People Interior Paintings

This artwork titled "Transformed Box #2" 1963-64 is an oil painting on canvas by noted Seattle artist Eugene Pizzuto, 1925-2004 It is inscribed "Eugene...

Artist/ School: Jill Jackson (British, contemporary) Title: Ceramic Mug Medium: oil on board, unframed Painting : 17 x 13 inches Provenance: all the paintings we have by this ar...

Wasim Kapoor - Untitled - 42 x 42 inches ( unframed size ) Oil on Canvas. This work will be despatched in a roll form or framed as per the need of the buyer An estimate to ship fra...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

Bernard Nacion 1. Untitled (Press Conference), Late 20th Century Watercolor and mixed media on artist board Image: 6 x 8 in. Board: 10 x 12 in. 2. Unt...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

An oil painting by Harry McCormick from 1990. An interior scene of a young woman in a low-lit bar. Artist: Harry McCormick, American (1942 - ) Title: Downey'...

Pink Orange Painting Art Hand Textured Giclee on Canvas 45x45" Color Vibrations State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

19th century style of Zampighl Italian scene of Musketeers in an interior drinking and playing music Oil on canvas No visible signature 20 x 30 unframed, 26.5 x 36.5 framed

Inspired by a still from the 1977 horror film, "Rabid". This is the division of morality. A portrait of an individual cast mostly in shadow. The only portion of his face hit with light has no eye, leaving him to only see through his darkness. The bold heavy brushstrokes of this painting give an abstract quality where the shadows and light are transformed it into a dynamic and vibrantly alive scene. Georgia Hinaris Rabid oil on panel 18h x 18w in 45.72h x 45.72w cm GHS010 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Paramesh Paul - Varanasi - 14 x 14 inches (unframed size) Acrylic on Canvas Style : Paramesh Paul is a freelance artist from Mumbai. Looking at his paintings the viewer ...

Contemporary Figural Abstract Interior, Modernist Living Room Scene Contemporary figural abstract interior painting by San Francisco California ...

"Almost In" is a deeply personal, introspective painting by contemporary artist Michelle Thomas, exploring the quiet spaces of childhood memory and identity. At the center of the co...

Christmas (La Navidad) acrylic paint on canvas by Elena Narkevich. Dimension not framed: 195 H x 162 W cm x 2 cm D In inches: 76.77 H, 63.78 W, x 1.18 D Elena Narkevich work is well...

Clown is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This very colored artwork represents a clown sur...

Bernard Nacion Untitled (Style of Rembrandt), Late 20th Century Ink and pencil on artist board 19 3/4 x 15 in. This illustration shows a group of Dutch...

An fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a semi-autobiographical novel written by William Makepeace Thackeray, "Pendennis", in full "The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy." The novel was published in monthly installments from 1848 to 1850 and published in book form in two volumes in 1849–50. Below this image is a quote from "Pendennis," Chapter VI, "Captain Costigan leaves Pendennis & Miss Fotheringay at the great window looking out into the Deans Garden". Signed lower left. Displayed in a rustic giltwood frame. Image, 8.5"H x 6.25"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...

Sunny Flowers by Rosie Copeland [2020] original Oil on board Image size: H:30.5 cm x W:25.5 cm Complete Size of Unframed Work: H:30.5 cm x W:25.5 cm x D:2cm Frame Size: H:45.5 cm...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Incredible American school signed realist portrait painting. Oil on panel with gold leaf. Framed. Signed. Image size, 18.5H x 11L.

Wonderful two-sided mid century pulp art figurative painting of a woman at party in black evening gown and formal gloves, and on verso couple dancing by unkno...

Sandro Botticelli, an artist of the Quadracento era, has been the standard of art for me since childhood. His works are beautiful and amazing, I couldn't help but paint his portrait,...

This is for an original Oil Painting by the famous New York Jewish Artist Tully Filmus Painting Depicts a orchestral Quartet of men beautifully painted and Amazing Good Condition ...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's intimate rooms series capture the light subtleties and feelings of romantic contentment. Artist ...

Illustrative representation of wife and husband team Jeanne Allen and Marc Grant by Robert Nelson (American, 1930-2012) (signed and dated "Robert Nelson 96" in the lower left corner). Presented in a black metal frame. Shipped without glass. Image size: 40"H x 32"W. He studied painting at the San Francisco Art Institute (formerly known as the California School of Fine Arts) in San Francisco, California and at Mills College in Berkeley, California. Mr. Nelson, who was trained as a painter and was active in the teeming San Francisco arts scene in the late 1950s and early ’60s, began making movies with other artists, including the painters William T. Wiley and William Allan, the San Francisco Mime Troupe and the composer Steve Reich. About Jeanne Marc...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Mia Bergeron's (US based) "Again and Again" is an oil painting that depicts a lone man surrounded by an interior darkness that is kept at bay with only...

Bernard Nacion Untitled (Santa Claus Over Los Angeles), Late 20th Century Watercolor and pastel on artist board Image: 7 x 9 3/4 in. Board: 15 x 20 in. ...

Man at Piano Bar, Contemporary Figurative with Primary Colors Modernist painting of pensive man at bar by Michael William Eggleston (American, 20th c.). Fro...

Bernard Nacion Untitled (Celebrity), Late 20th Century Watercolor and pastel on artist board Image: 10 x 14 in. Board: 14 x 18 in. Portrait of an unide...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

“Chapel of Three Moons” by Catherine Picard-Gibbs is an expressionist interior church scene. This evocative 24 x 30 x 1.5 inch oil on canvas painting depicts a mysterious golden encrusted chapel with a figure praying and a suggestion of a ritual taking place. The textural brushwork in rich gold contrasted with purples and blues add drama to this dynamic painting. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...

Coral Yellow Painting Art Hand Textured Giclee on Canvas 45x45" Mind and Spirit State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

A heartwarming oil interior scene by the British painter, Fanny Mearns. The scene shows the rustic interior of a farmhouse kitchen. The father has seated himself in a chair, still ho...

Bernard Nacion Untitled (Waiting By The Phone), Late 20th Century Collage with magazine cut outs on artist board Image: 11 x 9 in. Mat: 16 x 13 in. Thi...

Srinivas Pulagam - Uncounted Remembrance - 28 x 40 inches ( without framing ) Watercolour & Gouache on Paper Inclusive of shipment in roll form. Academic Background : B.F.A (painti...

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

In his painting entitled "Interior with iMac and Venetian Chandelier", Andrew Conklin uses a loose paint brush to capture the scene. The interior scene shows a woman seated at a cloth covered table working on an early version iMac computer. Above her is an elaborate Venetian glass chandelier giving the interior an elegant feel. A vintage framed poster...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

City. 1969. Oil on canvas. 50x38 cm Henri Klebah (b. 1928.24.X Riga - 1998.) – painter. 1946 – 1949 – studied at Secondary Art school of J. Rozentals 1946 – 1949 – Latvian State Un...

Apollo Mondrian 20 Historical scene of astronaut with a Piet Mondrian flag on the Moon. Shipping flat Technique: oil, acrylics, ink, ballpoint pen and watercolors on really thick ...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Mini Oxford Centre by Rachel Tighe [2022] original and hand signed by the artist Acrylic on Canvas Image size: H:30 cm x W:25 cm Complete Size of Unframe...

A wonderful work by the very well lauded by the indiancontemporary artist Shipra Bhattacharya. Shipra has a wonderful skill to paint meticulously enchantingly as well Attractively. ...

Farhad Hussain - Super Hero's Bathroom - 84 x 72 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns. Farhad has chosen to use tempera on cloth for his works, the media allowing him to achieve the desired vibrancy of colours. A slow build-up of images and spontaneous flow of colour while balancing colour and composition simultaneously follow structured formatting. This meticulous planning in the composition and layout is the beginning of a process from where onwards it is very spontaneous and intuitive. Another technique used throughout Farhad’s work is the method of applying the colour: dot-by-dot till the entire area is completely covered. Various elements from miniature paintings, Kalighat paintings, Japanese prints and images from mass media are scrutinized, transformed and transferred on to the surface through the artists own style of expression. About the Artist and his works : Born: 1975 in Jamshedpur, Jharkhand. Education : 2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan, 2005: M.F.A. in painting from M.S. University, Baroda. Solo Exhibitions : 2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai 2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi 2007 : Art and Soul, Bombay 2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai. Group Exhibitions : 2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi. 2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata. 2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai 2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara 2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara 2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai Honours and Awards : 2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi 2004: Nasreen Mohamedi...

Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2022 Style: Classic Art Title: Santa...

this is oil on wood panel with a rough sandy textured surface . it comes ready to hang with a black frame that nicey complements the color scheme

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Mother and Daughter Year: Circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size:...

Vibrant Painting Art Hand Textured Giclee on Canvas 45x45" Desert Mirage State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editio...

Pharaoh by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 11.5 high by 7 inches wide conditio...

The Fragility of History" is inspired by the creations of Lalique and is based on the image of their famous vase. The antique column, a reference to the exquisite beauty and craftsma...

A mixed media work by Haavard Homstvedt from 2006. An abstract painting of mother and child figures in a surrealist interior setting. Artist: Haavard Homstvedt Title: Room Divider ...

Bhaskar Chitrakar - Couple - 15 x 11 inches (unframed size) Watercolor & Gouache on Paper, 2022 About the Artist & his works : Born : 1978. Bhaskar...

"Vertigo" is a trompe l'oeil painting of a comic clipping of Daredevil on tightrope taped on wall. The arts have been an integral part of Anthony Mastromatteo’s life for over 25 yea...

Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...

Fascinating 19th century Italian painting depicting Saint Anthony the Abbot burying Saint Paul the hermit. Two lions miraculously help the saint by digging a grave in the foreground....

Farhad Hussain - Swimming Pool Fun - 15 x 15 inches (unframed size) Acrylic on Canvas, 2020 Inclusive of shipment in roll form. Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns. Farhad has chosen to use tempera on cloth for his works, the media allowing him to achieve the desired vibrancy of colours. A slow build-up of images and spontaneous flow of colour while balancing colour and composition simultaneously follow structured formatting. This meticulous planning in the composition and layout is the beginning of a process from where onwards it is very spontaneous and intuitive. Another technique used throughout Farhad’s work is the method of applying the colour: dot-by-dot till the entire area is completely covered. Various elements from miniature paintings, Kalighat paintings, Japanese prints and images from mass media are scrutinized, transformed and transferred on to the surface through the artists own style of expression. About the Artist and his works : Born: 1975 in Jamshedpur, Jharkhand. Education : 2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan, 2005: M.F.A. in painting from M.S. University, Baroda. Solo Exhibitions : 2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai 2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi 2007 : Art and Soul, Bombay 2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai. Group Exhibitions : 2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi. 2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata. 2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai 2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara 2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara 2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai Honours and Awards : 2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi 2004: Nasreen Mohamedi...

Colorful Painting Art Hand Textured Giclee on Canvas 45x45"Freedom of expression State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ...

Orange Pink Painting Art Hand Textured Giclee on Canvas 45x45" Desert Mirage 8 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READ...