Henry Ward Ranger Art

Oil on canvas of a Italian Rural scene by this well known and much exhibited artist. Cetaldo In The Rain catches the atmosphere of a gentle rain on a hot summers day. Anna Hornby (1914 - 1996) studied art in Florence with landscape and flower painter Aubrey Waterfield in 1934, and later that year enrolled at the Byam Shaw School of Art in London where she studied under Francis Ernest Jackson...

An antique oil painting in its original ornate gold leaf frame. This tonalist painting depicts figures against a dramatic sunset. The work is signed illegibly lower left. It ap...

This piece, "August Afternoon", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a traditional marshy green landscape just before dusk. Cool afternoon light surro...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Johann Berthelsen (1883 – 1972). Born in 1883 in Denmark to artistically inclined parents, Johann Berthelsen would become a widely successful singer, teacher, and painter. After his parents divorced, his mother brought Berthelsen and his siblings with her to the United States in 1890, eventually settling in Wisconsin. At eighteen, Berthelsen moved to Chicago in the hope of becoming an actor, but a friend at the Chicago Musical College convinced him to audition at his school. Berthelsen received a full scholarship and enrolled at the college, where he was awarded the Gold Medal twice. After graduating, he had an active career traveling across the United States and Canada performing in operas and concerts, before joining the voice faculty at his alma mater in 1910. In 1913, Berthelsen became the voice department director at the Indianapolis Conservatory of Music. While in Chicago, Berthelsen met the landscape painter, Svend Svendsen...

This piece, "Changing Seasons", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a marshy green landscape in hazy autumn light. Changing foliage highlights the trees in colors of rusted reds and ochres, reflecting in the water below. About the artist: Dennis Sheehan's work is often described as reminiscent of the great masters of the Barbizon School, in France in the 19th century, and the American Tonalist. Born in Boston in 1950, he has works in major public and private collections, including the White House. His work has been featured in many publications including the featured cover of American Artist. Dennis Sheehan received his training in the best traditions of the Boston School, studying at the Vesper George School of Art and the Montserrat School of Visual Art. He also studied with two of R.H. Gammell's former students, Robert Cormier...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

"Navajos at Rest" is an oil on canvas painting by Edgar Alwin Payne. The painting is signed at the lower right, "Edgar Payne". The framed piece measures 25 1/4...

An early 20th century nocturne by Hudson Mindell Kitchell (1864-1944), Sunset, 1910 features a figure sitting beneath a tree beside a body of w...

Wonderful 19th Century tonalist painting of Flat Top Mountain in the Rocky Mountains by unknown artist (American, late 19th-20th Century). Unsigned. Unframed. Size: 16"H x 24"W. T...

This piece, "Winter's Warmth", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a traditional snowy landscape just before dusk. Warm afternoon light surrounds fol...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right and is Illustrated in the Ashley John Gallery catalog titled "The Pennsylvania Impressionists". George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928