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Edith Hume
19th Century landscape oil painting of harvesters gathering wheat

C1880

$6,915.35
£5,000
€5,908.11
CA$9,558.05
A$10,629.19
CHF 5,578.90
MX$129,617.83
NOK 70,506.26
SEK 66,102.43
DKK 44,097.45

About the Item

Edith Hume British, (1841-1913) The Reapers Oil on canvas, signed Image size: 15.25 inches x 23.25 inches Size including frame: 21.5 inches x 29.5 inches Provenance: Sotheby’s Victorian & Edwardian art sale, July 2009 A wonderful landscape painting of harvesters gathering wheat by Edith Hume. Men and women are shown cutting down stems of wheat with sickles, whilst others tie them into sheaves and stand them into shocks or stooks. As a flock of birds take flight over the field, a young girl watches on from beneath the shade of some shocks to the far left of the painting. In the distance beyond the group lies a farmhouse with two hayricks used to store the crops. Edith Hume was born Edith Dunn in 1841 at Truro in Cornwall to Henry Littlejohn Dunn & Frances Treffry Luckey. Her father was a grocer and tea merchant from Devon who was able to provide a good education for all his children, including art tuition for Edith and her brother Henry Treffey Dunn (1838-1899) who also became an artist. Henry later famously worked as a studio assistant to Dante Gabriel Rosetti and became one of his closest associates. Both her and Henry attended the Truro School of Art and in 1857 at the age of 15 she passed her drawing exam and won a number of medals for her work. In 1851, whilst still at school, she began exhibiting at the Royal Cornwall Polytechnic Society’s annual exhibition in Falmouth, continuing to contribute in the years after leaving school. Sometime around 1860, she left Truro to complete her artistic education at the Heatherley’s Art School in London, where her brother Henry also studied. She began exhibiting at the Royal Society of British Artists in 1862 and in 1864 she made her debut at the Royal Academy and the British Institution. As well as exhibiting at the major galleries, she also exhibited at the Bath and West of England Society, Dudley Gallery, Glasgow Institute, Grosvenor Gallery; Manchester City Art Gallery, New Watercolour Society, Royal Scottish Academy, Royal Institute of Oil Painters, Royal Scottish Society of Painters in Water Colours, Society of Female Artists and the Walker Art Gallery, Liverpool. In addition to working in oils and watercolours she also produced illustrations for magazines including the London Society (from 1865) and the Belgravia magazine. In 1870, she married the artist Thomas Oliver Hume (1833-1916), a widower with two sons. They made their home at 6 Park Place in Marylebone from where Edith continued to paint and exhibit as Mrs T O Hume. By the time of her marriage, Edith had become a successful artist known for her warmly lit coastal and landscape genre scenes often featuring women and children employed in tasks. Although much of her work focussed on Cornwall, Devon and Sussex, she is known to have visited Holland and Northern France on a number of occasions to paint. By 1881, Edith and her husband had moved to South Harting, near Midhurst in Sussex where she spent the rest of her life. Her brother Henry died in 1899 leaving an unpublished memoir ‘Recollections of Dante Gabriel Rossetti and his Circle’. Over the next few years she worked on a number of illustrations for the book and helped get it published in 1904. She continued to work as an artist until her death on 21 June, 1913 at the age of 72 years. Examples of her work can be found in the Russell-Cotes Art Gallery & Museum, Sheffield Museum and the Victoria & Albert Museum as well as the Musée d'Orsay, France. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Edith Hume (1841 - 1913, British)
  • Creation Year:
    C1880
  • Dimensions:
    Height: 21.5 in (54.61 cm)Width: 29.5 in (74.93 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156216777282

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Henry John Kinnaird British, (1861-1929) View near Cooksbridge, Sussex Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 23 inches x 31 inches A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010. Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife. He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together. In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example. After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex. He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum. Presentation: The work is housed in a new English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
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