Clifford Holmes

Bundalloch, Scottish Highlands

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

This artwork "Landscape with Bridge" c.1970 is an oil painting on canvas by American artist Bert Pumphrey, 1916-2000. It is signed at the lower left corner by the artist. The canvas ...

This artwork Titled "Near Modesto" c.1940 is an oil painting on canvas board by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower right corner by the artist. The canvas board size is 11.85 x 14.85, framed size is 17.5 x 21.25 inches. Framed in a wooden antique style frame, with beige color liner. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene Painting...

This artwork Titled "The Lumbejack House, Santa Cruz, California" c.1940 is an oil painting on canvas by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches, framed size is 25.25 x 29.25 inches. Framed in a wooden gold frame. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene...

This artwork titled "Wild Winter" is an oil painting on canvas by Swedish/American artist Carlo Wahlbeck, b.1933. It is signed at the lower left corner by the artist, also signed and titled on the back. The canvas size is 9 x 12 inches, framed size is 13.75 x 16.75 inches. Framed in an antique style gold frame, with fabric liner and gold bevel. It is in excellent condition. About the artist: Carlo Wahlbeck was born in Stockholm, Sweden in 1933. His studies from early youth included travel and visits to major museums in Europe. During a visit to the United States, Carlo was introduced to the Native American Indian and the rich history of the American West. He moved to Southern California in 1960 and still calls it home today. Between 1960 and today, Carlo has traveled throughout the Southwestern United States and Mexico. For many years, he lived among the Navajo and Zunis, painting a great many surreal works that embodied their legends and outlook. He also spent 2 years in Mexico living among the Huichol people in the inaccessible mountains north of Tepic, painting the Indian religion and the white man's religion as seen through Huichol eyes. Between 1979 and today, he mastered the technique and came to control it, producing a fabulous new medium base for his expressions. The evolvement of his art has show much diversification and his works can be found in prominent private and corporate collections, as well as museums both here in the United States and abroad. A partial list of collectors: King Gustav of Sweden Former President and Mrs. Ronald Reagan Former President and Mrs. Richard M. Nixon Senator Barry Goldwater...

This artwork "Landscape with Bridge" c.1980, is an oil painting on canvas board by American artist David P. Curtis. It is signed at the lower right corner. The canvas board size is 12 x 16 inches, framed size is 15.5 x 19.5 inches. Framed in original wooden light...

Signed lower right: Irving R. Wiles

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

signed lower right

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...