
19th Century Victorian English cottage landscape
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Henry Maidment19th Century Victorian English cottage landscape1906
1906
$3,950List Price
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F. Walters (British, 19th Century)
Cottage Landscape with Figures and Pond
Oil on canvas, signed lower left
English School, circa 1880
Presented in an ornate 19th-century carved and gilded frame
This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...
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19th century English View Boats on the Thames at Greenwich London
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J. Heal
The Pool of London on the Thames, oil on canvas, circa 1890
This finely detailed oil on canvas by J. Heal, painted circa 1890, captures the industrious grandeur of the Pool ...
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19th century English View Boats on the Thames Estuary , London
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J. Heal
The Thames Estuary, London, oil on canvas, circa 1890
This evocative maritime scene by J. Heal, painted circa 1890, captures the Thames Estuary at the close of the Victorian...
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1890s Victorian Figurative Paintings
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Antique 19th century English fishing vessels In the English Channel
By William Henry Williamson
Located in Woodbury, CT
William Henry Williamson (British, fl. mid to late 19th Century)
Fishing Boats off the English Coast
Oil on canvas, signed lower left
Circa 1870–80
Presented in a period gilt frame ...
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1880s Victorian Figurative Paintings
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19th century Ship portrait of the
Located in Woodbury, CT
The former Curator of Oil Paintings at the National Maritime Museum, E H H Archibald, says of Joseph Heard in his Dictionary of Sea Painters in Europe and America that "…with Samuel Walters he must stand as the top-ranking Liverpool ship portraitist of the 19th century." He would have known the artist's work well as the National Maritime Museum has eleven paintings by Heard in its collection.
Joseph Heard was born on 7th March 1799 in Egremont near Whitehaven in Cumberland. His father, also Joseph, was a saddler and it is believed that the aspirant painter received some artistic training from John Clementson who was a local portrait painter. Joseph had a brother Isaac who painted portraits. It is possible that Joseph came across the work of H Collins...
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Located in Woodbury, CT
This late 19th-century maritime painting by George Stainton captures the dramatic return of a fishing boat to harbor, skillfully portraying the power of the sea and the resilience of...
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This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy.
From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left.
Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’.
Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works.
A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678).
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Large Victorian painting of children resting outdoors by J.O. Banks
English, late 19th Century
Frame: Height 91cm, width 111cm, depth 10cm
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