Karen Woods

Light Shower 1

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from the front seat of a car looking through an often rain-splattered windshield or side window, are always about water: water from above, as a rainstorm, or from below, as a man-made sprinkler system. She is drawn to the interplay of water and light, and how it affects our perception of reality through reflection, distortion, and transformation. The compositions often include a bit of the car - the edge of a window, a side mirror, the clear curved area left by a windshield wiper - these markers situate the viewer on the journey Woods is on - we are taken inside the vehicle and shown the vignettes that catch Woods’ eye. The paintings reclaim that point in time, explore its detail, and unearth its emotional content. Woods’ work freezes and compresses a moment of everyday life; then elongates and decelerates it and in so doing, reveals its accompanying emotional weight: its anticipation, reflection, isolation, and longing. Woods is coaxing us to recognize the transcendent experiences offered by the most mundane or ordinary surroundings of our daily lives. Karen Woods was born in Seattle, WA, in 1963. She received her BFA from the California College of the Arts (Oakland, CA) in 1987 with additional studies at California Polytechnic State University and Studio Art Centers International, Florence, Italy. Her paintings have been exhibited throughout the United States with solo exhibitions in Los Angeles, New York, and Boston, among others, and her work has been published in New American Paintings, American Art Collector, art ltd, Artweek, Western Art & Architecture, Fine Art Connoisseur, and the Idaho Statesmen. Woods’ paintings are included the public collections of the Bodleian Library, Oxford, UK, James Castle...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Represented by George Billis Gallery, NYC & LA --“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism,...

Helen Mount's painting “Draw Me Rain” embodies her artistic exploration of transformations in worldview through the lens of natural phenomena. This work, executed in acrylic on a lar...

Drops of rain reflect bright lights and punctuate the soft, tonal background of a rainy day. The windshield highlights the contrast of an intimate experience within and the effect of the elements outside. Both painterly and playful while striking a midpoint between pure representation and an emphasis on the picture plane. Painted on a cradled gesso board panel, with 1 1/2 inch deep, smooth wood edges. Suitable for framing or beautiful left as is. A childhood of moving and traveling around the United States has shaped Katherine Kean's vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean's now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of natures kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los Angeles...

Drops of rain reflect bright lights and dot the stormy sky of a rainy day. The windshield highlights the contrast of an intimate experience within to the effect of the elements outsi...

Oil & Mixed Media on Canvas 30 x 30 in (76 x 76 cm) Tender words we spoke to one another are sealed in the secret vaults of heaven. One day like rain, they will fall ...