Hazen Market, Hazen, Nevada, Alternate US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on four shaped ragboard panels in artist-made frames.
2010s Photorealist Lloyd Brown Art
Acrylic, Rag Paper
Hazen Market, Hazen, Nevada, Alternate US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on four shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Shady Hollow Motel, Green River, Utah, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on three shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Early Morning, Downtown Holly, Colorado, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on five panels in three interlocking frames
Acrylic
Eastbound Freight Train, Colorado; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on panel in an artist-made frame. The overall dimensions, including the frame, are 8 1/2 x 12 3/8 x 1 3/4 inches.
Acrylic, Panel
Kit Carson, Colorado
By Lloyd Brown
Located in Dallas, TX
n Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States on...
Wood, Acrylic, Cardboard, Rag Paper
First Presbyterian Church, Hillsboro, Ohio; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
$1,429
H 23.63 in W 31.5 in D 0.79 in
Chroma sky (Blue key) 10 - Contemporary, Blue, Minimalist, Figurative, Landscape
By Cătălin Petrișor
Located in Baden-Baden, DE
Chroma sky (Blue key) 10, 2007 Acrylic and oil on canvas (Signed on reverse) 23.62 H x 31.49 W in 60 H x 80 W cm The artist wrote about how he conceives this work: "The transformat...
Canvas, Oil, Acrylic
Revel Restaurant, Acrylic on Panel
By Charles Ford
Located in Southampton, NY
Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...
Acrylic, Wood Panel
$6,500
H 18 in W 25 in D 1.5 in
Finest Coffe and Tea, 18x25x1.5, Acrylic on Masonite
By Charles Ford
Located in Southampton, NY
Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...
Masonite, Acrylic
$72,000Sale Price|20% Off
H 50 in W 72 in
Ian Hornak, Marcia’s Meadow, Vermont, Variation #2, 1984
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944–2002) Title: Marcia’s Meadow, Vermont, Variation #2 Year: 1984 Medium: Acrylic on canvas Size: 50 x 72 inches (127 x 182.88 cm) Condition: Well preserved, c...
Canvas, Acrylic
$3,800
H 28.75 in W 20 in
LaSalle Street - Cityscape of Chicago from the River- Albert Vidal
By Albert Vidal Moreno
Located in Chicago, IL
Albert Vidal paints a view of the Historical Landmark Reid Murdoch Building and world famous Marina Towers sitting at the edge of the Chicago River. Using vibrant colors and an abstr...
Canvas, Acrylic
Montauk Point Lighthouse
By Therese James
Located in Brecon, Powys
From the "Living The Dream" Series comes Therese James' lovely painting of this most iconic of lighthouses. Standing on the easternmost point of Long Island it's New York States fir...
Acrylic
$2,652Sale Price|20% Off
H 31.5 in W 31.5 in D 1.58 in
Female Surfer Underwater, Blue Summer Ocean Sport Surf Painting, Signed Original
By Raúl Álvarez
Located in FISTERRA, ES
This underwater surfer painting captures a woman suspended beneath the ocean surface, combining luminous blue water, summer imagery and figurative real...
Oil, Wood Panel, Spray Paint, Acrylic
$316,000Sale Price|20% Off
H 60 in W 120 in
Hannah’s Mirror: Rembrandt’s Three Trees Transformed into the Expulsion fr/Eden
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944–2002) Title: Hannah’s Mirror, Rembrandt’s Three Trees Transformed into the Expulsion from Eden Year: 1981 Medium: Acrylic on canvas Size: 60 x 120 inches (15...
Canvas, Acrylic
Ian Hornak, Ghosts at Dawn, 1985
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944–2002) Title: Ghosts at Dawn Year: 1985 Medium: Acrylic on panel with artist’s painted frame Size: 68 x 63 inches (172.72 x 160.02 cm) Condition: Well preserv...
Acrylic, Panel
"Kitty Matisse" collage by Volskya Lilyа
By Lilya Volskaya
Located in Zofingen, AG
"Kitty Matisse" collage by Volsky Lily. The painting is made on 350 g cardboard, the cat is hand-painted with acrylic paints in the style of everyone's favorite artist Matisse. The p...
Lacquer, Acrylic, Cardboard
$44,000Sale Price|20% Off
H 30 in W 40 in
Ian Hornak, Transparent Barricades: Sunrise and Moonrise, 1985
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944–2002) Title: Transparent Barricades: Sunrise and Moonrise Year: 1985 Medium: Acrylic on canvas Size: 30 x 40 inches (76.2 x 101.6 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed, dated, and titled by the artist, verso Provenance: Armstrong Gallery, New York, New York Notes: This exquisite acrylic painting by Ian Hornak (1944–2002), titled Transparent Barricades: Sunrise and Moonrise, was executed in 1985. The masterfully conceived composition exemplifies Hornak’s celebrated series of multiple-exposure landscape paintings, a body of work that transformed conventional landscape imagery into complex meditations on memory, perception, and the passage of time. Through the seamless fusion of distinct moments within a single visual field, Hornak creates a dreamlike yet convincing reality in which sunrise and moonrise coexist simultaneously, dissolving traditional boundaries between day and night, observation and recollection. The silhouetted tree forms, luminous celestial light, and brilliantly layered sky are rendered with extraordinary precision, producing an image that is at once visually breathtaking and intellectually engaging. By combining photographic realism with poetic invention, Hornak invites viewers to contemplate the fluid nature of time and experience, presenting multiple realities within a unified composition. Executed during a pivotal period in the artist’s career, the painting demonstrates Hornak’s remarkable ability to synthesize technical mastery, environmental observation, and metaphysical inquiry into a singular and unforgettable vision of the natural world. IAN HORNAK (1944–2002) was an American painter, draughtsman, printmaker, and pioneering force in Photorealism and Hyperrealism whose extraordinary technical mastery, visionary imagination, and innovative approach to realism established him as one of the most distinctive and original artists of the late twentieth century. Widely recognized as a founding member of both the Photorealist and Hyperrealist movements, Hornak helped redefine the possibilities of contemporary realism by combining photographic precision with symbolism, romanticism, mythology, environmental awareness, art historical references, and metaphysical inquiry, creating a body of work that stands apart within postwar American art for both its visual brilliance and intellectual ambition. Born in Philadelphia and raised in Michigan before establishing his career in New York and East Hampton, Hornak emerged during one of the most transformative periods in modern art and developed a highly individual visual language that transcended conventional artistic categories. While many of his contemporaries focused on strict photographic transcription, urban imagery, or detached observation, Hornak utilized realism as a foundation for exploring profound themes of memory, beauty, mortality, spirituality, environmental fragility, and humanity’s relationship with nature, producing works that operate simultaneously as visual spectacles and philosophical meditations. His artistic vision reflects an awareness of the revolutionary innovations introduced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while simultaneously drawing inspiration from the Hudson River School, particularly Frederic Edwin Church, Martin Johnson Heade, Thomas Cole, and Albert Bierstadt, as well as the spiritual landscapes of Caspar David Friedrich and the botanical precision of Dutch Golden Age masters. Through this extraordinary synthesis of influences, Hornak created a visual language that united scientific observation, photographic realism, romantic grandeur, allegorical symbolism, and philosophical reflection into a form entirely his own. His highest recorded sale was achieved in 2017, when Large Orchid Bouquet (1988) was sold in a private transaction conducted in association with the heir of the Ian Hornak estate to the Van Andel family, co-owners of Amway, for US$165,000 ($219,168.11 USD, calculated for inflation in 2025). Ian Hornak Transparent Barricades: Sunrise and Moonrise, Ian Hornak multiple exposure landscape, Ian Hornak acrylic on canvas, Ian Hornak 1985 painting, Ian Hornak sunrise landscape, Ian Hornak moonrise painting...
Canvas, Acrylic
Cool and Deep - Landscape Pool California Art Pop Abstract
By Kathleen Keifer
Located in Los Angeles, CA
Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her colorf...
Canvas, Acrylic
Sold
H 10.94 in W 8.69 in D 1.88 in
Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf
By Lloyd Brown
Located in Dallas, TX
Lloyd Brown (American, Born 1957) "Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf," 1998 mixed media 10 15/16 x 8 11/16 x 1 7/8 inches including artist-made fram...
Mixed Media
Railroad Crossing, Millard County, Utah
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Canvas, Oil
Large Puddle, Offerle, Kansas, US Highway 50
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Acrylic, Rag Paper
Grain Elevators, Stafford, Kansas
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic, Rag Paper
Sold
H 17.25 in W 32.75 in D 1.63 in
Steve Calls Home on the Loneliest Phone in America, US Highway 50, Nevada
By Lloyd Brown
Located in Dallas, TX
This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.
Fabric, Wood, Charcoal, Acrylic, Graphite
Hinckley, Utah; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
Sold
H 8.38 in W 23.25 in D 1.38 in
Amtrak a Passing Shadow, Granada, Colorado; U.S. Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on two ragboard panels in artist-made frame hinged with fabric. Dimensions are variable, as determined by extent to which the panels are opened. ARTIST STATEMENT I...
Acrylic
Sold
H 9.88 in W 13.88 in
Green River Bible Church with Sepia Colored Sky, Green River, Utah, USHighway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on ragboard panel in an artist-made frame.
Acrylic
Hayward's Quick Stop Knippa, TX March 1990
By Lloyd Brown
Located in Dallas, TX
"As a child, art lay in the mountains, valleys, farms, and small towns of Utah. Art was those things that one might identify as nostalgia. It was not a gas station, picnic area, motel, or place to stop and get a hamburger. What I saw and realized in Richardson was that all things are significant and nostalgia wasn't necessarily confined to the distant past. In painting, the Grand Canyon and a garbage can are equal. It is not what they are, but the note of recognition they carry that one responds to. As I sit at home in my trailer in Utah, I am aware of the blue in the sky. I listen to the songs of birds and the faint hum of a lawnmower. Occasionally, a car will drive by. There is vacuuming to do, a bed to be made, and all around me there seem to be notes of recognition. The sky reminds me of other skies. The day reminds me of other times and places. These times could be Houston or Phoenix. Some of these places could be Braum’s Ice Cream, Helene's, or a field of sunflowers. These are notes of recognition. And McDonald’s and a cloud formation may just be the carriers. For the past nine years I’ve been making dioramic scenes of Texas, Utah, Nevada, Arizona, Colorado and New Mexico. Some of the scenes depict wide open spaces. Others are more concerned with the suburbs. In all cases, I try to make the rendering true. I don’t shuffle or delete things to fit the compositional demands of art. I never look down a highway and think that what I am seeing is incomplete or that it needs my order. My art is descriptive. It is a kind of reporting. What I do could be called an imitation of man’s nature. At a place like the Palace Cafe, pick-up trucks are parked out front. Old Coca Cola signs with a weathered cafe sign rest on an awning stabilized by iron cables. The building may have been a hotel, department store or a bank. A red sports car sits across the street. In the noon day, street lamps tower. In the blue sky, power lines cross. And out in the parking lot, there is a crushed Dairy Queen...
Mixed Media