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Henry H. Parker
19th Century landscape oil painting of figures harvesting near Hastings

C1900

$5,670.59
£4,100
€4,844.65
CA$7,837.60
A$8,715.93
CHF 4,573.85
MX$106,286.62
NOK 57,815.13
SEK 54,203.99
DKK 36,159.91

About the Item

Henry H Parker British, (1858-1930) Harvesting near Hastings Oil on canvas, signed, further signed & inscribed verso Image size: 16.5 inches x 12.5 inches Size including frame: 23.25 inches x 19.25 inches A charming landscape scene of figures harvesting near Hastings by Henry H Parker. In the foreground, a harvester is depicted stacking sheaves of wheat into a shock near some trees. Meanwhile, in the middle of the field behind them, a farmworker loads the sheaves onto a cart as another steadies the horses. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon Hillier (or Hillyer) Parker. His parents were Thomas, a draughtsman and lithographer and Lucy Parker. The family lived in Gillies Street, St Pancras. He studied at the St Martin’s School of Art and initially started his working life as an Illustrator for the Illustrated London News. However, by the age of 23 he had become known as a landscape painter. He married Charlotte Eliza Wilson in June, 1888 and together they had six children. His son Frederick became a draughtsman. He spent most of his adult life in Tottenham living at Elmer Road and later 13 Somerset Road. He died in London on 12 June, 1930. Parker mainly painted rustic views of the South East of England, in Surrey, Sussex and Kent as well as views of the Thames. He also painted in Worcestershire and Wales. As well as signing his paintings Henry H Parker, he also painted under the pseudonyms of H D Hillier and possibly HD Hillyer. It is believed he used a pseudonym because of contractual obligations to a London gallery. In addition to being known as Henry Hillier Parker, he is also sometimes referred to as Henry Hillingford Parker. His style, with its quick and impressionistic brush strokes has often been compared to B. W. Leader. Like many of his contemporaries, he concentrated on painting "pure" landscapes, a genre that he mastered early in his career. His landscapes are lush and tranquil, frequently featuring figures in a cornfield, on a boat or walking down a country path. The scenes are often sunny and bright and the waters are calm and soothing. Parker is one of the few top calibre artists who does not appear to have exhibited in England, although his works appear frequently on the market and are as popular today as they were in his lifetime. Examples of his work are held by the Hartlepool Museum, Haworth Art Gallery, Middlesbrough Institute of Modern Art, University of Oxford and the Williamson Art Gallery. A number of Museums and art galleries across the world also have his paintings on display including St. James’s Museum, Montreal, Auckland Museum and the Melbourne Gallery. Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Henry H. Parker (1858 - 1930, British)
  • Creation Year:
    C1900
  • Dimensions:
    Height: 23.25 in (59.06 cm)Width: 19.25 in (48.9 cm)Depth: 2.75 in (6.99 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156216569932

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Henry John Kinnaird British, (1861-1929) View near Cooksbridge, Sussex Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 23 inches x 31 inches A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010. Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife. He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together. In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example. After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex. He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum. Presentation: The work is housed in a new English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
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