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Antoine Blanchard
"Place de l’Opera et Café de la Paix, " Antoine Blanchard, Paris Street Scene

Price:$7,000
$8,000List Price

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"Berkshire Hills, Massachusetts, " Paul Greene, Bright Large New England Scene
Located in New York, NY
Paul Greene (1925 - 2020) Berkshire Hills Landscape, Massachusetts Oil on canvas 50 x 97 inches Signed lower right Provenance: Private Collection, Great Barrington...
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Late 20th Century Fauvist Landscape Paintings

Materials

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"Late Summer" Carl Wuermer, Pointilism, American Impressionism August Landscape
By Carl Wuermer
Located in New York, NY
Carl Wuermer (1900 - 1981) Late Summer, 1924 Oil on canvas 26 x 28 inches Signed and dated lower right Provenance: McColl Fine Art, North Carolina Known for serene, realistic lands...
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1920s Pointillist Landscape Paintings

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"Winter in St. Ives" Hayley Lever, Post-Impressionist, Thick Impasto Snowy Scene
By Hayley Lever
Located in New York, NY
Hayley Lever Winter in St. Ives Signed lower left Oil on canvas 8 1/2 x 11 1/4 inches Hayley Lever’s versatility has worked against his posthumous reputation. He was never associat...
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Early 1900s Post-Impressionist Landscape Paintings

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"Prospect Park, Brooklyn, " Nathan Hoffman, New York City Impressionist Landscap
Located in New York, NY
Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...
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"Gondolas at the Dock, Venice, Italy" Louis Wolchonok, Boats in the Harbor Scene
By Louis Wolchonok
Located in New York, NY
Louis Wolchonok (1898 - 1973) Gondolas at the Dock, Venice, Italy, 1928 Watercolor on paper Sight 18 x 23 1/2 inches Signed and dated lower right Louis Wolchonok was an author of ar...
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1920s Post-Impressionist Landscape Drawings and Watercolors

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"Wellfleet, Cape Cod, " Gerrit Beneker, American Impressionism, Provincetown
By Gerrit Beneker
Located in New York, NY
Gerrit Beneker (1882 - 1934) Wellfleet, Cape Cod, Massachusetts, New England, 1926 Oil on canvas 20 x 16 inches Signed, titled, and dated lower left Provenance: Louis H. Barnett, Fort Worth, Texas In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...
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1920s American Impressionist Landscape Paintings

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