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André Hambourg
La Salute le Soir - Venice - Modern Landscape Oil Painting by André Hambourg

1968

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Beau Temps en Aout - Deauville - Modern Landscape Oil Painting by André Hambourg
By André Hambourg
Located in Marlow, Buckinghamshire
Signed figures in landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside in the height...
Category

1980s Modern Figurative Paintings

Materials

Canvas, Oil

Beauchamps Chaud a Trouville - Modern Landscape Oil Painting by André Hambourg
By André Hambourg
Located in Marlow, Buckinghamshire
Signed figures in a landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside - bathers r...
Category

1980s Modern Figurative Paintings

Materials

Canvas, Oil

Dieppe-Le Pont Tournant - Impressionist Landscape Oil Painting by Paul Madeline
By Paul Madeline
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas landscape by French post impressionist painter Paul Madeline. This beautiful work depicts the Tournant bridge over the River Arques at the seaport in D...
Category

Early 1900s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Gondolier on a Canal - Impressionist Landscape Oil Painting by Antoine Bouvard
By Antoine Bouvard Snr.
Located in Marlow, Buckinghamshire
Signed impressionist landscape oil on canvas circa 1930 by French painter Antoine Bouvard Snr. The work depicts a gondolier sailing a gondola on a Venetian Canal. The last light of t...
Category

1930s Impressionist Landscape Paintings

Materials

Canvas, Oil

Duclair - La Seine - Post Impressionist Oil, River Landscape by Robert Pinchon
By Robert Antoine Pinchon
Located in Marlow, Buckinghamshire
Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Les Grands Boulevards - Post Impressionist City Landscape Oil by Lucien Adrion
By Lucien Adrion
Located in Marlow, Buckinghamshire
Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of Paris, France on a sunny spring day with trams travelling along the boulevards. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: Galerie Vildrac - Paris (labels verso) Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmark paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of eighteen, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

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Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
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