Henri Duhem

Reflection - Evening - 19th Century Oil, Landscape at Sunset by Henri Duhem

1912

Signed and titled oil on panel figures in landscape circa 1920 by French impressionist painter Andre Devambez. The piece depicts couples and families en...

Signed impressionist landscape oil on panel circa 1872 by French painter Stanislas Victor Edouard Lepine. The piece depicts a view of La Maison Blanche in Bas Meudon, France. Signature: Signed lower right Dimensions: Framed: 13"x16" Unframed: 6"x9" Provenance: Galerie Bonnemaison, Paris. Their sale; Hôtel Drouot, Paris, 29 April 1896, lot 39. Galerie Durand-Ruel, Paris. Van Harwingen, Paris. E.J. van Wisselingh & Co., Amsterdam. H.J. Ten Cate, The Hague. Arnold Cohen, Paris. Arthur Tooth & Sons Ltd., London. MacConnal-Mason Gallery, London. Private collection, USA, by 1999. Anonymous sale; Christie's, New York East, 2 November 1999, lot 54. Literature: R. & M. Schmit, Stanislas Lépine 1835-1892, Catalogue Raisonné de l'oeuvre peint, Paris, 1993, p. 224, no. 565, illustrated. EXHIBITED Paris, Galerie Rosenberg, Lépine, 1906, no. 19. Stanislas Victor Édouard Lépine was the pupil of Corot in Paris between 1860 and 1875. His first paintings hardly attracted attention. He would perhaps have remained unknown for a long time if Count Armand Doria, struck by the feeling visible in his landscapes, had not taken him under his protection with Adolphe Félix Cals...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

"An Evening Like This" (2025) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a serene midwestern lake in early dusk. This piece is created at...