Early 1900s Landscape Paintings

Wonderful early 20th century impressionist landscape of Los Altos, California prior to Silicon Valley, circa 1900, by an unknown artist (American, 19th-20th ...

DANNENBERG Alice (1861-NC) "Children playing at the Luxembourg garden (Paris)" Oil on canvas signed low right Gault frame gilded with gold leaves Dim canvas : 50 X 61 cm Dim frame : ...

Tree-Filled Valley and Mountains in West Brighton Staten Island Watercolor 1905 Detailed watercolor by W. Lund (19th Century). This piece depicts a valley with lush trees an greener...

This wonderful atmospheric Scottish Impressionist landscape oil painting is by much noted and exhibited Scottish artist William Stewart MacGeorge. Painted circa 1900 the view is of K...

Antique American impressionist seascape painting by Theodore Victor Carl Valenkamph (1868 - 1924). Oil on canvas, circa 1900. Signed....

Frank Waller (American, 1842-1923) House and Garden, Morristown, 1908 Oil on canvas, 18 1/2 x 12 inches FRAMED: 24 1/2 x 18 inches (approx.) Dated and in...

MODEST URGELL Spanish, 1839 - 1919 CATALONIA LANDSCAPE signed “Urgell” (lower left) oil on canvas 27-1/4 x 51-1/4 in. (69 x 130 cm.) framed: 31-1/4 x 55-...

Antique impressionist painting of Castillo De Los Tres Reyes Del Morro in Cuba. Oil on canvas, circa 1908. Signed. Displayed in a period giltwood frame. Image, 18"L x 12"H, overa...

Incised signature lower left, 'A. Sacerdote' for Anselmo Sacerdote (Italian, 1868-1923), titled, lower right, 'Val Soana' and dated August, 1903. Anselmo Sacerdote was born in Turin...

Very decorative and well painted British or Scottish landscape with horse, Haycart, figures and a cottage. Dating from circa 1900 this is a very pretty example of late Victorian Br...

This is a lovely oil on canvas painting of a warm evening on a Surrey common. This original painting is circa the 20th Century and is by the English Artist D...

Mt. Tamalpais and Stream in the Spring circa 1900 Stream above Lake Bon Tempe with Mt. Tamalpais in the background. A warm spring day in Northern California and the Bay Area. Excelle...

Wonderful early 20th-century oil on canvas depicting a view of the Scottish highlands known as the Trossachs. Sidney Yates Johnson was an active painter during the late Victorian pe...

Antique modernist landscape painting. Oil on canvas. Housed in a period frame. Image size, 17.5L x 13.75H. Signed.

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Here for your consideration is a wonderful oil on canvas painting by the well known French artist, Albert Regagnon. Titled verso, “Bord de L’’Eau” (The Riverside) Signed and dated lower left, 1906. Condition is excellent. Original period frame in fine condition. Mild wear consistent with age. Overall framed measurements are 20.5 by 24 inches. Provenance: Joseph M. de Gimme Gallery, Grosse Point, Michigan. (label verso) Albert Regagnon, French (1874-1961) Regagnon received many honors for his body of painting during his long and productive career, and exhibited regularly at the Paris Salons. Regagnons’ fascination for the Barbizon painters...

Antique American impressionist landscape painting by Edna Thurber (1887 - 1981). Oil on canvas, circa 1915. Signed. Displayed in a period impressionist ...

Wonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...

Impressionist garden landscape oil on panel painting circa 1902 by French painter Marie Duhem. The work depicts a white ornate planter in the centre of ...

Antique American school winter impressionist landscape oil painting. Oil on board. Nicely framed. Signed. Image size, 16L x 12H.

Antique American impressionist coastal painting by Clarence Braley (1854 - 1927). Oil on canvas, circa 1900. Signed. Displayed in a period modernist ...

Antique American impressionist oil painting of a fall landscape. Oil on canvas, circa 1900. Apparently unsigned. Displayed in a period giltwood frame. Image size, 50"L x 30"H, ov...

Signed lower right "H.V. Mook" (Dutch, born 1905) and painted circa 1925. A delicate, early-20th-century Impressionist oil landscape showing a pastel view of sand dunes sprinkled wi...

Antique French Impressionist oil painting on panel by Paul Louis Poseler (XIX-XX), circa 1900. The painting depicts a scene o...

In original gold leaf pierced frame Signed and dated lower left 1902 Sight size 6 x 8 in

French southern seascape oil painting on canvas By Michel Richard Putz Bio : Michel Richard-Putz was born in Ichitem, Belgium in 1868. He moved to Paris in the 1880's where he stud...

Frank Waller (American, 1842-1923) House and Garden, Morristown, 1908 Oil on canvas, 18 1/2 x 12 inches Framed: 23 x 16 inches (approx.) Dated and inscr...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Signed lower right Sight size 10 x 14 inches Overall size with blue mat and walnut and gold liner frame 17.5 x 21.5 inches. Circa 1910

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Signed and dated figure in landscape oil on board by French impressionist painter Charles Lacoste. A truly stunning piece with depicts a nighttime view of a Parisian street with a single woman dressed in a black coat and hat standing in the centre of of dark square which is being dimly lit by the street lights overhead. The outline of trees and the city's buildings can be seen in the distance. Signature: Signed and dated 1904 lower right. Dimensions: Framed: 24.5"x31" Unframed: 18.5"x25" Provenance: Wildenstein & Co - New York "Charles Lacoste: A Forgotten Nabi" 2002 This work is accompanied by the catalogue published to accompany the exhibition “Charles Lacoste: A Forgotten Nabi” held at Wildenstein in New York from January 30 to March 2, 2002 The son of a Bordeaux accountant and a creole mother, he met in high school the future poet Francis Jammes and Gabriel Frizeau the legendary art collector. He taught himself to paint and from 1894 to 1897 he made several important contacts: André Gide, Arthur Fontaine...

Robertson K. Mygatt (American, 1862-1919) Uplands Oil on panel, 5 1/4 x 6 5/8 inches FRAMED: 9 x 10 1/2 inches (approx.) Exhibition label on verso: "Salamagundi Club/Thumb-box Exhibi...

Antique landscape oil painting with a blazing sunset. Oil on canvas-board, circa 1900. Displayed in a period giltwood frame. Image, 17.5"L x 11.5"H.

A wonderful oil on canvas circa 1908 by French post impressionist painter Henri Liénard de Saint-Délis depicting a boat docked at the harbour in the harb...

Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...

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A fine impressionist oil painting of a woman sitting near a fence by American artist John Rutherford Boyd (1884-1951). Boyd was born in Philadelphia, PA, and attended the Pennsylvania Academy of Fine Arts, where he studied under American painter Thomas Anshutz...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a view of the houses of the commune Heblay-sur-Seine lining the ba...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 PLACE CLICHY signed "E. L Garrido" (lower right) oil on canvas 24-1/8 x 19-3/4 inches (61 x 50 cm.) framed: 33-1/4 x 28-7/8 inches (84 x 73 cm.) PROVENANCE Private Spanish Collector Fresh and bright view of Clichy Square, Paris, where Leon Garrido offers us his most impressionistic and innovative technique. The work has a pyramidal composition, from where monument to "Mariscal Moncey" on an 8 meter high pedestal and decorated with bas-reliefs that dominates the entire square. The florist occupies a central place, from which distinguished figures appear around her. Its delicate and smooth chromaticism in gray and pearly dark almost black and a touch of red. Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

Artist: Stephen Enoch Hogley, British (1842 - 1927) Title: Mountain Landscape Year: circa 1900 Medium: Oil on Canvas, signed verso Size: 16 x 26 in...

Here I’m selling a very interesting work by an Important female American impressionist painter Lee Lufkin Kaula (1865-1957). Painting has Four Different EXHIBITION Labels: 1. Boston Art Club Exhibition 2. Pennsylvania Academy Fine Arts 1907 Exhibition 3. Poland Spring Gallery Exhibition 1908 4. The Arts Student League Of New York I Purchased this painting a few weeks ago as an unsigned impressionist...

Signed and dated oil on original canvas by French post impressionist painter Paul Madeline. This beautiful work depicts a mill on the bank of a river - water cascading over the rocks...

Signed divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece depicts workers on the bank of a river loading flax onto barges. Signature: Signed lower right Dimensions: Framed: 23"x27" Unframed: 15"x19" Provenance: Private collection - Belgium Modest Huys (25 October 1874, in Zulte – 30 January 1932, in Zulte) was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century. From a young age, Modest Huys worked in his father's painting and decorating business and later studied at the "Gentse Nijverheidschool" (Ghent Industrial School). In 1891 or 1892, he came into contact with Emile Claus, who encouraged his artistic inclinations. In 1900, he enrolled at the Royal Academy of Fine Arts where his teachers were Eugène Joors and Frans Van Leemputten but he never completed his studies. It was about this time that he became lifelong friends with the author Stijn Streuvels. In 1902, he debuted at the Sint-Lucasgilde in Kortrijk and began to exhibit more widely. He spent time in Meetjesland, painting landscapes. From 1905, he participated in the exhibitions of Vie et Lumière...

This beautiful Scottish Impressionist Edwardian architectural oil painting is by noted artist James Kay. Painted circa 1900 the painting is of Exeter Cathedral in Exeter in Devon in ...

Oil Painting by J Laslelles "A Scene in Epping Forest" flourished 1895 -1920 London painter of atmospheric landscapes in his soft impressionistic style. Oil on canvas. Signed title o...

Joanna Bauer-Stumpff 1873-1964, known as Jo was a Dutch painter and art teacher, she was also a Founding member of the ' Amsterdamse Joffers' which was the equivalent of the female D...

Oil Painting by Josiah Clinton Jones "In the Conway Valley"

This small watercolor by well known and listed artist Hartwell Leon Woodcock is most likely a scene in the Bahamas. Woodcock was born in Maine in 1853 and spent most of his life the...

Signature bottom left - Edvard Alexander (Alexis) Ankarcrona (1825 - 1901), was a Swedish painter and military (this is one of the last works of the artist!). This artwork perfectly ...

Georges VILLAIN (1854, Paris – 1930) Washerwomen on the beach at Étretat Oil on canvas H. 51 cm; L. 65 cm Signed lower right Around 1900 Son of Eugène Marie François (1821-1897), wh...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) The Saint Antoine bridge in Clisson Oil on cardboard H. 26 cm; L. 29.5 cm Signed lower left, dated 1907 Provenance: Priv...

GUSTAVO BACARISAS Gibraltian, 1873 - 1971 SAINT PETER´S SQUARE, ROME signed "G. BACARISAS. ROMA : 08" (lower left) oil on canvas 19-1/4 x 27-1/4 inch...

Henry Tenré received a solid training in Gustave Boulanger and Jules Lefebvre’s studio at the Julian Academy from 1875 to 1885. Then he studied under the multi-medallist landscape pa...

The painting we have for sale, executed by Swedish artist Erik Tryggelin on May 3rd, 1907, presents an atmospheric and dynamic view of Sankt Matteus Church in Stockholm. This piece i...

Leopold STEVENS Paris 1866 - 1935 Regattas at Trouville, Normandy Oil on cardboard Signed lower left and dated 1906 lower right 37.5 x 59.5 cm 57 x 77 cm framed Perfect condition Beautiful white lacquered wood frame from the 1950s Léopold Stevens was the son of Belgian-born painter Alfred Stevens (1823-1906), and was taught to paint by his father from an early age. He did not attend an art school. In 1887, Léopold Stevens met the then-unknown Claude Debussy, befriended him and introduced him to his family, who received him on a regular basis. He received a travel grant in 1892. He exhibited at the Salon des Artistes Français in Paris, winning a bronze medal in 1900 for the Exposition Universelle; at the 1902 Salon, he was given an entire room at the Grand Palais. Gradually, Léopold Stevens specialized as a genre painter, executing portraits...

19th Century Swedish, Oil on canvas

Eugène DESHAYES (1868 – 1939) View from Algéria Coast Oil on canvas signed low right Frame gilded with gold leaves Dim canvas : 82 X 116 cm Dim frame : 107 X 141 cm DESHAYES Eugène François...