Items Similar to "Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Henry Ward Ranger"Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape1910
1910

About the Item
Henry Ward Ranger (1858 - 1915)
Stony Cove and Headland, 1910
Oil on canvas
28 x 36 inches
Signed lower right
Provenance:
McDonough Gallery, New York
William Macbeth Galleries, New York
American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72
A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries.
He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree.
He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting. During much of the 1880s, he painted watercolors of marine subjects, and exhibited those in New York City, Boston, and Paris.
As a student in France, he became greatly interested in the Barbizon School of painters, and then a trip to The Hague, Holland, was even more influential when he met a large colony of Dutch painters called "The Hague School", whose emphasis was on Realism and Tonalism.
Their soft, Atmospheric and Tonalist style of sombre colors seemed to suit him. However, his soft colors later became a special problem for anyone trying to restore his paintings as it was difficult to distinguish original color from soil on canvases. He did his sketches "en plein air" but finished his paintings in his studio and often exhibited his sketches and paintings together.
In 1885, Ranger moved to New York City and took up easel painting increasingly favoring oils over watercolors. In 1892, he had a one-man exhibition at the Knoedler Galleries in New York City. Many of his works in that show were forest interiors and tree studies.
Gradually his palette lightened with color and luminosity suggesting the influence of George Inness. In the summer of 1899, Ranger discovered Florence Griswold's boardinghouse in Old Lyme, Connecticut, and he returned in the summer of 1900. With his influence and the friendship of Florence Griswold, he became the leader of the artists' colony of Old Lyme, "an American version of Barbizon" (Lowrey 162) for three years.
However, the prevalent style changed to Impressionism with the 1903 arrival of Childe Hassam. He became disenchanted with painting at Old Lyme with the arrival of Childe Hassam in 1903 and the subsequent influence of his Impressionist style. In protest of the plein-air, fast painting, and lightened palette and abstraction of these Impressionists, Ranger, in 1905, moved farther down the coast to Noank, Connecticut near the mouth of the Mystic River.
Like many of his associates, he also maintained a studio in New York City where he was very prominent and often lectured and wrote about art and took an active part in the art community. He was a member of the National Academy of Design and the National Arts Club, and he wrote articles about art that were published.
When Henry Ward Ranger died in 1916, he was a childless widower and left his estate to the National Academy of Design to establish the Ranger Fund whose income was to purchase the works of living American artists beyond the age of forty-five.
- Creator:Henry Ward Ranger (1858 - 1916, American)
- Creation Year:1910
- Dimensions:Height: 35 in (88.9 cm)Width: 43 in (109.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841210536772
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2021
1stDibs seller since 2022
41 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Larchmont, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- "Gulls and Weir, " Philip Little, Coastal Landscape, New England ImpressionismBy Philip LittleLocated in New York, NYPhilip Little (1857 - 1942) Gulls and Weir Oil on canvas 30 x 30 inches Signed lower right; stamped on the reverse Provenance: Estate of William Postar,...Category
Early 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Beach, Haiti, " Gifford Beal, Sunny Seascape Resort, American ImpressionistBy Gifford BealLocated in New York, NYGifford Beal (1879 - 1956) Beach, Haiti, 1954 Oil on canvas 28 x 36 inches Signed lower right Provenance: Estate of the artist Kraushaar Gallery, New York Exhibited: Youngstown, OH, Butler Institute of American Art, 1955 Lincoln, MA, DeCordova and Dana Museum, 1955 New York, American Academy of Arts and Letters, 1956 and 1960 Fitchburg, MA, Fitchburg Art Museum, 1960 New York, Art Dealers Association of America, 1963 New York, Art Students League, 1975, New York, Kraushaar Galleries, Gifford Beal (1879-1956): Retrospective Exhibition of Paintings, Apr. 29 - May 29, 1975, no. 36 New York, Kraushaar Galleries, Gifford Beal (1879-1956): A Centennial Exhibition, Nov. 6 - Dec. 1, 1979, no. 26 Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...Category
1920s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "A Quiet Flowing Tide, " Arthur Turner, Coastal Beach Landscape, ImpressionismBy Arthur TurnerLocated in New York, NYArthur W. Turner (1870 - 1950) A Quiet Flowing Tide, 1899 Oil on canvas 23 1/2 x 35 1/2 inches Signed and dated "A.W. Turner 1899" lower left, inscribed "Hetw...Category
1890s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Sensation in Wall Street, New York" Herman Hyneman, Jewish Artist, Gilded AgeBy Herman HynemanLocated in New York, NYHerman N. Hyneman (1849 - 1907) Sensation in Wall Street, New York, 1903 Oil on canvas 24 x 16 inches Signed and dated lower left Provenance: Roger King, Newport, Rhode Island Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849). Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age. He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States. Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member. In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary. In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield. At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes. Herman Hyneman...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Hudson Street, New York City, " Guy Wiggins, Winter Street Scene ImpressionismBy Guy Carleton WigginsLocated in New York, NYGuy C. Wiggins (1883 – 1962) Hudson Street, 1935 Oil on canvas 30 x 40 inches Signed lower left Provenance: Grand Central Art Galleries, New York Private Collection, Nebraska By des...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "A Man in His Garden, " Emil Carlsen, Backyard and Barn Impressionist LandscapeBy Emil CarlsenLocated in New York, NYSoren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New ...Category
1890s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Central Park, WinterBy Guy Carleton WigginsLocated in New York, NYSigned lower left: Guy Wiggins / Guy Wiggins; on verso (photo available): CENTRAL PARK. WINTER. / GUY WIGGINS N.A. / 1936.Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Spring LandscapeBy Hayley LeverLocated in New York, NYSigned lower right: Hayley LeverCategory
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Brunch at 12 Chairs" Plein Air Restaurant Oil Painting in Soho New York CityBy Cindy ShaoulLocated in New York, NY"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...Category
2010s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Mid Century Southwest Desert LandscapeLocated in Soquel, CAVast Southwest plein air landscape of a desert scene with mountains, cacti, and other desert plants by California artist C. Gallagher (American, 20th century). Signed "C. Gallagher" ...Category
1940s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Mid Century Adobe Home Near Tujunga, Southern CaliforniaBy John Anthony ConnerLocated in Soquel, CAGorgeous Southern California spring landscape of adobe home with Sycamore and Eucalyptus trees in background by John Anthony Conner (American, 1892-1...Category
1950s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Alpine Summer" LandscapeBy Martin SchefstromLocated in Soquel, CADetailed landscape by Martin Schefstrom (American, 1926-2013). Signed "M. Schefstrom" in the lower right corner. Titled "Alpine Summer", signed "Martin Schefstrom", and dated "7/87" ...Category
1980s American Impressionist Landscape Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Coastal Landscape
Landscape American Realism
Coastal France
Coastal Art Large
Large Dutch Landscape
Large Seascape And Landscape
Original Coastal Landscape
Paintings By William Henry
Antique Coastal Art
French Barbizon Painting
Very Large Dutch Painting
Large Plein Air Landscape
Realism Seascapes
American School Forest
Large Coastal Painting
Landscape Oil Paintings By Dutch School
Old Colony
72 Landscape Painting