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Claude Venard"Venice Canal, Italy" Claude Venard, French Post-Cubist Mid-Century Moderncirca 1950-55
circa 1950-55
About the Item
Claude Venard (French, 1913 - 1999)
Venice Canal, Italy, circa 1950-55
Oil on canvas
24 x 24 inches
Signed lower center
Provenance:
Private Collection, Massachusetts
The authenticity of this work has been confirmed by Galerie Felix Vercel.
Claude Venard was a notable exponent of the French mid-century post-Cubist movement. He was born to bourgeois parents from Burgogne in Paris, on March 21, 1913. At the age of 17, he enrolled and attended the Ecole des Beaux-Arts, but remained for only two days, not adhering to the school's academic style. Instead, he spent the following six years at the École des Arts Appliqués, taking evening classes and embracing the contemporary Parisian art scene, all the while becoming recognized in its circles.
Not able to support himself as an artist, by 1936 he found employment as a restorer at the Louvre, further honing his artistic skills.
Paris of the period was dominated by an art trend that strongly favored abstraction. Following a group show at the Galerie Billet-Worms in 1935, art critic Waldemar George declared: "Let's be young again! Painting is not dead… Its course has not stopped. Forces Nouvelles is born."
Venard contributed and initially adhered to the strict disciplines of the Forces Nouvelle group. But as with many of his fellow members, he soon abandoned it seeking individual expression.
Following WWII, Venard rekindled friendships with past Forces Nouvelles members, joining Pierre Tal-Coat, André Marchand, André Civet and Francis Gruber in the Post-War art movement. The group of artist enthusiastically supported each other and participated in molding their individual gestures through constructive critique. Venard readily developed an appealing style, securing his first solo exhibition in 1944 at the Gallerie Barreiro in Paris.
Venard's gesture was immediately well received and the artist enjoyed a number of successful exhibitions that helped establish his continuing popularity. A prolific painter, Venard favored still-life and cityscapes delivered in a spatial, quasi-abstract yet faithfully post-cubist style. The work is characterized by heavy impasto delivered to canvas with the knife, scraffito designs in the wet paint and bold colorful compositions, joyous colorations that reflected the spirit of the artist.
An internationally exhibited painter, Vénard's work has been shown at numerous exhibitions in Paris, including the Forces Nouvelles Exhibitions; Salon des Indépendants; the Salon des Tuilleries and the Salon de Mai, of which he was a founding member. Among his solo exhibitions Vénard exhibited widely, including in New York, Milan, Geneva, Chicago, Munich, Tokyo, Buenos Aires and San Francisco. Some of the most successful exhibitions were promoted through the long standing relationship with Galerie Félix Vercel, in Paris and London.
Works by Claude Vénard can be found in the permanent museum collections of the Tate Collection in London, the Musée d'art Moderne de la ville de Paris and Dallas Museum of Art. There is also a strong international following by a number of prestigious private, corporate and institutional collectors.
- Creator:Claude Venard (1913-1999, French)
- Creation Year:circa 1950-55
- Dimensions:Height: 30.5 in (77.47 cm)Width: 30.5 in (77.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU184129917692
Claude Venard
Claude Vénard has a distinct style — it’s post-Cubist in its composition and he progressively accentuated the chromaticism of his palette up to reaching the crudest of colors, which he used in very thick forms and sometimes applied with a pallet knife.
Vénard was born in France in 1913 and, dedicating himself fully to making paintings at the age of 17, he studied at the École des Arts Appliqués for six years, having fled the Académie des Beaux-Arts after just 48 hours. In 1938 he signed the Rupture manifesto and participated in the first exhibition of the influential group Forces Nouvelles, alongside Francis Gruber and Pierre Tal-Coat at the Galerie Billiet-Vorms. A close affinity subsequently developed among these painters and together they were instrumental in forging the aesthetic of the immediate postwar period of the Ecole de Paris.
Vénard quickly became known for his rich impasto and varying texture. He received critical acclaim and was personally championed by Andre Salmon and Waldemar George, who described his painting as “Apocalyptic art! Beings and everyday things suddenly regain their meaning. Emotional values are once more felt.”
Vénard’s distinct and alluring compositions developed through a post-Cubist system that oscillates between abstraction and naturalism. He opens up perspectives projecting spatial vistas into every part of the canvas, in accordance with an emotional rather than a physical order. Familiar objects arise in the midst of a network of striations and hatching. Colors grow more intense in certain zones to stress the solidity of the composition; in other zones the light is more tenuous and diaphanous, as if to indicate space of different emotional intensity.
Find original Claude Vénard paintings and prints on 1stDibs.
(Biography provided by Gallery of the Masters)
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