Nikolai Efimovich Timkov

Village Farm House (Blue House), 1949

1949

Acquired by the gallery directly from the artist. Description Dappled shadows of a large tree are projected by moonlight onto a broad walkway leading up steps to home. With only seg...

Provenance Acquired by the gallery directly from the artist Exhibited A Collector's Feast, American Legacy Fine Arts, November 16 – December 15, 2018 Dimensions: Unframed 9" x 12";...

Acquired by American Legacy Fine Arts directly from the artist Description In Bryan Mark Taylor’s “Market Day,” the viewer is transported to the fascinating town of Kaiping, China. ...

Acquired by the gallery from a private collector in Alaska who acquired the work in 2012 from Bingham Gallery, Mount Carmel, Utah Exhibitions Bingham Gal...

David Shingler’s "Utah" (2015) is an original oil painting on wood panel, measuring 5 x 5 inches. Known for his dynamic landscapes rendered through bold and expressive brushstrokes, ...

FRAMED SIZE IS 15" x 22" The Italian Beaches are a common theme in Nelson White paintings as seen in this 9" x 16" oil painting by Nelson White. The title for this Italian Beac...

Helen M. Goodwin (1865 - 1955) Nantucket, Massachusetts Oil on canvas laid on panel 12 x 16 inches Signed and titled lower right Helen M. Goodwin was born in New Castle, Indiana in ...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...