People Interior Paintings

“Late Night at The Studio” by Catherine Picard-Gibbs is an Expressionist interior factory scene in a palette of teal-blue and yellow. This evocative 18 x 24 inch oil on panel painting focuses on light pouring out from the haunting depths of an empty hallway. This textural artwork is framed in a silver crackle floater frame with a black interior, making the framed size 19 x 25 x 1.5 inches. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street Gallery...

An acrylic painting by Giancarlo Impiglia from 1990. An art deco style pop art portrait of a waiter serving wine in a lavishly formal upper-class setting. Unframed. Artist: Giancarlo Impiglia, American (1940 - ) Title: Butler with Tray...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

6 layer hand cut stencil. Spray paint real currency framed with non glare glass in a museum quality frame - changes color as you walk by it from Black to Gold - 1/1 original I'M PEN...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Alan Latter (born 1961) Le 14 juillet Signed and inscribed with title and dated ‘2020’ verso, oil on canvas, 20 x 16 inches Born in Islington in 1961, Alan Latter's work is influenc...

"I See Color" is a dramatic psychological study of personal discovery painted in black and white with the face reflected on a window painted in color. Dennis states: It was a time wh...

Vintage 1970s still-life of a basket of green grapes and a copper pitcher against an interesting background of a distressed brick wall, by California painter Darlene Cantorna...

Beauty Galore is an original painting by Ganiyat Abdulazeez. Ganiyat created Beauty Galore with Oil on a 36W by 48H inches primed canvas. Beauty Galore depicts the beauty of a black woman gorgeously dressed in her ravishing cloth. This painting employs layers of narratives, personal experience, and people's relief involvement in my environment. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abdulazeez Ganiyat Abosede is a visual artist based in Lagos, Nigeria. She graduated with a National Diploma from the prestigious Yaba college of technology in 2017 and went on to earn a Higher National Diploma in the same school in 2021. Ganiyat explores a diversity of media spanning pastels, graphites, charcoal, watercolors, acrylics, and oils (being her most favored). In her recent works, she incorporates a distinctive floral motif - believed to have a deep connection with her childhood experiences in her portraits. This reoccurring phenomenon in her work is called jatropha multifida ( coral plant...

This lovely Scottish Edwardian interior portrait oil painting is by noted Scottish artist Arthur Percy Dixon. Painted in 1906 it is a seated portrait of a lady in the corner of a roo...

This extraordinary watercolor by Frank Merrill is finely detailed with every brush stroke. One of the finest watercolors in our collection. The realism comes through in every detail....

An oil painting by Harry McCormick from 1990. An interior scene of a young woman in a low-lit bar. Artist: Harry McCormick, American (1942 - ) Title: Downey'...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

The author himself calls most of his works symbolic compositions, and sometimes uses the term “abstract expressionism” to describe his method. In fact, the range of meanings and comp...

Franciscus Melzer (1808-1865) Interior painting with a cat that gives out a scratch Signed lowerright corner F. Melzer Oil on mahogany wooden pane...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Sanford Beresofsky's Bathroom Year: 1958 Medium: Oil on Canvas, signed and dated Size: 44 x...

A heartwarming oil interior scene by the British painter, Fanny Mearns. The scene shows the rustic interior of a farmhouse kitchen. The father has seated himself in a chair, still ho...

'On The Town: New York', depicts a scene from a night in the town in NY. NY, from a series of paintings that depict dining - food and drink experiences by artist Mimi Jensen, who use...

William Fisher (American, 1891-1985) Untitled, 20th Century Oil on canvas/illustration 23 3/4 x 29 3/4 in. Framed: 31 x 37 1/4 x 1 in. Signed lower right: William Fisher William Fis...

Painted on a summer day at Green park, London- Plein air, All prima! Discover new works by Tushar Sabale available to buy online and in our art gallery at Wychwood Art. Tushar Sabale...

Anil Kumar Yadav - Banaras Ghat - 35.5 x 29.5 inches (unframed size) Acrylic on Canvas, 2020 ( Unframed & Door Delivered ) STYLE : Anil Kumar Yadav i...

"Solicitude" invites the audience into a world of contemplation and reflection, where the central theme revolves around the power of empathy and its a...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding a...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Italian painting from the first half of the 20th century. Oil on canvas, first canvas, depicting a party in a tavern of excellent pictorial quality. Large and impactful painting ador...

Seeking Advice from the Buddha - Figurative in Pastel on Paper Brightly colored figurative composition by Michael William Eggleston (American, 20th Century). An abstracted figure is...

Jug and Still Life in Purple with Apples by Alvin R. Raffel 1928 Oil on Linen of An Urn with a bowl and apples in a Purple background by Alvin R. Raffel (American, 1905-1987.) Linen ...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection on her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro and happy mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

Janet Adebayo's exquisite artwork, "Hiding the Emotions," captivates viewers with its poignant portrayal of a young woman holding a rose-like flower. This evocative piece transcends ...

This artwork titled "Transformed Box #2" 1963-64 is an oil painting on canvas by noted Seattle artist Eugene Pizzuto, 1925-2004 It is inscribed "Eugene...

A wonderful work by the very well lauded by the indiancontemporary artist Shipra Bhattacharya. Shipra has a wonderful skill to paint meticulously enchantingly as well Attractively. ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

"I grew up as the middle of five kids. We would yearly visit my grandmother in Alabama and later in Tennessee. She was an artist and her house was full of paintings, which was format...

"I grew up as the middle of five kids. We would yearly visit my grandmother in Alabama and later in Tennessee. She was an artist and her house was full of paintings, which was format...

"I grew up as the middle of five kids. We would yearly visit my grandmother in Alabama and later in Tennessee. She was an artist and her house was full of paintings, which was format...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In "Euphoria," an evocative artwork by the skilled artist Kehinde Mayowa...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In "Euphoria," an evocative artwork by the skilled artist Kehinde Mayowa...

Signed lower right, 'Elisabeth' for Elisabeth Gevaert (Belgian, 1934-2016) and dated 1970. A finely-painted, whimsical study of the interior of a milliner's shop with a woman seated...

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...

Wonderful mid century abstract figurative nude at night with red chair by Honora Berg (American, 1897-1985). A nocturnal setting adds more interest and dimension. Signed on verso "H Berg." Unframed. 36"H x 30"W. Honora Berg an early Bay Area Figurative and Abstract Expressionist painter. She studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Mia Bergeron's (US based) "Magnitude" is an original, handmade oil painting that depicts a masculine face with shadows and white thinning hair. Mia Bergeron's interest in art was c...

This retablo was purchased by the gallery in Mexico City. I knew the family that sold this retablo to me. The writing says" August 8,1944,I give thanks...

Oil on canvas Canvas size: 24 x 18.25 inches Framed size: 31.75 x 25.75 inches Signed lower right

Mikael Olson's (US based) "Rehearsal" is an oil painting that depicts an orchestra gathered for a rehearsal with the conductor in white standing amidst them.

Art has always been a medium for expressing human emotions, telling stories, and conveying messages. The artwork titled "Three Pillars," created by Samson...

Coral Yellow Painting Art Hand Textured Giclee on Canvas 45x45" Mind and Spirit State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...

"I Expect," serves as a potent invitation to dive into the narrative within the frame. The image of a young woman, dressed in jewelry that exudes elegance and sophistication, immediately captures the eye. Her adornments—exquisite earrings and a white necklace—hint at a longing for beauty, meaning, or something more profound. These symbols of refinement and grace offer a glimpse into the desires that lie within the heart of every individual. Especially intriguing is the phrase that accompanies the artwork: "What is it you've been waiting for all these while? It's natural for humans to want more out of life. Being in expectation is evidence of hope...." These words shed light on the artist's intention, inviting viewers to consider the motivations behind their own anticipations and yearnings. The choice of earrings and a necklace as accessories in the artwork symbolizes the pursuit of both material and intangible desires—perhaps success, love, fulfillment, or personal growth. Esinulo Chiamaka Praise...

Mohammad Osman - Gangireddu (Sacred Bulls) Acrylic on Canvas, 48 x 48 inches, 2020 Born in 1972 Originally from a village in Mahabubnagar district ,I draw inspiration heavily from village life.. I have completed my bachelors of fine arts from JNAFAU Hyderabad.My first solo show happened with gallery g in 2010.later after that I had many solo and group exhibitions. Recently I have been painting various versions of a bull that is traditionally decorated during sankranthi. I am touched with Indian culture and tradition and since past many years I have been working on this bull series and its also symbolic image of "SANKRANTI" festival. My childhood my village are the reasons for this gangireddu. I lived in a village for twenty five years and am strongly connected to my village and my roots there.And I have chosen Gangireddu because I found it very interesting with beautiful traditional elements in it. I feel it's nothing less than a beautiful composition of art. EDUCATIONAL QUALIFICATIONS: B. F. A ., (Painting) J.N.T.U , College of Fine Arts ,HYDERABAD. SOLO SHOWS: 2010 - Gallery – G , Bangalore. ( Kole Basava - Kala Basava ) 2009 - “RENAISSANCE GALLERY”, Bangalore. 2019 - Gallery - G , Bangalore. GROUP SHOWS . 2019 - Gallerie. Nvya. New Delhi... 2019 - TIGER.. TAO art gallery mumbai…(travelled show) 2019 - TIGER.. the state art gallery, Hyderabad. 2019 - state art gallery Hyderabad, 2017- KARA art show, club botanica. 2017 - Studio 3 art gallery , Mumbai( singapur art fair} 2017- Studio 3 art gallery , Mumbai (Dubai art fair) 2017- A project for private collection, ( huge size painting), Hyderabad 2017- Beyond the contours, Mon art gallery, Kolkatta 2016- Samara art gallery, Ahmedabad 2016- Art for cause, hotel AVASA hyderabad 2016- Studio 3 art gallery , Mumbai 2016- Madhyam, Bangalore 2016- Mahua art gallery. Bangalore 2016- Catharsis art gallery ,Ahmedabad 2016- gallery G , Bangalore 2016- Mahua art gallery Bangalore.. 2016- Madhyam, Bangalore 2015- Gallery NVYA, (flight of expressions) 2015- Gallery NVYA, (oorjha) 2014- show of gallery collection, gallery space,Hyderabad 2014- Concern india foundation ( Hyderabad ) 2014- Concern india foundation ( Ludhiana ) 2014- Gallery space, Hyderabad( art for cause ) 2014- Gallery NVYA, (Zen movments) 2014- Hotel HYATT, Ahmedabad by kalakrithi art gallery 2013- Gallery NVYA, (The winter tale) 2013- Gallery NVYA, (Amalgam prathama collection) 2013- Gallery NVYA, ( 9 th anniversary show) 2013- Gallery NVYA, (Varsha-sharad) 2013- Gallery NVYA, (Basanthagreeshma collection, IGIA) 2013- NVYA Art Gallery , New Delhi ( Within Reach-IV.) 2013- Taj falaknuma palace, Hyderabad (an art saturday by kalakrithi art gallery) 2013- NVYA art gallery, New delhi, (Completely Contemporary) 2013 - NVYA Art Gallery , New Delhi .( The timeless journey of indian contemperory art) 2013 - NVYA Art Gallery , New Delhi . ( Hemanta-Shishir) 2013 - Kalakriti Art Gallery , Hyderabad.( Flavours of hyderabad) 2013 - Time And Space Gallery ,Bangalore 2013- Gallery NVYA, (The timeless journey of indian contemperory art) 2013- Galley NVYA (Comletecontemperory )new delhi 2012- Gallery NVYA, (Hemantha- shishira, IGIA) 2012 - Nvya Art Gallery, New Delhi . ( Within reach lll) 2011 - Forum Art Gallery ,Chennai .( Deccan musings ) 2011 - Time And Space Gallery ,Bangalore 2011- Kalakriti Art Gallery , Hyderabad. ( po10tial - 2 ) 2010 – Biddle & Webb , Birmingham ,U.K. 2010- Galley NVYA (Comletecontemperory )new delhi 2010- gallery G bangalore. 2010 - Time And Space Art Gallery ,Bangalore. 2009 - Goup show of artists from HYDERABAD at Windsor Manner, BANGALORE. 2008 - USA (San Francisco), a Group show with Indian Contemporaries. 2008- Artist from India...

Somnath Hore - Untitled Brush on Paper, 7.6 x 11 inches ( Framed & Door Delivered ) Figurative work by Master Sculptor and Painter Somenath Hore. A gorgeous subtle rendition of a ...

"Ojulari" is a series of three (3) paintings which does have a similarity of a big eyeball. Ojulari simply means "Exterior Appearance" of a person. There is one Yoruba adage that s...

Signed lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

A suite of 3 small works that are each 12 x 12 inches. Painted in oil on wood panel. 'Everything is Pee Chee' 12 x 12 inches 2019. 'Game Select' 12 x 12 inches, 2019 'You're Livin''...