Fabric Landscape Paintings

Original Vintage Oil Painting of Tollymore Forest in Ireland by Modern Irish Artist Denis Thornton (1937-1999) Art measures 12 x 10 inches Frame meas...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

Sailboats, Ocean, France , grey, blue, azure,landscape France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amie...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

This dynamic seascape by Charles Ernest Butler captures the rugged cliffs of Penolver Head on the Lizard Peninsula, where land meets the vast, glistening ocean. The bold, expressive ...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

Antique French important portrait oil painting by Achilles Theodore Cesbron (1849 - 1915). Oil on canvas. Signed. Framed. Measuring 21 by 29 inches overall and 12 by 20 painting alone.

Banks of the Seine, Vernon (near Giverny, Normandy) French School, signed and dated 1991 oil on canvas, framed framed: 24.5 x 27.5 inches canvas : 18 x 21 inches Provenance: private ...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

Provenance Acquired by the gallery directly from the artist Description This plein air oil painting depicts the uniqueness of Anacapa Island in the chain of Southern California’s Channel Islands archipelago. Anacapa was formed by volcanic eruptions. Its desolate landscape is dominated by a distinct geology of steep precipices and jagged rock formations. From this elevated viewpoint, Adams portrays the location known as Cathedral Cove with its outcropping spires and massive kelp beds that hug the shoreline. The peak of the middle island of Anacapa is visible in the distance, and further out to sea is Santa Cruz Island...

This piece, "Flourishing", is a 39.5x39.5 mixed media painting on canvas by artist Francisco Bartus. Featured is a tree of life symbol, made up of individual helpings of paint, strat...

"Company For Supper" - After Dale Nichols "Company For Supper" oil on canvas painting by Arlene a mid-west artist (American, 20th Century). Painted by an anonymous artist in the sty...

An idyllic scene with a view from the sand dunes out to an azure blue sea under a billowing sky. Daniel Sherrin (1868-1940) A seascape from the sand dunes Signed Oil on canvas 16 x ...

Oil on burlap. Oil measures 50x65 cm. Frameless.

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Herman Österlund (1873-1964) Sweden Ocean View from the West Coast, 1916 oil on canvas signed and dated Herman Österlund 1916 canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm...

Brightly colored impressionist landscape oil painting by William H. Partridge (1858 - 1938). Framed. Oil on canvas. Signed. Image size, 24H by 29L.

A serene, ca. 1940s, Western landscape painting with horses by artist Francis Chapin. In a brown, wooden frame. Image size: 22" x 28". Framed size: 25" x 31". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Paul Norwood paints the world around him, blurring the lines between representation and abstraction. His loose, gestural style and bold, thick brushwork suggest rather than define fo...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

COASTAL TRANQUILLITY Size: 46 X 63 cm (including frame) Oil on canvas This serene composition that captures the essence of a quiet coastal village, executed in oil onto canvas and d...

Landscape mixed media on canvas 97x37 cm this artwork have a frame 47x110 cm Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Pai...

Vintage American modernist abstract painting. Oil on board. Framed.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated on verso 74' oil painting on canvas, unframed canvas size: 24.5 x 20 inches condition: ove...

Lucien Delarue (1925-2011) Paris Seine River Scene. "Seine at Paris" Provenance: Newman Gallery, Phila. Label verso. Hand signed on Canvas. Dimensions: H: 25 inches: W: 31.5 inches: Frame: 35 X 41 inches Artist Lucien Delarue was born in Paris in 1925, and he is known for his spectacular cityscape painting. Post Impressionist painter He studied at the studios of Grande Chaumiere, Paris and was a pupil of Maitre Yves Brayer. He is best know as a French Impressionist. He loved to paint the romantic streets of Paris with its stunning architecture and beauty. Also included in his repertoire is colorful French floral still life paintings, South of France country cottages, harbor views, and river scenes. At a very early age Delarue began taking part in exhibitions. Quickly he was talking medals for his works including first prize and the Vermeil-Medaille at the Salon Violet. Other gold medals include the Salon of Vincennes, and the Salon of Clichy (1973). In 1974 he won the silver medal at the Salon des Artistes Francais, and a bronze medal at the "Arts-Sciences-Lettres" exhibition in Paris. He also exhibited works at the Museum of Ile de France in the chateau of Sceaux. He held exhibitions in New York and in San Francisco in the United States. He was a member of the Salon des Artistes Francais and of the French Watercolor Society.Lucien Delarue excelled in recreating the cottages, harbor views, and expressionist architecture of Paris in his artwork. His watercolor paintings include color-rich representations of France's many scenic rivers. Delarue would eventually become a member of the French Watercolor Society and the Salon des Artistes Francais. He showed with Henk Bos...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending her time exploring the woods with her dog and collecting critters. While exploring, she also studied the design and color of nature. She recalls many times standing in a field just staring in fascination at the values of the deciduous trees against a dark Oklahoma sky before a storm then rushing home to draw what she had seen. Technically self-taught, she thinks of nature as her real teacher. In 1994 she was awarded a grant from the Alaska State Council for the Arts to study with Oregon landscape painter Michael Gibbons. In the late 1990’s she studied with Michael Workman, a leading Landscape painter from Utah. She has taken their valuable lessons and strengthened her own individual style. Romona also admires the work of Russell Chatham, Emil Carlson...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

Body in the Field #1, 2022 oil on canvas 19 ¹¹/₁₆ H x 15 ³/₄ W in. 50 H x 40 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Blue & Red II Abstract Expressionist Painting - a rare early work from Leading British Urban Artist, Angela Wakefield. Entitled 'Tropical City #2', this moody and atmospheric artwork...

A small figure with a cart travels through a village down a tree lined road in this vintage figurative landscape done in the style of Utrillo, by Gu...

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Impressive early American modernist forest landscape oil painting. Framed. Oil on board. Signed. Image size, 24H by 16L.

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

An exceptional impressionistic depiction of an afternoon at the Waterfront Cafe in Paris by Jules René Hervé. This piece takes place on a summer day with busy activities of figures l...

A stunning impressionist winter pastoral scene of a quaint snow-covered village. "Britton" is executed with sincere charm and nostalgia. Witty has portrayed this scene in a most inti...

Well painted mid 1900's impressionist beach scene painting. Oil on canvas. Framed.

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

Antique American modernist abstract signed oil painting by Anne Sharp. Oil on canvas. Signed.

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

The Bullfight Huguette Ginet-Lasnier (French 1927-2020) inscribed verso wooden frame signed oil painting on canvas framed: 15 x 18.5 inches canvas: 14.75 x 18 inches. All the paintin...

"In the Trossachs" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 x 20 inc...

This painting is featured in the Makk Family book, "Vision of Life on page 102. Eva Makk has been called “the world’s foremost living impressionist painter...

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

signed "Hugh H. Breckenridge" at lower left

Vintage American modernist landscape painting. Oil on canvas. Framed.

Impasto Oil Painting of a Moorland in the English Countryside by British Landscape Artist. Original on Canvas. Expressive and atmospheric depiction of a stormy. Art measures 26 x ...

Coastal Original oil Painting, Large Size Ready to hang Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: C...

Mountain Lake in Spring Oil Painting of the Scottish Highlands by British Artist by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 30 x 20 inche...

Meadow Mayhem by Jan Rogers [2022] original and hand by the artist Acrylics on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:2cm Sold Un...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

Antique American modernist abstract painting. Oil and encaustic on canvas, circa 1980. Signed on verso. Displayed in a period frame. Imag...