Watercolor Landscape Paintings

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/gouache on artist paper, unframed Mounted on card frame size: 25.5 x 19.75 inches condition: very goo...

Superb original watercolour painting by the well listed and popular Irish painter, Frank Forty (1902-1996). The painting came from a private collection of this artists work. Frank ...

Title: Palm Trees Near Beach Medium: Gouache on paper Style: Impressionist Size: 11" x 8" Frame Size: 19" x 16" Signature: J. Boynton Note: the double side refers to the backs...

Work on paper

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

English Town by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.75 x 22 inches *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE ...

Work on paper

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 16 x 12.5 inches condition: very good and ready to be enjoye...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 20 x 13 inches condition: very good and ready to be enjoyed....

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 14.75 x 16.5 inches condition: very good and ready to be enj...

Work on paper Brown wooden frame with glass pane 41,5 x 59,5 x 2,5 cm

Titled on lower center. Image 36.4x49 - 14.33 x 19.29 in. / Frame 54.7 x 66.5 - 21.54 x 26.18 in. Beautiful 19th century representation of the Gulf and the Bay of Pozzuoli near Nap...

Historic Fountain by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on artist paper overall size: 25.5 x 19.5 inches condition: very goo...

Red Building by Bernard Labbe (French mid 20th century), stamped verso original watercolour/gouache painting on paper overall size: 16 x 10.5 inches condition: very good and ready t...

French Landscape by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on artist paper overall size: 19.75 x 25.5 inches condition: very goo...

French Buildings by Bernard Labbe (French mid 20th century), signed, stamped verso original watercolour/ gouache painting on paper , overall size: 19.5 x 25.5 inches condition: very...

Artist/ School: French School, early 20th century Title: River Landscape with the wind in the willows. Medium: watercolour painting on canva...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Reserve Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 5.5 x 7.25 inches Frame Size: 13 x 15.5 inches

Work on paper

Vibrant Mexico Cathedral by Eugenia Francis Baker McComas (American, 1886-1982). Presented in a wooden frame. Shipped without glass. Signed "Gene Frances" lower left. Image size, 15"H x 19"W. Eugenia Frances Baker McComas was born in San Francisco, California on September 6, 1886. She came from a family of journalists where her father Joseph Eugene Baker was the editor of the Alta Californian, now San Francisco Examiner, and her mother was a theater critic for The Oakland Tribune. Eugenia also known as “Gene” worked as a journalist for The Oakland Tribune for a period of time. She also studied at the California School of Arts and Crafts under artist Xavier Martinez. She met artist Francis McComas...

"" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 6.25 x 9.5 inches A delightful original oil painting by the 20th century French Impr...

"French Pier" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 5 x 6.75 inches A delightful original oil painting by the 20th century Fr...

English Town by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UN...

Early morning in Malta, delicate transparent architectural motifs in the distance, a fisherman pulling the clear air netting with fish. Exhibition: 2012 “Visible Images”, personal ex...

Gloria Dudfield (1922-2015) Untitled c.1960s Gouache on paper 18"x15" unframed Unsigned Came from a portfolio of her work in the San Francisco Bay Area. Gloria had a Master of Arts...

Minimalist mid-century modern landscape of three autumnal trees by M. Lehtio (American, 20th century). Signed "M. Lehtio" and dated "48." Presented in a wood frame and non-glare glas...

Orange Infusion - Watercolor and Ink On Paper Abstract painting depicting colors of orange, black and green. The black contrasts against the orange burst. Signed and dated on verso...

"The Long Way Home" by Thane Gorek (United States) is a handmade landscape oil painting that is framed and ready to hang. Thane Gorek is an artist working in Northern Colorado. He s...

"In for the Night" is a contemporary plein air landscape painting in gouache (opaque watercolor) by Idaho artist Aaron Cordell Johnson. The paint...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/gouache painting size: 7.5 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French...

English Town by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 16 x 21.5 inches signed lower Lovely original watercolour painting by t...

Work on paper Beige wooden frame with glass pane 58 x 70 x 2 cm This artwork, created through a muted color palette, captures a scene that evokes both tranquility and mystery. The a...

Victorian Landscape Marine Watercolour Shipping on the Grand Canal Venice. A large and very attractive signed Victorian Watercolour on paper mounted on board, surround mount and han...

England, Shropshire - Ludlow Castle, The Town and Dinham Bridge by Leonard Machin Rowe (1880-1968) signed front lower right and left, signed again and inscribed to the back watercol...

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

JERRY BERNECHE Small Town No. 9 Watercolor on Arches 21.5 x 29.25 inches

Through this artwork, I share the serene beauty of a Carpathian village illuminated by the gentle glow of a full moon. The cozy cottages, their windows aglow with warm light, stand i...

A captivating midcentury cityscape titled "Denver Skyline", this original 1950s watercolor and graphite painting offers a rare industrial-era view of lower downtown Denver, Colorado....

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Glorious water-scape / land-scape scene representing calm nature at Grasmere. Beautiful blue, green and yelllow watercolor from William Stanisich, who has worked with the medium for ...

Bonnieux Village Luberon France Bright and expressive white line woodcut in watercolor of Bonnieux Village Luberon France by Marilyn Heyman Marilyn H. Heilprin, (American, 1926-2020). Heilprin is an author, poet and artist from Bethesda, Maryland. Signed lower right "Marilyn Heilprin, titled lower left "Bonnieux WC 3 (watercolor #3). Marilyn Heilprin was born in New York City and has a B.A. from Smith College (1948) and M.A. in international relations from The American University (1963). A former research associate, writer and editor for federal agencies and private publishers, she attended writing workshops at Breadloaf, The American University, and Writers' Center in Bethesda, MD. She has published poems in literary journals and was a finalist in the Maryland State Poetry and Literary Society chapbook contests. She co-authored Leo Saal's memoir "Crossings: A Life in Russia and Germany in the First Half of the 20th Century." Feb. 2020, Marilyn Heilprin, 93, a retired editor, writer and researcher who created one of the earliest compendiums of international statistics and organizations. Image, 9"H x 12"W Sheet, 14.5"H x 16.5"W Frame, 15.25"H 17"W x .5"D Mrs. Heilprin, a former resident of Bethesda, Md., was born Marilyn Heyman in New York City. In the 1950s, she was a researcher and writer on handbooks about Mongolia, Finland, Germany, Austria, Lebanon, Syria and Israel for the Washington-area branch of the Human Relations Area Files, a nonprofit formed by several universities. The "Provincetown Print", a white-line woodcut print. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. Because the artists often used soft colors, they sometimes have the appearance of a watercolor painting. Marilyn Heilprin, Ruth Cahnmann, George Chung, Susana deQuadros, Susan Due Pearcy, Leo Saal and Ann Zahn...

Yuri Larin (1936-2014). Landscape, 1982. Watercolor on paper, 16.5 x 18.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 17 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper...

Rural scene of a hillside farm, depicted in watercolor on rag paper by Northern California watercolor and acrylic artist W. H. Myers (American, 20th century). Signed "W. H. Myers." P...

Paris: Pont Alexandre III and Place de la Concorde by Henri Miloch (1898-1979) signed lower right on Place de la Concorde, the other is unsigned watercolour and gouache painting on a...

Belgium. A Bruges Hotel by Leonard Machin Rowe (1880-1968) signed, dated '50 and inscribed front lower left corner, inscribed, dated and signed to the back watercolour painting on ar...

Title: French Fishing Boats in Harbour with Rocky Coastline Gouache Painting by Fanch Lel (French b. 1930) Signed: Yes Size: 6.5 inches (height) x 9.5 inches (width) Gouache painting...

English School Mid 19th Century Watercolour The Shooting Party unsigned but usefully inscribed verso, by the artist watercolour painting on stiff paper, unframed sheet: 7.2 x 10 i...

Belgium: Ghent. St Nicholas Church ( Sint Niklaaskerk) by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet 11 x 15 inches Super bustling painting by Leon. Rowe in the centre of Ghent, depicting a busy square full of people on a bright sunny day. A man pushes a wooden cart, whilst others are strolling around the shop-lined streets in front of St Nicholas Church. A bright striped shop window awning...

Artist: Evelyne Brigeois – French/American (1946-2016) Title: Behind Paraportiani, Mykonos Year: ca. 1990 Medium: Watercolor Sight size: 20 x 14.75 inches. Framed size: 29.5 x 23.5 inches Signature: Signed lower left Condition: Very good Frame: Framed in original frame. Frame in good condition. This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts an area behind Paraportiani. The Church of Paraportiani is on island of Mykonos in Greece. It is in the town of Chora. The painting is in very good condition with no flaws to note. The painting is signed in the lower left corner. It is double matted and enclosed in a simple light wood frame. The frame is in good condition, with a few very faint scratches. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...

Provence Landscape, Rowing Boats Pulled Up Amid Trees by Louis Bellon (French 1908-1998) Initialled lower right, dated 47 (1947) watercolour painting on paper, unframed measurements:...

Title: Watercolour Painting of a Tranquil French Fishing Port with Boats by Fanch Lel (French b. 1930) Size: 9.5 inches (height) x 12.5 inches (width) Watercolor painting on paper, u...

Victorian Unsigned Watercolour a Naive Ship Portrait of a Chiliean Packet in traditional Maple Frame. Watercolour painted on paper laid on board, mounte...

Title: French Watercolour of Countryside Church with Blue Roofs and Tall Spire by Fanch Lel (French b. 1930) Signed: Yes Size: 7.75 inches (height) x 10.25 inches (width) Watercolor ...

Title: French Coastal Gouache Painting of Fishing Boats at Low Tide by Fanch Lel (French b. 1930) Signed: Yes Size: 8.75 inches (height) x 12.25 inches (width) Gouache painting on pa...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

Noble nautical scene of a small rowboat coming to shore from a larger sailing vessel by George A. Robbins (American, 1918-2010). In the foreground, sever...

Persian Illuminated Miniature Gouache on Paper, depicting ceremony with Krishna in the garden, giltwood frame. Image: 10.75" H x 8.25" W; frame: ...