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Arthur Walker Redgate19th Century landscape oil painting of ducks in a harvest fieldC1880
C1880
$6,434.01
£4,650
€5,507.77
CA$8,808.79
A$9,769.60
CHF 5,130.51
MX$119,977.61
NOK 64,947.44
SEK 61,246.30
DKK 41,094.04
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About the Item
Arthur Walker Redgate
British, (1860-1906)
Lunchtime
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 27.25 inches x 37.25 inches
A charming harvest scene by Arthur Walker Redgate featuring ducks near a harvester’s picnic. Several ducks are depicted making their way towards a picnic basket and blanket by a hedge. Meanwhile, two farm workers stack sheaves of wheat onto a cart on the slope of a hill. In the distance a red brick farm can be seen amongst some trees.
Arthur Walker Redgate was born in Nottingham in 1860 to Sylvanus Redgate (1827-1873), a photographer and portrait artist and Elizabeth Walker. His second name is sometimes mistakenly listed as William, however his birth record and other official documents confirm it was Walker, taken from his mother’s maiden name.
He was probably initially taught by his father, but as their style and subject matter differ he may well have received tuition from one of his father's artistic circle or attended art school, most likely the local Nottingham School of art. By the age of 20, he had established himself as a landscape artist and began exhibiting from around 1880. He made his debut at the Royal Academy in 1886 and continued exhibiting there throughout his life. He lived with his family in Nottingham until his marriage to Edith Elizabeth Henson in December, 1883. By 1885, the couple had moved to Leicestershire where their first child John Sylvanus Redgate was born, living at Mount Pleasant in Castle Donnington.
Redgate was a member of the Nottingham Society of Artists, later becoming vice president and exhibited at their Nottingham Castle Museum shows. He also exhibited at the Royal Society of British Artists as well at the Royal Society of Artists, Birmingham and the Walker Art Gallery. He painted the surrounding views where he lived in Nottinghamshire, Leicestershire and the river Trent but also travelled around the country visiting Norfolk, Derbyshire and Wales.
Around 1893, shortly after the birth of his second child, the family moved back to the Nottingham where they lived at 11 Charnwood Grove, West Bridgford. Redgate remained there until his death on 6 October 1906. His obituary was published in the Nottingham Evening Post. Examples of his work can be found at the Castle Donnington Museum, Nottingham Castle Museum and Wollaton Hall.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:Arthur Walker Redgate (1860 - 1906)
- Creation Year:C1880
- Dimensions:Height: 27.25 in (69.22 cm)Width: 37.25 in (94.62 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU156215692402
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Image size: 15.5 inches x 23.5 inches
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A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010.
Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife.
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Presentation: The work is housed in a new English made gilt frame which is in excellent condition.
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© Benton Fine Art
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