George Turner Art

"Summer on the Cornish Coast" by Bryan Hook (British, 1856–1925) Signed and dated 1880. Original artist’s inscribed label verso. Medium: oil on canvas, framed. Framed: 24.5 × 32.5 in...

A stunning, showpiece example of William Henry Mander's painted in Rhys, North Wales. The size is unusual and perfect for a mantlepiece as a statement piece. Picture Size: 22 x 36" ...

‘A Welsh Hillside Path’ by Benjamin Williams Leader (1831-1923). The painting is signed and dated by the artist and was exhibited at the Royal Academy in 1874. We only offer origin...

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

British Fox Hunting Scene By E. Ball (British School, early 20th century) Signed and dated '63'. Framed: 20.5 × 26.5 inches Board: 18 × 23.5 inches Medium: oil on board. Provenance: ...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...

George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

The Moonlit Estuary English School, late 18th century, unsigned. oil on canvas, unframed canvas: 25 x 35 inches Provenance: private collection, England Condition: overall sound and...

Alfred BENNETT Picture Size: 20 x 30" (50 x 76cm) Framed Size: 27 x 37" (69 x 95) Signed and dated 1865 Titled Staffordshire A wonderful example by the highly collected artist Alf...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...