Otto Von Thoren

Otto Von Thoren, 19th Century, Antique Oil Painting, Horses with Farmer Coach

circa 1880

Antique painting, 19th century, oil on canvas, harvest by the river. Signed lower right. Dimensions without frame. Paintings by Alexandre Kircher have already raised more than $ 20...

Antique oil painting by Louis LeJeune. North German landscape. Oil on canvas. Dimensions without frame. Including certificate of authenticity. Louis Ignaz Paul Lejeune (born Februa...

Romantic landscape view, oil on canvas. 19th century. Dimensions including frame 76.5cm x 100cm Dimensions without frame 55.5cm x 79cm.

17th century, old master painting, oil on canvas, "The rest with the horses". Relined canvas. The stretcher was also renewed once. The painting is rather dark, like i.a. on photo n...

Horse Breeder & Horses In A Landscape, 19th Century by WILHELM RICHTER (1824-1892) sales to $35,000 Large 19th Century Austrian portrait of an Austrian horse breeder with his horse...

A fine antique oil painting, on canvas, of horses pulling a tandem at speed. signed and titled lower left, Vine Colchester 1834 This fine painting shows two horses pulling an open carriage /gig with gentleman in extensive landscape/park The size of the painting is approx 50 x 80 cms, whilst overall the size framed is 100cm x 71 cm This is a fine painting in very good condition housed in a gilt frame ready to hang Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire see details below The artist John Vine was born with a disability that did not appear to interfere with his ability to draw and paint, largely self-taught as an animal painter, as his reputation grew he exhibited at the Society of British Artists in Grosvenor Square. Based at Colchester he painted many different subjects including farms, houses, children and animals. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of...

George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...

George Turner British, (1843-1910) Crossing the Ford Oil on canvas, signed, further signed & inscribed verso Image size: 15.5 inches x 25.5 inches Size including frame: 21.5 inches...