Duane Albert Armstrong

"Pueblo V" - Minimal Silhouetted Landscape

1998

Gorgeous mid century abstracted landscape of adobe homes by S. Gallotti (American, 20th Century), 1963. Signed and dated lower right "S. Gallotti 5-14-65." Condition: Good; minor cra...

Abstract landscape painting of Wyoming Hills by Erle Loran (American, 1905-1999), a modernist of urban and coastal views and geometric painting. Signed lower right "Loran '83." Prese...

Wonderful Antelope House Canyon de Chelly (pronounced Shay), by Sausalito, California artist Kay Carlson (American, 20th Century). Presented in a wooden frame. Signed "Kay Vigil Carl...

"Drought" Low-Horizon Midwest Landscape in Oil on Canvas Dramatic landscape by Pete James Johnson (American, 20th Century). A wildfire is blowing in from across a valley, casting a grey shadow on the orange and yellow earth. The sun is partially obscured by the smoke. In the foreground, there is a simple fence and a few small shrubs. Just across the grassland, there is a barn with a silo. The artist has stated that he passed by a wildfire in Utah and was worried that the farm would be destroyed by the fire, so he thought it was important to paint the scene. Initialed and dated "PJJ 15" in the lower left corner. Signed and titled "Pete James Johnson Drought" on verso. No frame, but the edges have been painted for a frame-less display. Canvas size: 24"H x 24"W Pete James Johnson (American, 20th Century) is an artist, musician, producer, and audio engineer from Minnesota, MN. He plays drums and bass...

Purple structure in a grey sky with a single white cloud. Artist signed the work in the bottom right corner, as well as titled and dated the work on the back. Canvas is not framed. ...

Blue Horizon (Near Sante Fe, New Mexico) Signed by the artist lower right (see photo) Oil on board, 16 x 27 5/8 inches Condition: Very good. Housed in the or...

A dramatic cityscape by contemporary artist Daniel Nichols. The artist has used oils in an impasto fashion to capture a mesmerizing city sunset. The painting has been initialled by N...

Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...