1990s Abstract Paintings

Transform your space with this striking contemporary wall assemblage that exudes warmth and an botanical-inspired charm. Thin strips of newspaper have been expertly bundled together ...

Elevate your space with this vibrant and joyful extra-large abstract composition. Radiating with pulsing energy, the painting boasts a broad color palette ranging from deep blue to red, white, and yellow, making it a stunning addition to any room. Crafted with acrylic paint on a masonite panel, this unique piece is countersigned with the monogram "AH" on the lower right of the front and signed "Anette Holmberg...

Mixed media (acrylic and oil paints) splatter painting on canvas Signed and dated verso. Gordon Couch born 1949 British artist based in Cornwall and ...

City Drive Abstract Expressionist Painting - a rare early work from Leading British Urban Artist, Angela Wakefield. Entitled 'City Drive', this moody and atmospheric artwork is from ...

Abstract Expressionist Painting inspired by the Railway Arches & Bridges of the Industrial North of England by Contemporary British Artist, Angela Wakefield. This original is a rare,...

Nigel Hall Untitled Acrylic and Charcoal Painting on Canvas, 1997 Acrylic and charcoal painting on canvas Signed and titled by the artist on the front. Dated on the back. 36 × 30 inc...

Ray Kass is an internationally recognized artist whose work is represented by Garvey/Simon: ART ACCESS in NYC and the Reynolds Gallery in Richmond, Virginia. His paintings have be...

Piero Dorazio, Ikinci, 1998, Oil on canvas, cm 80 × 60 Signed and dated on verso Accompanied by a certification of authenticity issued by Studio Dorazio with the number 4424 Ongoing...

An abstract study on paper, featuring colourful geometric shapes. Signed and dated (1992) by the artist Küster, German in origin. Framed behind glass in a painted frame. Artist: Küs...

Vintage American modernist abstract oil painting. Acrylic on canvas. Signed. Framed. Image size, 17L x 14H.

Acrylic on cardboard The art market--collectors, curators and museums--is in the early stages of a broad reappraisal of the contribution of previously overlooked groups to the devel...

With this eye-catching abstract painting, Milly Ristvedt continues her sophisticated exploration of form and colour rendered in a classic grid pattern. Indigo blue, golden yellow and...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Size: about 53x73cm Technique: oil on canvas

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

Richard Taylor Fine Art presents a collection of the works by Glyn Morgan. Many of the works have never been offered for sale before. A Welsh artist, he studied at Cardiff College of...

Size 92x73 cm. Frameless.

Composition 1992., Canvas, oil, 50x60 cm Abstract composition "Composition" is an abstract artwork created in 1992. The medium used is oil on canvas, and the dimensions of the artw...

Vintage American school modernist outsider art oil painting. Oil on canvas. Signed. Framed. Image size, 22L x 18H.

This striking exhibited large abstract oil painting is by noted Scottish artist Iain Robertson. Painted in 1998 and exhibited in the same year in London, it was completed just before...

José González Veites (Mexican, born Mexico City 1957) Works in the collection of the Metropolitan Museum of New York City. Born in Mexico City, w...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...

A block-like, geometric composition frames snip-its of unrelated imagery as they scatter across the canvas like a collage. The organic shapes challenging the forceful boundaries crea...

John M. White is a painter, sculptor and performance artist. He has been exhibiting publicly over 40 years. Culturally, politically and aesthetically influenced by the late 60’s, Whi...

original and certificated by the gallery

Watercolor on cardboard Hand signet by artist Frame no included

John M. White is a painter, sculptor and performance artist. He has been exhibiting publicly over 40 years. Culturally, politically and aesthetically influenced by the late 60’s, Whi...

Watercolor on cardboard Hand signet by artists Frame no included Dated, titled and hand signed in the bottom right

Artist: Noh Sang-Kyoon, Korean (1958 - ) Title: The Whole Towards the Hole II Medium: Sequins on Canvas, signed, titled and dated verso Size: 54 x 54 inches Frame Size: 55 x 55 inch...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...

HALCYON RING SERIES, 1995, mixed media painting on wood, signed and dated and titled on verso, 24 x 24”, unidentified exhibition tag on verso, a few small nicks, line impressions upp...

Work on paper

Work on paper

Work on paper

Work on paper

High Valley diptych by Roy Wilce Oil Pastel on Paper image 30x42" framed 45x61" Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ARTIST...

Words and Deeds Oil and collage on wood panel, c. 1990 Signed recto lower right (see photo) Verso: See photo Signed, verso: Ben Wilson Dated: c. 1990 Titled: Words and Deeds Conditio...

Because it's Spring! by Roy Wilce Oil Pastel on Paper image 29x44" framed 48x56" Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ARTI...

Lavender Hills by Roy Wilce Oil Pastel on Paper image 18x43", framed 30x54" additional images available upon request Shipping cost includes the custom packing required to transport...

This oil on canvas painting is by French artist Claude-Max Lochu (1951 -) and features an iconic Paris view with a poetic vision of the Eiffel Tower in yellow and purple tones. The a...

Cedar Flats by Roy Wilce Oil Pastel on Paper, Framed with archival linen molding as pictured. image 44x30", framed 56x42" Shipping cost includes the custom packing required to tra...

Femme original color ink contemporary painting. framed

Beach Artist Wizard in red Abstract Figural Acrylic on Paper Beach art Surf session abstracted scene of the artist under an umbrella with Surfboard by Ricardo de Silva (Brazilian, 20th Century). Watercolor in blue and red at the beach under and umbrella after de Kooning...

Entitled "Space Study No 2", this abstract 1998 acrylic on canvas painting is by Olof Dahlstrand, who joined Carmel Art Association in 1984. Olof Dahls...

Yellow Red Umber in Oil on Paper Stylized symbolic imagery in Umber yellow and Red by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Bold lard strokes and spon...

In this artwork the artist takes a child-like approach at depicting the subject using vibrant colors and painterly brushstrokes. Signed and titled on verso, GANG 2/1990.

Le Yogu Marc Brotens, dated 1990 signed acrylic painting on canvas, framed framed: 31 x 23 inches canvas: 29 x 21 inches provenance: private collection, France condition: overall ve...

Landscape is an artwork realized by an unknown artist in 1998. Colorful landscape with dense and material brushstrokes. Illegible signature in the lower right margin. 21x33 cm. A...

Larry Zox V-Stack, 1996 Signed, titled and dated on the overlap Acrylic on canvas 58 x 12 inches Provenance: Private Collection, Short Hills, New Jersey Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled...

Amaranth Ehrenhalt Untitled, 1994 Signed and dated lower left Oil on canvas 24 x 20 inches Provenance: Private Collection, Long Island Amaranth Ehrenhalt was born in 1928 in Newark, New Jersey and grew up in a Jewish family in Philadelphia. She loved painting from an early age and was soon placed in the “creatively gifted” Saturday morning program at the Philadelphia Museum of Art. She carried on with a full-tuition scholarship at the Pennsylvania Academy of the Fine Arts, where she graduated in 1951 with a Bachelor of Fine Arts. In parallel, she attended an art history class at the Barnes Foundation one afternoon per week. After graduation, Ehrenhalt was determined to travel to Paris and from there hitchhiked to Morocco, painting her impressions in her sketchbook as she went. She continued to Rome, where she taught English and continued to paint. Upon her return to the United States, Ehrenhalt settled in Greenwich Village in Manhattan, New York. Her nights were spent at the Cedar Tavern where she met Abstract Expressionist artists such as Franz Kline and Willem de Kooning. The night before Ehrenhalt left on what was meant to be a short trip to Paris, De Kooning told her: “As soon as you get back, call me. We’ll have dinner.” However, Ehrenhalt never returned to New York, as she got sucked into the bustling, creative Parisian life. In Paris, she frequented Le Select, a café that attracted many artists, including Yves Klein and Alberto Giacometti, among others. It was in Paris that she met her husband, a fellow American artist with whom she had two children. They would show their works in their home and live off the sales, until their divorce 15 years later. Though life in Paris was a struggle at times, the city had so much to offer as well, and Ehrenhalt became close with a circle of expatriate American artists among whom were Shirley Jaffe, Sam Francis and Joan Mitchell. Another important connection was Sonia Delauney...

Larry Zox Untitled, circa 1982 Dated on the reverse and stamped on the stretcher 59 1/4 x 19 3/8 inches Acrylic on canvas mounted on canvas Provenance: Private Collection, Short Hills, New Jersey Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled...

Amaranth Ehrenhalt Untitled, 1994 Signed and dated lower left Oil on canvas 24 x 20 inches Provenance: Private Collection, Long Island Amaranth Ehrenhalt was born in 1928 in Newark, New Jersey and grew up in a Jewish family in Philadelphia. She loved painting from an early age and was soon placed in the “creatively gifted” Saturday morning program at the Philadelphia Museum of Art. She carried on with a full-tuition scholarship at the Pennsylvania Academy of the Fine Arts, where she graduated in 1951 with a Bachelor of Fine Arts. In parallel, she attended an art history class at the Barnes Foundation one afternoon per week. After graduation, Ehrenhalt was determined to travel to Paris and from there hitchhiked to Morocco, painting her impressions in her sketchbook as she went. She continued to Rome, where she taught English and continued to paint. Upon her return to the United States, Ehrenhalt settled in Greenwich Village in Manhattan, New York. Her nights were spent at the Cedar Tavern where she met Abstract Expressionist artists such as Franz Kline and Willem de Kooning. The night before Ehrenhalt left on what was meant to be a short trip to Paris, De Kooning told her: “As soon as you get back, call me. We’ll have dinner.” However, Ehrenhalt never returned to New York, as she got sucked into the bustling, creative Parisian life. In Paris, she frequented Le Select, a café that attracted many artists, including Yves Klein and Alberto Giacometti, among others. It was in Paris that she met her husband, a fellow American artist with whom she had two children. They would show their works in their home and live off the sales, until their divorce 15 years later. Though life in Paris was a struggle at times, the city had so much to offer as well, and Ehrenhalt became close with a circle of expatriate American artists among whom were Shirley Jaffe, Sam Francis and Joan Mitchell. Another important connection was Sonia Delauney...

Naturalistic pastoral landscape painting by the artist Terry Moore. The work features a wide open field with a stand of trees in the distance and a clear blue sky overhead. Signed an...

Expressionist Nude French School, signed with initials, dated 1990 oil on canvas, unframed 39 x 29 private collection, France the painting is in overall very good and sound condition...