Julian Onderdonk

"Shelter Island, Long Island" Julian Onderdonk New York Coastal Landscape

George Henry Smillie Coastal Scene Signed lower right Oil on canvas 20 x 30 inches Provenance Collection of Sylvia and Saverio Giammalva, Houston, Texas The career of George Smill...

Charles Herbert Woodbury Coastal Seascape Signed lower left Oil on canvas 17 x 20 inches Charles Herbert Woodbury, born in Lynn, Massachusetts in 1864, is recognized as the founder...

John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...

Laura Woodward Gloucester Harbor, circa 1880 Signed lower left Oil on canvas 18 x 24 inches Provenance: Private Collection, United Kingdom Priory Fine ...

This artwork titled "Along the Shore, Staten Island, New York" 1937, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed and dated at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 16.25 x 20.25 inches. Framed in a wooden gold frame, with gold bevel and fabric liner. It is in excellent condition, especially considering the age. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

George Gách (American, 1909-1996) The Old Tree in Glenwood Landing, 1957 Oil on canvas 23 x 27 in. Framed: 26 x 29 1/2 in. Singed lower right: Gách 1957 Provenance: Garden City Galleries, Garden City, NY Includes brochure. Born in Hungary, George Gách, the son of sculptor Stephen Gách (1880-1962), was noted for sculpture, impressionist painting and teaching. His subjects included animals, people, florals, nudes, cowboys, sports and scenes of Long Island, Bermuda, Mexico, Florida and upstate New York. Among his sculpture subjects are portrait busts of prime ministers, governors, corporate presidents and soccer stars. He served as a commercial pilot from 1939 to 1952. and in 1944, was shot down and given up as dead. He was also in prisoner of war camps twice during World War II and then in 1947, was almost imprisoned by the communists in Hungary. Gách graduated form the Academy of Fine Arts in Budapest in 1939, and then immigrated to the United States. He located his studio in Roslyn Heights Long Island, and at one point set a goal...

Ernest Biddle (American, 1919-1970) Untitled Coastal Town, Likely New England, 20th century Oil on canvas 16 x 20 x 1/2 in. Signed lower left: Biddle The great grandson of the found...

Late 19th century delicate watercolor of the harbor at Cape Ann, Gloucester, Massachusetts depicting rocks in the calm water along with seagulls and sailboats in the distance, by 19th century artist and Reverend William George Puddefoot (American, 1842-1925). Signed "W.G. Puddefoot" lower left. Titled on verso, "Cape Ann Scenery / Near Gloucester, Sunset". Presented in a carved giltwood frame and off-white mat. Reverend William George Puddefoot [1842-1925] (also known as W C Puddefoot) was an artist, traveler, lecturer and the field secretary for the American Home Missionary Society [1826-1893]. For his work, Puddefoot traveled all over the US, lecturing and doing missionary work, including: Iowa, Minnesota, Indiana Pennsylvania, California and Connecticut. He was known for being an extremely colorful character especially in his sermons and lectures. Puddefoot wrote the book Minute Man...