Skip to main content

Masonite Landscape Paintings

to
2
4
4
4
3
1
Overall Height
to
Overall Width
to
4
4
2
1
4
1
3
13
7
5
4
7
7
4
2
Artist: Francis Chapin
Medium: Masonite
Untitled (Martha’s Vineyard)
Located in Chicago, IL
A colorful view of Martha's Vineyard (Depicting Edgartown's main street) by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by...
Category

1950s American Modern Masonite Landscape Paintings

Materials

Masonite, Oil

Yellow Sky at Menemsha
Located in Chicago, IL
A colorful view of Menemsha in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one...
Category

1950s American Modern Masonite Landscape Paintings

Materials

Masonite, Oil

Untitled (Vineyard Harbor)
Located in Chicago, IL
A colorful view of Martha's Vineyard by Francis Chapin, from the 1930s. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city. In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach...
Category

1930s American Modern Masonite Landscape Paintings

Materials

Masonite, Oil

Oak Bluffs, Mass. (Martha’s Vineyard)
Located in Chicago, IL
A view of Oak Bluffs, MA on Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of...
Category

1950s American Modern Masonite Landscape Paintings

Materials

Masonite, Oil

Related Items
Vintage Modernist Landscape Painting, Monument Valley Arizona, listed artist
Located in Baltimore, MD
Although born in Ohio at the end of the 19th century, Martin Sabransky studied art at Randolph Macon College in Virginia. He began his career path moving west, by first going to Kans...
Category

Mid-20th Century American Modern Masonite Landscape Paintings

Materials

Oil

Untitled (Houses and Railroad Tracks)
Located in Los Angeles, CA
Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Oil, Board

Untitled (Farm in Winter)
By Julius M. Delbos
Located in Los Angeles, CA
This work is part of our exhibition America Coast to Coast: Artists of the 1940s Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in a...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Canvas, Oil

My Only Working Tool
Located in Los Angeles, CA
My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Co...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Oil, Board

Blue Lake
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Masonite, Oil

Trees at Bloom
Located in Los Angeles, CA
Trees at Bloom, 1939, oil on canvas, 32 x 24 inches, signed lower right About the Painting Trees at Bloom was painted when Clarence Holbrook Carter lived in Pittsburgh and served as an instructor in the Department of Painting and Design at the Carnegie Institute of Technology (now Carnegie-Mellon University), a position he held from 1938 through 1944. It depicts a thick forest at the base of distance hills just outside the city. During his tenure in Pittsburgh, Carter was deeply influenced by not only the industrial might of the steel mills and iron forges of the city, but also the beauty of the surrounding landscape. As Frank Anderson Trapp noted in his book on the artist, for Carter “the terrain itself had its own special vitality, with its craggy, wooded hills threaded with ravine and watercourses . . . . the signs of industrial blight that were unalleviated in some parts of the country were there relieved by the geological variety of the parent landscape, and by the irrepressible presence of its natural growth, which softened the whole.” Trapp continues, “in his scenes of rural situations, Carter had a special gift for rendering those elements convincingly.” With the profusion of flowering trees which diffuse the light and the red cardinals darting from one branch to another, Trees at Bloom portrays the “irrepressible presence of nature” that Trapp describes. About the Artist Together with Charles Burchfield, Clarence Holbrook Carter was Ohio’s premiere American Scene painter and later an innovative magic realist. The son of a no-nonsense public-school administrator, Carter was born in 1904 outside of Portsmouth, Ohio, a small town in the heart of the Ohio River...
Category

1930s American Modern Masonite Landscape Paintings

Materials

Oil, Canvas

Large 1960 California "Abstract Landscape" Jack Stuck Painting
Located in Arp, TX
Jack Stuck (1925-1993) "Abstract Landscape" 1960 Collage oil paint, charcoal, paper and canvas laid down on masonite 48"x46" natural wood frame 51" x 49" Si...
Category

Mid-20th Century American Modern Masonite Landscape Paintings

Materials

Canvas, Masonite, Charcoal, Oil, Laid Paper

Untitled (Collapsed Shacks)
Located in Los Angeles, CA
Untitled (Collapsed Shacks), c. 1940s, oil on canvas, signed lower left, 20 ½ x 26 ½ inches, presented in a period frame This work is part of our exhibition America Coast to Coast: ...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Canvas, Oil

Jefferson Market Library (Courthouse)
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...
Category

1930s American Modern Masonite Landscape Paintings

Materials

Oil

Moonlight Shanties
Located in Los Angeles, CA
Moonlight Shanties, c. 1940s, oil on canvas, 24 x 18 inches, signed lower right, signed and titled verso About the Painting In Moonlight Shanties, Joachim depicts a lower-class neighborhood sitting along-side an elevated road or railway which crowds out the small nearby houses and structures. Joachim’s use of an expressionist palette and gestural brushstrokes together with the isolated figures obscured in the shadows, create a feeling of unease, isolation and even loneliness. From the 1920s through 1940s, American artists commonly employed expressionist conventions in their social realist works which portrayed the gritty side of urban America, especially the communities of the city-dwelling poor. Expressionist styles were considered appropriate for bridging the gap between the modernist idea of art-for-art’s-sake and the narrative qualities demanded by the dual crises of the Great Depression and World War II. Moonlight Shanties successfully uses these expressionist methods to portray a neighborhood and its people who appear to be literally and figuratively “on the edge.” About the Artist Paul Lamar Joachim...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Oil

Landscape with Green Tree
Located in New York, NY
Alfred Henry Maurer has been called the First American Modern because of his role in bringing modern methods of working to the United States
Category

Early 20th Century American Modern Masonite Landscape Paintings

Materials

Oil, Board

Landscape
Located in Los Angeles, CA
Landscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...
Category

1940s American Modern Masonite Landscape Paintings

Materials

Canvas, Oil

Masonite landscape paintings for sale on 1stDibs.

Find a wide variety of authentic Masonite landscape paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Michael Baxte, Charles Ford, Francis Chapin, and Helen Enoch Gleiforst. Frequently made by artists working in the Impressionist, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Masonite landscape paintings, so small editions measuring 0.1 inches across are also available

Recently Viewed

View All