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George Turner
19th Century landscape oil painting of a harvest in Derbyshire

1896

$9,529.52
£6,950
€8,105.64
CA$13,049.17
A$14,508.90
CHF 7,575.75
MX$176,608.68
NOK 96,663.25
SEK 90,568.85
DKK 60,493.87
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About the Item

George Turner British, (1843-1910) Harvesting near Barrow-on-Trent Oil on canvas, signed & dated (18)86, further inscribed verso Image size: 19.25 inches x 29.25 inches Size including frame: 26.5 inches x 36.5 inches A beautiful scene of figures harvesting a field near Barrow-on-Trent by George Turner. Two farm workers are shown sat down having lunch next to a woman with a dog. Meanwhile, other harvesters continue tying the sheaves. At the time of this painting, Turner was living at ‘The Walnuts’ in Barrow on Trent. The topography and landscape closely resembles other views he painted around his home. In addition to being a painter, he was also in charge of the family farm which included 26 acres. It is highly likely he knew the people in the painting, having employed them to bring in the harvest for him. George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man. After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936). Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William. In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard. Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    George Turner (1843 - 1910, British)
  • Creation Year:
    1896
  • Dimensions:
    Height: 26.5 in (67.31 cm)Width: 36.5 in (92.71 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156216158512

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Henry John Kinnaird British, (1861-1929) View near Cooksbridge, Sussex Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 23 inches x 31 inches A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010. Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife. He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together. In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example. After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex. He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum. Presentation: The work is housed in a new English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
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