JD Henderson

Middleton Farm, Comrie

1996

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Impressionist/Post impressionist style painting 'Sunlit Path' by Scottish contemporary artist JD Henderson, gives us this country garden scene dated 1999 (verso), signed by the artis...

The technique of American Tonalism is evident in this oil painting on canvas from the early 20th century/late 19th century. Hues of muted greys cre...

William Beattie-Brown, RSA, (1831-1909) painted landscapes with great mastery of the elements, known for his rendering of rapids in waters and detailed foliage far in the distance. H...

Period impressionist painting, 'titled Driving Cattle' is by Scottish 19th century artist William Mouncey (1852-1901). His particular style is evident in this painting of a Scottish ...

Exhibition-sized painting of Iona Island coast by celebrated Scottish artist Duncan Cameron (1837-1916), this is a large and expansive 19th century landscape oil painting on canvas. Renowned for his landscape paintings, this work captures the natural light on the sea, sand and rocks with splashes of rich color under a big sky. Iona off the west coast of Scotland, has attracted artists for for its dramatic scenery and northern light, including the Scottish Colourists who favored the fresh pure light. The cliffs and coastal rocks are reminiscent of works by Samuel Peploe and Duncan Fergusson of this fabled island. In 1876 Cameron won a Gold Medal for landscape painting, at the Crystal Palace exhibition. The year after this painting (circa 1870s) Cameron began exhibiting in the Royal Academy, Society of British Artists, and Royal Scottish Academy, showing his work consistently from 1880. Other venues for exhibiting his work include the Glasgow Institute, Walker Art Gallery in Liverpool, Manchester City Art Gallery, and the Royal Hibernian Academy. His work is sold today in Fine Art Galleries in the UK and in Saltire Gallerie, USA. His landscape paintings are widely acclaimed, and this landscape painting of considerable size and detail is a fine example. Born in Perthshire, Cameron studied in Dundee and in South Kensington, London. He later died in Edinburgh. The highest auction sale of his work reached nearly 20,000 GBP. He was widely acclaimed as a landscape artist, painting Scottish farmlands and haystacks, coastal scenes and lochs. In this work the colors of the sea change from blue to green with white crests of waves. The rocks have splashes of red, rust and orange, and the beach has red and green in the sand. Water laps at the edge of beach and rock. A sailboat is a focal point, with distant sailboats on the water, and a rowboat by the central sailboat. A hill rises behind the beach painted...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

"Mount Whitney, California" by Kenneth Harrison. Oil on Canvas, 36" x 36", 40" x 40" framed in a modern black floater. “My goal is to capture a peaceful relaxing moment on canvas” ...

Joshua Tolford (American, 1910-1985) Signed: Joshua Tolford (Lower, Right) " Sunday Morning ", circa 1950s First Baptist Church, Rockport, Massachusetts Oil on Canvas 16" x 20" Housed in a 3" Frame (Newcomb Macklin Molding) Overall Size: 21 1/4" x 25 1/4" Appears to be in very good condition. Ready to hang. Included with the item is an original photo postcard...

Jacques BOUYSSOU (1926-1997) Le port de Dieppe, 1969 Oil on original canvas, in perfect condition, original canvas. Large size : 90 x 118 cm Signed lower left Vintage frame Provena...

Georges YOLDJOGLOU ( né en 1933) Paris, vue sur les jardins de la Tour Eiffel Oil on canvas Size : 60 x 73cm Signed lower right Titled on the back...