Archival Ink Landscape Paintings

French Impressionist watercolour on paper view of a canal scene by Henri Clamen. There is a location annotation to the back of the paper. The painting is not signed but was acquired ...

French Impressionist watercolour on paper of a chapel in a landscape by Henri Clamen. The painting is titled and dated to the back of the paper. Though not signed it was acquired fro...

French Impressionist watercolour on paper view of a colourful forest and mountain landscape by Henri Clamen. The painting is signed bottom right. A charming view of a colourful moun...

French Impressionist watercolour on paper view of children in an idyllic country scene by Henri Clamen. Signed bottom right. Acquired from the atelier of the artist with other signed...

In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...

Cherry Blossom and Winter Trees [2022] original Pen & Ink with Watercolour Image size: H:33.5cm cm x W:26.0cm cm Complete Size of Unframed Work: H:42 cm cm x W:32 cm cm x D:1mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Pen and Ink Drawing with Watercolour on Watercolour Paper.Elizabeth Chalmers...

City Limits No 5 is an industrial watercolor painting on paper by California artist, Ferdinanda Florence. It is 7.5 x 6.25, unframed. Ferdinanda Florence was born in Washington, ...

Black And White Minimal Painting is an original artwork realized by TUSET in 2017. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

River Dart Meander II is an original work by artist James Bonstow. Made with watercolour and Ink on paper. Using simple lines gestured with ink James suggests a variety of natural wo...

Landscape B/W charcoal on paper (Canson paper 300 gr) 30x 42 cm framed SIZE 40x50 cm the drawing comes with a passepartout and a rigid support ready to be hung this painting is pub...