Early 1900s Landscape Paintings

➡️Vivid Landscape⬅️ ⏩It is signed J Moreau, probably Jacques Gaston Moreau (1903-1994) ⏪ Jacques Gaston Moreau (1903-1994) was a French painter renowned for his evocative landscape...

Italian fishermen in their boats at dusk and a quiet sea. Oil on canvas, Mounted in a gilttwood frame. 74 × 131 cm Signed and dated P. Gabrini Roma 1905 This evocative painting by ...

This tranquil view shows Öland’s rolling green heath at dusk, with grazing sheep and a lone windmill on the far horizon. The broad sky streaked with soft gold and blue underscores Kr...

➡️Vivid Landscape⬅️ ⏩It is signed J Moreau, probably Jacques Gaston Moreau (1903-1994) That's certainly one of the last painting of his life.⏪ This painting presents a vivid lands...

Unknown Artist (Signed Illegibly) Untitled (Twin Trees at Dusk), early 20th century Oil on canvas Framed dimensions: 20.5 in. H × 25.5 in. W Presented in an antique gilded frame Thi...

⭐Medieval scene from anonymous painter ⭐Structural Analysis :⭐ The artwork showcases a picturesque countryside setting with a central large tree dominating the composition. Medieva...

⭐Medieval scene from anonymous painter ⭐Structural Analysis :⭐ Medieval composition due to the tunic worn by the character (at the bottom of the painting) walking their dog. The cen...

Signed oil on canvas still life painting circa 1909 by French impressionist painter Maxime Maufra. The piece depicts pink roses and fuchsias in a garden. Signature: Signed lower l...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...

➡️Landscape of the Pyrenees ⬅️ This lovely artwork is landscape painting...looks to a Vincent Van Gogh painting ⭐Structural Analysis⭐ The painting depicts a river flowing through...

Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...

This landscape painting by Swedish artist Fritz Lindström captures the tranquility of the Stockholm archipelago. "An Autumn Evening Study, 1901" is a stunning portrayal of a rural scene at dusk. The painting's delicate pink and purple sky envelops the landscape in a soft glow, hinting at the transition from day to night. In the middle ground, a farmer with his horse can be seen plowing a field, adding a narrative element to this peaceful scene. This work is one of several paintings Lindström created during this period, following his time in France and prior to joining the Rackstad group in 1903. BIOGRAPHY Fritz Lindström started his artistic journey as an apprentice in decorative painting under Carl Grabow, where he met fellow artist Björn Ahlgrensson. He later studied at the Artists' Association School in Stockholm with Richard Bergh (1892–1894 and 1895–1896) and at Valand Art School in Gothenburg under Carl Larsson (1894–1895). His studies continued in Copenhagen and Paris from 1897 to 1899. In 1900, Lindström returned to Sweden, drawn to Värmland by his friend and brother-in-law Björn Ahlgrensson. From 1903 onwards, he became part of the Rackstad group—a community of artists who saw the countryside as an ideal setting for artistic and spiritual work. This belief resonated with Lindström, and he remained dedicated to this lifestyle for over fifty years, living and working by Lake Racken. Lindström's early artistic focus was on the challenging art of human studies, which piqued his interest. Despite financial struggles and difficulty selling his paintings, he gained recognition mainly for his portraits, known for their well-constructed composition and deep psychological insight. Portrait painting became crucial for his financial stability. Interest in his landscape paintings grew when the director of the National Museum happened upon his landscapes during an exhibition opening...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the road leading into the village of Mereville in Ess...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed in monogram. Image size, 12H by 16L.

Charles Warren Eaton Autumn, New England Signed lower right Oil on canvas 30 x 36 inches Provenance Private Collection, Connecticut A contemporary critic wrote that the paintings o...

This bright summer beach painting holds a surprise if you look closely. What seems like a young couple just spending a day at the shore together, actually tells a story. The young wo...

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

Impressive early American portrait of a young girl by Edward S Annison. Oil on board. Framed. Measuring 11.5H x 8.25L.

Francois Tattegrain This painting is named and listed in Benezit It was painted for the Paris Salon in 1911 and then sold in auction in 1919 (ref Benezit). For many years it hung i...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. Measuring 20 by 27 inches painting alone. In excellent original condition. Handsomely framed in a gold g...

Signed figures in landscape oil on board by Australian-American impressionist painter Richard Hayley Lever. The work depicts brightly coloured sailing boats in the harbour of St Ives...

“He dipped his brush in light and air” – wrote the artist Sir John Lavery RA about Alexander Jamieson's art. See the evidence of this in this wonderful view of the Paris with dapple...

Impressionist oil painting of Scotland's Pittenweem harbor at twilight, title 'Pittenweem Evening' East Neuk of Fife, by Scottish artist John McGhie. Signe...

The image shows a captivating early 20th-century Scottish river landscape painting by Joseph Henderson, a renowned Scottish artist celebrated for his evocative depictions of nature, ...

Eanger Irving Couse Trees in a Landscape, circa 1900 Signed lower left Oil on canvas 9 1/8 x 14 5/8 inches Provenance Fenn Gallery, Santa Fe, New Mexico Private Collection, Arizona ...

Signed oil on canvas figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts two young girls with their mother in a landscape overlooking boats...

Charming mid century oil painting of two horses at watering trough by William M. Lemos, Santa Cruz and San Francisco artist (American, 1861-1942), circa 1900. Writing on verso is in ...

A wonderful view of the heartbreakingly beautiful Fontainebleau/Barbizon region, which was home to some of the greatest painters of the 19th and early 20th Century. The particular spot presented here is the river Loing at Montigny-sur-Loing, where Cezanne and Sisley loved to paint. The village is just a short walk away from Grez-sur-Loing, where John Singer Sargent, Francis Brooks Chadwick, Robert Vonnoh, Edward Simmons...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Signed figures in cityscape oil on canvas circa 1905 by French impressionist painter Maximilien Luce. The piece depicts a view of Paris in France. In the foreground is a bustling st...

An oil on panel signed and dated in the lower left depicting two riders on horseback sharing a drink outside a country inn. The painting measures 17.75" x 21.75" including the frame. Provenance: Private collection CT Bradbury Art and Antiques, Wiscasset, ME Heywood Hardy (25 November 1842 – 20 January 1933) was a British artist, in particular an animal painter and painter of horse riding scenes. He also painted landscapes and portraits, especially equestrian portraits. Horses and horse riding were the subjects of much of Hardy’s later work. His pictures of horse riding by the seashore...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 20 by 25 inches overall and 16 by 20 painting alone.

Storm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenance: Estate of the Arti...

A beautiful late 19th or early 20th century oil on panel by Baron Rodolphe d'Erlanger which depicts a market scene in Assouan, Egypt. The artist is very interesting - a French banki...

This evocative winter landscape by Oscar Lycke captures the quiet poetry of northern Sweden. A frost-laden weeping birch dominates the foreground, its delicate branches shimmering in...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is in Perthshire. In the foreground several highland cat...

This lovely Scottish Edwardian Impressionist exhibited landscape oil painting is by noted artist George Whitton Johnstone. Painted in 1901 it was exhibited at the Royal Scottish Acad...

Impressive early American impressionist dog portrait landscape painting by James Henry Hagaman (1866 - 1946). Oil on canvas. Framed. Signed. Image size, 35 by 22 inches.

Don Crowley (1926-2019) Arizona / California Western Artist Image Size: 11 x 13 Frame Size: 18 x 20 Medium: Gouache Study "After Glow" Indian Girl with her...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 inches ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and ...

We are pleased to offer for sale an exquisite landscape by the Swedish artist, Nils Kreuger (1858–1930), titled "Landscape View from Öland, Sweden" executed around 1905. This work is...

Antique Canadian impressionist winter landscape oil painting by Joseph Archibald Browne (1862 - 1948). Oil on board. Signed. Framed. Measuring 15 by 19 inches overall and 10 by 14 pa...

Exhibited, well painted,fall impressionist scene of Mt Greylock, Massachusetts painted by Holger Wenzel Jensen. Exhibition label attached verso. Exhibited, Chicago Galleries Associ...

Signed figures in cityscape oil on board circa 1900 by French impressionist painter Luigi Loir. The piece depicts a view of the quai du Louvre by the River Seine in Paris, France at ...

ALFRED JANSSON (1863-1931) – FOREST LANDSCAPE Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A STUNNING IMPRESSIONIST WOODLAND SCENE FROM 1909 This original oil painting by Alfred Jansson,...

TitelL'Eglise de Montigny, Effet D'Automne TechnikOil on canvas Jahr1908 Grösse65.1cm × 81cm (25.6" × 31.9") stamped with the artist's signature Literature W. A. Camfield, B. Calté...

Artist: Jack Wisby– American (1869 - 1940) Title: Hidden Valley, San Anselmo, Marin, California Year: 1909 Medium: Oil on Canvas Size: 20 x 28 inches. Fram...

Important and historical painting titled, "Cornish Harbor With Boats" by Royal Academy of British Artists member Adolph M. Brougier (German, 1870-1926). Brougier exhibited at the 100th anniversary of the Reign of Queen Victoria Exhibition of 1911. Signed lower left corner "Brougier." Label on verso: "No 278, Adolph Brougier, RBA. Sold by Mrs. John Diehl, Daughter of the Artist." Born in Germany, Brougier studied art in France and spent his later years painting in Santa Barbara,California. Image, 15"H x 22"W. Displayed in vintage wood frame. BROUGIER, Adolph was born on September 23, 1870 in Stuttgart. Son of a German merchant whose family was of French origin. Education Stuttgart; Munich; Studied art for three years at Munich, and later spent a year in Paris, where he studied under Benjamin Constant and Bougereau. Career From there he went to Rome, where he also took up sculpture. Settling down in Munich he became a member of the Ktinster Genossenschaft and Luitpoldgruppe. Paid frequent visits to Italy, Spain, and the Tyrol. Has lived in England since 1901. Exhibits at Munich, Berlin, Salon at Paris, and Royal Academy. Figure and landscape painter. Membership Royal Society of British Artists. Clubs: Alpine, German Athenaeum. Royal Society of British Artists. Clubs: Alpine, German Athenaeum. Interests Other Interests Fishing, bicycling, and mountain climbing...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Evocative seascape, circa 1900, by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on bottom left corner and on verso. Titled "Maine" on verso. Presented in a contemporary giltwood frame. Image size: 9"H x 12"W. Framed size: 10.60"H x 14"W x 1"D Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline), but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This in turn imbued his paintings of the rugged landscapes and seascapes of New England...

Incredible and rare early American impressionist cityscape painting by Alice Y. Hirsh (1888 - 1935). Oil on canvas, lain to board. Framed. Signed. Image size, 8L x 10H.

A Bit of New England Oil on canvas,, 1908 Signed lower left corner: L. O. Griffith Condition: Excellent Canvas size: 26 x 38 inches Frame size: 33 3/8 x 45 1/4 inches Note: origi...

3919a Antique German oil painting river crossing in a gilt wood frame Image size 12x12"

Signed, dated and inscribed oil on canvas landscape by French pre-impressionist painter Marie Joseph Leon Clavel Iwill. The work depicts a sil...

"The White in Morocco, 1901" E. Baily Hilda (Austrian, 1855-1955) Oil on panel Signed and dedicated lower right, "To my cousin Louis, affectionate memory" 15 x 12 inches frame size ...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...