Candice EisenfeldConnection, Original Painting2024
2024
About the Item
Artist Comments
Power lines extend into the fog, creating a quiet landscape that merges the chaos of human creation and the calmness of nature. Isolated from the noise of the modern world and moments of reflection, utility poles support the electrical veins of society within a calm, natural setting. Opposite realities can coexist, creating beauty in the spaces where they meet. The artwork has a matte, low-sheen finish, which allows clear viewing in various lighting conditions.
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines, and published in American Art Collector, Phoenix Home and Garden, and Southwest Art magazines.
Words that describe this painting: panoramic, tree, silhouette, fog, rural, telephone pole, twilight, dawn, soothing, peaceful, calm, quiet, mist, landscape, modern , acrylic painting, blue
Connection
Candice Eisenfeld
Acrylic painting on cradled wood panel
Finished black edges
Ready to hang
One-of-a-kind
Signed on back
2024
24 in. h x 48 in. w x 3 in. d
15 lbs. 1 oz.
- Creator:
- Creation Year:2024
- Dimensions:Height: 24 in (60.96 cm)Width: 48 in (121.92 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Connection. Candice Eisenfeld. Acrylic painting on cradled wood panel. Finished black edges. Ready to hang. One-of-a-kind. Signed on back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 783931stDibs: LU922115230482
- ShippingRetrieving quote...Shipping from: Medford, MA
- Return Policy
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View AllArtist Comments
"Part of the meditation process is to allow your mind to clear, follow a journey, and allow thoughts to pass through," says artist Candice Eisenfeld. "The vertical, thin section in the middle is an abstracted version of the landscape, it is varnished while the other parts have no gloss. This process was done to illustrate how our perceptions of the world and experiences can change, and how we can recognize these lenses to achieve clarity. The left side depicts peaceful, floating, abstracted thoughts."
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."
About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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