Bill Sullivan: New York, NY (Cityscape Oil Painting, Pink Sunset in Manhattan)

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Bill Sullivan
Bill Sullivan: New York, NY (Cityscape Oil Painting, Pink Sunset in Manhattan)
1993

Name: Bill Sullivan: New York, NY (Cityscape Oil Painting, Pink Sunset in Manhattan)
Brand: Bill Sullivan
Rating: 5 (58 reviews)

About the Item

Bill Sullivan: New York, NY (Cityscape Oil Painting, Pink Sunset in Manhattan) oil on canvas 66 x 64 x 1 inches, oil on canvas, thin wood stripping No visible signature on the front. This large work on canvas is a vibrant pink sunset over New York City's midtown neighborhood with yellow and orange clouds against the shadowed outline of black buildings illuminated with the lights from windows. The Hudson River reflects the setting light in the background. About the artist: Bill Sullivan started out in the 1960s as a New York City painter, and was an integral part of the New York scene. In 1977, Sullivan met the Colombian writer Jaime Manrique; they travelled to Colombia, where Bill wanted to paint the places that Frederick Edwin Church and Martin Johnson Heade had painted in the 1850s. In Colombia he had a solo show in the Bogotá Museum of Modern Art in 1978. Two years later, Sullivan returned to New York. In 1983 Sullivan travelled to Ecuador to paint the volcanoes that Frederick Church had painted. The years following is return from Ecuador were the period when Sullivan's work was most in display in New York City. Reviewing "World is Round," a group show at the Hudson River Museum, Vivien Raynor wrote in the New York Times: 'Although he believes that panorama in Western art came out of a 'need to paint battles,' Bill Sullivan himself offers a view of the Palisades at sunset, which is no less engaging for being a plain old école de Hudson school landscape.' Sullivan remained in New York City until 2001 where he had several solo shows. In 2002, he settled in Hudson, New York, where his two nineteenth-century heroes, Frederick Church and Sanford Robinson Gifford, had lived. He painted many of the sites Church and Gifford rendered on canvas. In 2006, The Albany Institute of History and Art had a major retrospective of Sullivan's work. Sullivan remains best know for his large scale paintings of New York City and depictions of city life (joggers on Riverside drive, views of the Midtown) as well as his landscape paintings. Sullivan’s works are in such collections as the Metropolitan Museum of Art, the Museum of the City of New York, the New York Public library and the Albany Institute of History and Art. He has been in countless group exhibitions and locally, his works have been exhibited in a show curated by poet John Ashbery at the St. Charles Hotel in Hudson, and at Carrie Haddad Gallery on Warren Street. "His hero was Frederic Church, so coming to Hudson was the perfect thing for him to do," Manrique said. Painters like Church, Cole and Sanford Gifford were the tradition out of which Sullivan worked, he said. "He appreciated the beauty and the light and the idea that some of the things he painted had been painted before, by them". Although he came up in an era saturated with abstraction, Sullivan, from childhood, was always a representational painter, Manrique said. "Even though there is a lot of abstraction in his work, mostly he chose to paint the world, the landscape and the people who live in it. "I think he thought of himself primarily as a landscape painter, who also painted cityscapes and waterscapes and cloudscapes and that kind of thing," he said. "He was always painting: His idea was to paint, paint, paint." About the work (written by John Ashbury) With only a tinge of irony, Bill Sullivan makes new the vast spaces and swooning optimism of nineteeth-century Luminist painting. Reaffirming the contemplation of nature as its own reward, he also sets new tasks for painting and undertakes them with compelling eagerness. While there has been a tendency among some contemporary artists to present a revisionist view of the "great outdoors" of nineteenth-century landscape painters, Sullivan has no satirical agenda. After spending several years in South America amid the landscapes that attracted Frederic Edwin Church and Martin Heade, among others, he refined and strengthened this awesome imagery after returning to New York. A certain surreality floats though these vaporous visions of Columbia, though this may just be the result of Sullivan's careful documentation of scenes that looked unreal to begin with. Artist CV: Solo Exhibitions: 2009 Carrie Haddad Gallery, Hudson NY 2008 BCB Gallery, Hudson, NY 2007 BCB Gallery, Hudson, NY 2006 “The Autobiography of Bill Sullivan: A Landscape Retrospective”, The Albany Institute of History and Art, Albany NY 2005 Roxbury Art Group, Roxbury, NY 2003 The Gallery at The St. Charles, Hudson NY (two-person) "Paintings of South America" Curated by John Ashberry, Hudson NY 2001 HHA Gallery, Riverdale, New York 1999 Silas-Kenyon Gallery, Provincetown, MA 1996 Uptown Gallery, New York City 1990 Susan Schreiber Gallery, New York City Tatistcheff Gallery, Santa Monica, California 1989 G.W. Einstein Company, Inc., New York City 1986 Schreiber/Cutler, Inc., New York City G.W. Einstein Company, Inc., New York City 1984 David Findlay Jr., New York City 1981 Ruth Siegel Ltd., New York City 1980 G.W. Einstein Company, Inc., New York City 1979 Galeria Condor, Barranquilla, Colombia Galeria Finale, Medellin, Colombia 1978 G.W. Einstein Company, New York City Museo de Arte Moderno, Bogota, Colombia Capricorn Gallery, Washington, D.C. 1976 Bowery Gallery, New York City 1975 Webber Gallery, Portland, ME 1974 Bowery Gallery, New York City 1972 Bowery Gallery, New York City 1970 Bowery Gallery, New York City 1967 East End Gallery, Provencetown MA 1965 John Slade Eli House, New Haven CT 1964 The New Haven Library, CT Selected Group Exhibitions; 2015 Cityscapes, Carrie Haddad Gallery, Hudson NY 2010 Painted Cities, Carrie Haddad Gallery, Hudson NY Invitional Show, Brick Gallery, Catskill NY New Acquisitions, Hudson River Museum, Yonkers NY Local Self-Portraits, Hudson Opera House, Hudson NY 2009 Contempocorpart, National Exibition Centre, Abu Dhabi Four Hundred Years of The Hudson River, Albany Istitute of History and Art FIRST LOOK, Ramscale Fine Arts, NYC 2008 Colombia County Counial on the Arts, Landscape Exbition, Hudson NY Colombian County Historical Society Show, Kinderhook NY BCB Callery Group Show, Hudson NY 2007 Group Show, BCB Gallery, Hudson NY River Views, The Hudson River Museum, Yonkers NY 2006 Group Show, BCB Gallery, Hudson NY The Chair Project, Artwalk, Hudson NY Winterwalk, BCB Gallery 2005 Hudson River Views, Bonnie Andretta Fine Arts, Hudson, NY Recent Acquisitions, Albany Institute of History and Art 2004 Indelible, Gallery 2/20, NYC Workshop Exibition, Dannette Koke Fine Art, NYC 2003 Painted City, Carrie Haddad Gallery, Hudson NY Juried Art Show, Columbian Councel on the Arts, Hudson NY Made In Hudson, Artwalk, Hudson, NY 2002 Group Show, Musselman Gallery, Hudson, NY 2001 The Landscape That Changed America, The Albany Instute of History and Art Albany, NY 1999 Greenwoods and Crystal Waters: The American Landscape Tradition; Curated by John Arthur, Philbrook Museum of Art, Tulsa, Oklahoma 1998 Have Suitcase Will Travel; Conductor’s Gallery, London, England. 1997 House/Scene; Curated by Josie McKee,The Kunsthaus, Hamburg, Germany Selected Prints, Atrium Gallery, Long Island City, NY Contemporary Selections, Albany Institute of History and Art, Albany, NY 1996 Eight Realists: Realism Then and Now, K & E Gallery, New York Recent Acquisitions, Albany Institute of History and Art, Albany, NY Pencilvanians Drawn to New York, Pennsylvania Alumni Exhibition, Roger Smith Gallery, New York New Acquisitions, Museum of the City of New York, New York 1995 Five Aspects of American Landscape Painting, Curated by John Arthur, Creiger Dane Gallery, Boston, Massachussets New York City Views, Curated by Jim Yost, Owen Gallery, New York City Increased Visibility, Organized by Art Group, Leslie-Lohman Gallery,NYC American Realism, The Bijutsu Seka, Various Japanese Cities. Group Show; G.W. Einstein Co., New York City 1994 25th Anniversary Exhibition, Bowery Gallery, New York City American Realism, Isetam, Tokyo & Seibu, Kobi & Kyoto, Japan Town and Country Contemporary Landscape, A M.O.M.A. Traveling Exposition Sleeping & Waking curated by Frank Bernarducci, Wellesley Ross Gallery Pride in Our Diversity, curated by Ronny Cohen, 24 Hours for Life Gallery, New York City Paint Props and Process, curated by Margaret Mathews-Barenson, Castle Gallery, College of New Rochelle, New Rochelle, New York 1993 Celebration, G.W. Einstein Co, Inc., New York City Far Away Places Artists Who Travel, SSC&B Lintas Worldwide, NYC Group Show, John Szoke Gallery, New York City Art & Fantasy, Amos Eno Gallery and The Puck Building, NYC Organization of Independent Artists Benefit, Brook Alexander Gallery, NY 19th & 20th Century Works of Art, Friends of OLONA Benefit, Hudson, NY 1992 New York Icons, Michael Ingbar Gallery, New York City. Group Show, John Szoke Gallery, New York City. 19th and 20th Century Works of Art, Olona State Historical Site, Hudson, New York. Shanti Foundation Benefit Exhibition, Tatistcheff Gallery, Santa Monica, CA Contemporary American Landscape, World Art Collection in conjunction with Quatre Pieces Gallery, Yokohoma, Japan. The Scarf, Bergdorf Goodman, New York City 1991 Urban Icons, curated by Susan Schreiber, Klarfeld Perry Gallery, NY City Edge of Night, The Muckenthaler Cultural Center, Fullerton, CA Spirit of Place Dada Gallery, Fukuoka, Japan. Group Show, Tatistchieff, Santa Monica, California. Group Show, John Szoke Gallery, New York City. American Images, Crane Art Gallery, Tokyo, Japan; World Art Collection, Yokohama; Daimon Art Gallery, Sapparo; Beersheba Gallery, Osaka, Japan. 1990 American Academy and Institute of Arts and Letters Invitational Exhibition, American Academy, New York. Plein Air Painting: Capturing the Moment, Tatistcheff Gallery, Santa Monica, California Land/Sea/Air, Steven Scott Gallery, Baltimore, MD. Penn Prints: 30 Years of Printmaking at the University of Pennsylvania, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA. A Little Night Music: Manhattan in the Dark, curated by Gerrit Henry, S.S.C. & B., Lintas Worldwide, New York. Gallery Group Show, Susan Schreiber Gallery, New York. Painting California: Five New York Artists Look at Los Angeles, Tatistcheff Gallery, Santa Monica, CA. 1989 Food Show, Grand Central Art Galleries, New York June Moon: Lunar Reflections by Contemporary Artists, G. W. Einstein Company, Inc. Neo Romantics, Lafayette College, The Gallery, Williams Center for the Arts Romance is Back, curated by Margaret Matthews-Berenson, S.S.C. & B.: Lintas Worldwide, New York. Social Studies, S.S.C. & B.: Lintas Worldwide (curator). 1988 New York Inspired: Past and Present, John Szoke Gallery, New York. Contemporary Art at the Bayly, Bayly Museum of Art, Charlottesville, VA. The Face of the Land, Southern Alleghenies Museum of Art, Loretto, PA. The Nude, curated by Gerrit Henry, One Penn Plaza, New York. Waterworks, curated by Margaret Matthews-Berenson, S.S.C. & B.: Lintas Worldwide 1987 The World is Round: Artist and Expansive Vision, Delaware Art Museum, Wilmington, DE; Parish Art Museum, South hampton, NY; Arts and Science Center, Nashua, NH; College Art Gallery, S.U.N.Y. at New Paltz, NY; The Hudson River Museum, Yonkers, NY. One of a Kind, curated by Margaret Matthews-Berenson, S.S.C.& B.: Lintas Worldwide, New York City Lush Landscapes, curated by Marc Cohen, Attitude Art, New York. 1986 Self-Portraits, G.W. Einstein Company, Inc. Night Landscapes, Schreiber/Cutler, Inc. Contemporary Romantic Landscape Painting, Lockhaven Art Center, Orlando Red White, and Blue, Schreiber/Cutler, Inc. The Art of Business, Delaware Art Museum, Wilmington, DE. The Spirit of Liberty, Canton Art Institute, Canton, OH. The Statue of Liberty: Contemporary Graphic Views, John Szoke Gallery; Silvermine Gallery, Norwalk, CT. View Across America, Pfizer Corporation (MOMA Lending Service), N.Y Art for Collectors, Lockhaven Art Center, Orlando FL. 1985 New York Prints, Mary Ryan Gallery, New York. Contemporary Still Life, curated by Gerrit Henry, One Penn Plaza. American Art Now!, Columbus Museum of Arts and Science, Columbus, GA. Contemporary Painters of the Hudson River, curated by John Yau, Albany Institute of History and Art, Albany, NY; Vassar College, Poughkeepsie, NY; The Arsenal, New York. Prints from the Lower East Side Printshop, Department of Cultural Affairs Gallery, New York. 1984 Gifts to the Museum, Reading Museum, Reading, PA New Vistas: Contemporary American Landscapes, curated by Janice Oresman, The Hudson River Museum, Yonkers, NY; Tucson Museum of Fine Arts, Tucson, Bowery on the Bowery Invitational, Bowery Gallery, New York. 1984,Sunset , David Findlay Jr., Inc. Eight Years Later, Artists’ Choice Museum, New York New Landscapes, Rahr-West Museum, Mantowac, WI; Frumkin Strobie Gallery, Chicago, IL. 1983 Painted Light, Artist’s Choice Museum Travelling Exhibition: Queens Museum, New York; Butler Institute, Youngstown, OH. The New Landscape, One Penn Plaza In Honor of the Brooklyn Bridge, curated by John Yau, David Findlay Jr. 1982 Contemporary Realism, One Penn Plaza 1981 1981 Escapes, curated by Ann Lauterbach, Art Latitude Gallery, New York. 1980 Salon des Independants, New York Critics’ Choice, selected by Gerrit Henry, Grand Palais, Paris, France. 1979 16 Realistas, Centro Colombo-Americano, Bogota, Colombia. Bienal Americana de Artes Graficas, Museo de Artes Graficas, Maracaibo Venezuela. 1978 Museo de Bellas Artes, Maracaibo, Venezuela Grabados Internacionales, Museo de Arte Moderno, Bogota, Colombia. Three Realists, Canton Art Institute, Canton, OH; Madison Art Center, Madison, WI; Habatat Gallery, Dearborn, MI; and Jessie Besser Museum, Alpina, MI. The Classic Revival, Illinois State Museum; Quincey Art Center; Kirkland Gallery; Sharp Museum; University of Minnesota; Lakeville Center of the Arts Artists’ Choice: Figurative Art in New York, Soho Center for the Visual Arts, NYC. New Images: Figuration in American Painting, Queens Museum. 1975 Selections from the Bowery Gallery, Westminster College, New Wilmington, PA; Squibb Gallery, Princeton, NJ. 1973 The Representational Spirit, New York State University at Albany, NY. 1971 Annual Purchase Exhibition, Smith College Museum of Art. 1970 Painterly Realism, American Federation of Arts Traveling Exhibition (curator) Smith College Museum of Art, Baldwin-Wallace College, Univ. of Michigan Museum of Art, Long Island Univ. Albrecht Callery, Syracuse Univ. Lowe Art Center,.Mobile Art Gallery, Winona St.College, Wisconsin State Univ. Louisiana State Univ. Univ. of South Western Louisiana,Edmonton Art Gallery. Awards: 2006 The Edgar and June Martin Fund 2005 Furthermore Foundation ( J.M.Kaplan Fund) 1989 National Endowment for the Arts Fellowship 1981 Ingram Merrill Fellowship, New York 1979 Quirama Award, Instituto de Integracion Cultural, Medellin, Colombia. Selected Bibliography: 2010 Francesca Olsen, The Register Star April 15 page 1 The Columbian Paper, April 15 page 16 2009 Andrew Amelinckx, The Register Star Maqy 19 page 1 Andrew Amelinckx, The Regester Star July 30 page 1 2007 John Paul Keeler, The Register Star July 31 page 1 Corn, Alfred, review, Art In America, March Arts Alive, Hudson NY, Jan. Currents, The Hudson River Museun, Winter Beth Wilson, Lucid Dreaming, Cromogram 1/07 2006 “The Autobiography of Bill Sullivan” by Jaime Manrique with a preface by John Ashberry. The Groundwater Press. Alvare, Philip, Northeast, June P.17 & 21 Roth, Richard, The Independent June 23 p.25 & 44 Mason, John, The Register-Star June 22 p. 1 & 12 Metroland, June 22 Arts Alive, July, p.7 Panarama, Spring, cover, p.2 & p.4 Kane, Tim, Albany Times Union, July 16, p H1 & 3 Arrive, September, P 25 Welliver Catalouge, Hudson River Museum Arts Alive, September, p 1 The Independent, Dec 8, Hudson NY P40 2005 Catskill Mountian Guide, p.14 2003 Berkshire Home and Style, Page 54, May 2001 Tarek, Shamas, "Turning Over New Leaves" The Pace Press, April 25 1999 Garcia, Erica, New York Daily News, July 26 Dellafiora, James, "By the Book" New York Blade, April 23 Sullivan, Bill, "On Publishing" Lambda Book Report, April 1998 Johnson, Richard, Page Six, New York Post, October 25 Courier, Jameson, MetroSource, Spring, p. 13. 1996 Myles, Eileen, “Bill Sullivan at Uptown”, Art in America, December. 1994 Zimmer, William, “Slice of Americana as Seen on the Stage”, New York Times Sept. 18 Authur, John, American Realism Catalog, Dumonde Gallery, Tokyo, Japan. 1993 Manrique, Jaime, Christopher Street, July, Page 14 Cowan, Matthew, Contemporary American Landscapes Catalog, Dumonde Gallery, Tokyo, Japan. 1992 Baseman, Andrew, The Scarf, Page 97. 1991 Eidia, Paul and Melissa. The Starving Artists Cookbook (page 142), Eidia. Books, New York City. 1990 Back cover reproduction of “Niagara Honeymoon,” Reader’s Digest, U.S. Edition , April, also French, Swedish, German, Hindi, South African and Korean editions. Henry, Gerrit. Catalogue Essay, Susan Schreiber Gallery, New York City. Hirsh, David. “Lay of the Land,” New York Native, March 5. Lally, Michael. Catalogue Essay, Tatistcheff Gallery, Santa Monica, CA. Walker, Richard W. “Your Collection,” Art News, Summer. 1989 Ash John. Catalogue Essay, G. W. Einstein. Arthur, John. The Spirit of Place: American Landscape Painting. Fisher, Robert. “Olana,” American Artist, November. Henry, Gerrit. Art in America, July, p. 143. Art in America, September. Catalogue to Neo-Romantics. Raynor, Vivien. The New York Times, January 1. Zelinko, Lori Simmons. “Bill Sullivan’s Reality,” American Artist, October. 1988 Belvin, Marjory E. Design Through Discovery, 5th Ed., New York: Holt Reinhart and Winston. Brody, Jacqueline. The Print Collector’s Newsletter, March/April. Long, Robert. The South hampton Press, February 18. Mullens, Jessie. Art Todav, Winter (cover). Tully, Judd. Cover, October. 1987 Bass, Ruth. Art News, January. Clark, Marcia. “A New Understanding of Panorama,” The World Is Round: Contemporary Panoramas, Yonkers, NY: The Hudson River Museum, p.21. Henry, Gerrit. “Night Landscapes,” Art News, January. Towle, Tony. Art in America, April. 1986 Ashberv, John. “Spotlight” Gallery Guide, October. Brody, Jacqueline. The Print Collectors’ Newsletter, September/October. Henry, Gerrit. “Visionary Landscape,” Journal of the Artists’ Choice Museum, Fa Winter 1986. Catalogue to “Contemporary Romantic Landscape Painting,” Jowitt, Deborah. Village Voice, June 20. 1985 Henry, Gerrit. Art in America, January. Johnson, Ken. Times Union, Albany, NY, November 17. Manthrone, Katherine. Creation and Renewal, Smithsonian Institution Press, pp. 90-91. Yau, John. “Contemporary Painters of the Hudson River,” November. 1984 Beard, Rick. “Foreword,” New Vistas: Contemporary American Landscapes Oresman, Janice. “Introduction,” New Vistas: Contemporary American Landscapes. Velez, Carlos. “Que Pasa,” The Daily News, January 7. Wilson, Ellen Page, “Tastemakers,” Art/World, December 11. 1983 Brody, Jacqueline. The Print Collectors’ Newsletter, May/June. 1982 Bass, Ruth. Art News, February. 1981 Henry, Gerrit. “Painterly Realism and the Modern Landscape,” Art in America, September. 1980 Ashbery, John. New York Magazine, June 2. Dlugos, Tim. Christopher Street, June. Henry, Gerrit. Catalogue of the Salon des Independents, p. 79-80. Hernandez, Hilberto. El Diario-La Prensa, June 12. Zimmer, William. Soho News, May 28. 1978 Delft, Pedro. Diario del Caribe, Barranquilla, Colombia, June 2. Henry, Gerrit. Art News, March. 1976 Nash, James Allen. After Dark, March. 1975 Tlalasz, Piri. The New York Times, February 12. 1974 Mellow, James. The New York Times, January 19. Shirey, David. The New York Times, January 15. 1972 Beckley, Bill. Art News, January. 1970 Wentworth, Michael. Catalogue Essay for“Painterly Realism,” American Federation of the Arts. Publishing Founder and Publisher of Painted Leaf Press. Fifty books published between 1996 and 2001. Winner of f1ve Lambda Book Awards and The Publishing Triangle Award for Editing .Biographical References: Who,s Who in America Who’s Who in American Art The Printworld Directory of Contemporary Prints Public and Corporate Collections: Albany Institute of History and Art Cleveland Museum of Art Hudson River Museum Metropolitan Museum of Art Museo de Antioquia, Medellin, Colombia Museo de Arte Moderno, Bogota, Colombia Museo de Artes Graficas, Maracaibo, Venezuela Museo de Bellas Artes, Maracaibo, Venezuela Museum of the City of New York New York Public Library Reading Public Museum and Art Gallery The Alantic Group American Telephone and Telegraph Company Bank of Bermuda Bank of Boston Bessener Trust Chase Manhattan Bank, N.A. Chemical Bank Citibank N.A. Continental American Life Insurance Diner’s Club, S.A. Lehman Brothers Kuhn Loeb Inc. Lewis Foods, Inc. Mellon Bank of Pittsburgh Milbank, Tweed, Hadley and McCoy Mobil Oil J. P. Morgan Associates Morgan Lewis, Inc. Mutual of New York Olwine, Connelly, Chase, O’Donnell, and Weyher Pittsburgh Plate Glass Company Prudential Life Insurance Company of America Reader’s Digest Reliance National Security Pacific National Bank Simpson, Thatcher and Bartlett Smith Barney Harris Upham & Co. Time Warner United Parcel Service U.S. Trust Company of New York Western Electric Company

Creator:
Bill Sullivan (1942, American)
Creation Year:
1993
Dimensions:
Height: 66 in (167.64 cm)Width: 64 in (162.56 cm)Depth: 1 in (2.54 cm)
Medium:
Canvas,Oil
Movement & Style:
Fauvist
Period:
1990-1999
Condition:
Gallery Location:
Hudson, NY
Reference Number:
1stDibs: LU227909443

Canvas, Oil

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