oil On Panel, 16 x 20 inches, Realism

By Stephanie Serpick

Located in Darien, CT

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Category

2010s Photorealist Stephanie Serpick Art

Materials

Oil, Panel

Stephanie Serpick, A New Fall 4, 2017, Oil On Panel, 16 x 20 inches, Realism

Stephanie Serpick, A New Fall 4, 2017, Oil On Panel, 16 x 20 inches, Realism

By Stephanie Serpick

Located in Darien, CT

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Category

2010s Photorealist Stephanie Serpick Art

Materials

Oil, Panel

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REPRESENTATION Artspace Warehouse, Los Angeles, CA EDUCATION 1979 – 1981 NZ Certificate of Town Planning (3 Years) 1982 Emigrated to Australia, 1989 Australian citizenship 1985 Fine Arts Certificate (Meadowbank) (not completed) 1987 Graphic Arts Certificate, Brisbane 1988 – 1997 Paint/Colour Laboratory Technician SOLO EXHIBITIONS 2014 Soho Galleries, Sydney, Australia 2013 Soho Galleries, Sydney, Australia 2012 Paintbox Fineart, Canberra, ACT, “Melange” 2011 Jackman Gallery, St. Kilda, Melbourne, Australia 2010 Harrison Gallery, Paddington, Australia 2008 Rushcutters Bay Gallery, Sydney, Australia 2007 Paintbox Gallery, Braddon, Canberra, Australia 2007 Rushcutters Bay Gallery, Sydney, Australia 2006 Rushcutters Bay Gallery, Sydney, Australia 2005 Rushcutters Bay Gallery, Sydney, Australia 2005 Paintbox Gallery, Braddon, Canberra, Australia 2004 Rushcutters Bay Gallery, Sydney, Australia 2003 Rushcutters Bay Gallery, Sydney, Australia 2002 Rushcutters Bay Gallery, Sydney, Australia 2001 1+2 Artists Studio Gallery, Rozelle 2000 New Aesthetix Gallery, Camperdown, Sydney, Australia GROUP EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, CA 2021 “Urban Thoughts”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2019 Affordable Art Fair Hong Kong 2019 Artspace Warehouse, Los Angeles, CA 2019 Affordable Art Fair New York 2019 Palm Springs Fine Art Fair, Palm Springs, CA 2018 AAF Hong Kong 2018 New York AAF, NY, USA 2018 Morris Art Prize; 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represented by Retrospect Planet 2014 Asian Contemporary (Hong Kong) 2014 Singapore AAF (May) 2014 Stockholm AAF, Sweden (October) 2014 Amsterdam AAF, Netherlands 2014 Hamburg AAF, Germany 2014 Singapore AAF, Singapore 2014 Northern Rivers Kyogle Pop Up exhibition (November) 2014 Soho Galleries, Xmas group exhibition 2013 Brussels AAF, Belgium, represented by Retrospect Planet 2013 Milan AAF, Italy, represented by Retrospect Planet 2013 Hong Kong AAF, Hong Kong, represented by Retrospect Planet 2013 Asian Contemporary Art Show,JW Marriott Hotel, Hong Kong 2013 Melbourne Art Fair, represented by Manyung Gallery, 2013 A Book about Death (international travelling art show) Tweed Art Gallery, Murwillumbah, NSW 2013 Hong Kong Contemporary Art Show, Marriott Hotel, Hong Kong 2013 Stockholm AAF, Stockholm, Sweden 2013 Amsterdam AAF, Amsterdam, Holland 2013 Hamburg AAF , Hamburg, Germany 2013 Singapore AAF, Singapore 2013 Seattle AAF, Seattle, USA, represented by Manyung Gallery 2013 Whistler Village Art Gallery, Whistler, BC, Canada 2012 Redsea Gallery,Group Exhibition, Brisbane 2012 Toowoomba Grammar School Art Show, Toowoomba, QLD 2012 Brussels AAF, Belgium, represented by Retrospect Gallery 2012 New York AAF, New York, USA 2012 Envie D’Art, Paris, France & London UK 2012 Art Melbourne AAF, Melbourne 2012 Hamptons Art Fair, July, New York, USA 2012 Wilson Art Prize, Lismore, Northern NSW 2012 Shanghai Art Fair, China, October 2012 Toronto International Art Fair, Canada 2012 Singapore Affordable Art Fair, represented by Retrospect Gallery 2012 Hamburg Affordable Art Fair, Germany 2012 Border Art Prize, Tweed River Art Gallery, Murwillumbah, NSW 2012 Whistler Village Art Gallery, Whistler, British Columbia, Canada 2011 Redsea Gallery Brisbane 2011 Traffic Jam Gallery, Sydney 2011 Manyung Gallery, Sorrento & Portsea, Mornington Peninsula, Victoria 2011 Baldarchy 2011 2011 A Royal Exhibition,Newcastle, Harrison Galleries in conjunction with Mirvac Residential 2011 Art Melbourne 2011 2011 Retrospect Gallery, Gold Coast,QLD “Fusions” 2011 Brisbane Rotary Art Spectacular Show 2011 Mission to Seafarers Victoria, ANL Maritime Art Prize Show, Melbourne, Victoria 2011 London Art Show ,Battersea, UK 2011 Singapore Art Show, represented by Retrospect Gallery 2011 Balmain Art & Craft Show, Sydney 2010 Art Melbourne 2010 2010 Retrospect Gallery, Byron Bay, NSW 2010 Manyung Gallery, Mt Eliza, Victoria 2010 Paintbox Gallery, Canberra, ACT “Contained” 2010 Gallery Beneath, Mooloolaba, Sunshine Coast, Queensland 2010 Manyung Sorrento Gallery, Mornigton, Victoria 2009 Art Melbourne 09 2009 Retrospect Gallery, Byron Bay, NSW 2009 Manyung Gallery, Mt. Eliza, Victoria 2009 ANL Mission to Seafarers Art Prize 2009 Art Sydney 09 2009 Balmain Art & Craft Show 2008 Stanthorpe Art Prize 08, Queensland 2008 Art Melbourne 08 2008 Art Brisbane 08 2008 Gallery Schubert, Gold Coast, QLD 2008 Art Sydney 08 2008 Manyung Gallery,Mt Eliza,Victoria 2007 Roxy Gallery, Kyogle, He-art Group Show, Northern NSW 2007 Paintbox Gallery, Fulham, London, UK 2007 Melbourne Affordable Art Show 2007 Cape Gallery, Byron Bay, Northern NSW 2007 Art Sydney 07 2006 Melbourne Affordable Art Show, Royal Exhibition Building, Carlton, VIC 2006 Art Sydney 06, RHI and Horden Pavillion, Sydney 2006 “Australia Calling” Dulwich art fair, London, UK 2006 Bentley Art Show, Northern Rivers NSW 2006 Austrade International Global promotion package 2006 London Autumn...

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21st Century and Contemporary Photorealist Stephanie Serpick Art

Materials

Enamel

Previously Available Items
Stephanie Serpick_Void of Modern Life 2_Oil On Panel_9 x 12 in_Expressionism

Stephanie Serpick_Void of Modern Life 2_Oil On Panel_9 x 12 in_Expressionism

By Stephanie Serpick

Located in Darien, CT

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

Category

2010s Expressionist Stephanie Serpick Art

Materials

Oil, Panel

Stephanie Serpick_A New Fall 32_2019_Oil On Panel_9 x 12 in_Poetic Expressionism

Stephanie Serpick_A New Fall 32_2019_Oil On Panel_9 x 12 in_Poetic Expressionism

By Stephanie Serpick

Located in Darien, CT

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

Category

2010s Expressionist Stephanie Serpick Art

Materials

Oil, Panel

Stephanie Serpick art for sale on 1stDibs.

Find a wide variety of authentic Stephanie Serpick art available for sale on 1stDibs. You can also browse by medium to find art by Stephanie Serpick in oil paint, paint, panel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Expressionist style. Not every interior allows for large Stephanie Serpick art, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Frederick B. Serger, Jonah Kinigstein, and Charles Tersolo. Stephanie Serpick art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,250 and tops out at $6,250, while the average work can sell for $6,250.