James Edwin Meadows

19th Century landscape oil painting of a horse & cart on a country track

1861

Abraham Hulk Snr British, (1813-1897) Fishing Boats off the Dutch Coast Oil on canvas, signed Image size: 11.75 inches x 17.75 inches Size including frame: 21.25 inches x 27.25 inch...

John Holland Snr British, (1830-1886) The Malt Shovel Tavern Oil on canvas, signed Image size: 13 inches x 20.5 inches Size including frame: 18.25 inches x 25.75 inches Provenance: Frost & Reed John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London at Dusk with Tower Bridge in the Distance Oil on canvas, signed Image size: 19.5 inches x 29.5 inches...

Louis Bosworth Hurt British, (1856-1929) Crossing the Moorland Oil on canvas, signed & inscribed with title in pencil on the stretcher Image size: 23.5 inches x 39.25 inches Size in...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Bettws-y-coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31...

Francis Moltino Italian, (1818-1888) The Grand Canal towards the Punta della Dogana, Venice Oil on canvas Image size: 29.5 inches x 49.5 inches Size including frame: 38.75 inches x ...

‘Morning in North Wales’ by Edwin Henry Boddington (1836-1905). This large fine 19th century oil painting is signed by the artist and dated 1867, in which year it was exhibited at th...

‘Langdale, Westmorland’ by George Cole (1810-1883). This very large fine oil on canvas of a waterfall in the Lake District of England is signed and dated by the artist and was exhibi...

James Edwin Meadows (British 1828-1888) "The Haywagon" 1866 Oil on Canvas Site: 24 x 40 inches Framed: 30 x 46 inches approx. A London landscape painter, James Edwin Meadows was the...

This is an original unique oil painting, signed by the artist.

'The Parting Day’ by Henry H Parker (1858-1930). The painting – which depicts figures and cattle on a country lane at sunset – is signed by the artist and hangs in a good quality giltwood frame. Academy Fine Paintings only offers artwork for sale in the finest condition it can be for its age, having been professionally cleaned, conserved, and re-varnished. Clients should also note that tracked and signed for international shipping is complimentary. Henry Deacon Hillyer...

An original signed oil painting on canvas by English artist John Cheltenham Wake (1837-1882) titled "Fishermen Unloading the Day's Catch, Dover", 1874. Hand signed and dated by Wake ...

Huge 19th century romantic painting depicting a sunset over the Temple Valley in Agrigento, Italy This magnificent painting depicts the famous Temple Valley in Sicily. We have visited the site to find out from which viewpoint the painter painted this beautiful work. Fortunately, the site remains largely unchanged from how it was in 1856 and we found out that the painter depicted the temples of Hera (on the left) and Concordia (in the distance). He (or she) likely sat on top of the hill next to the temple of Hera while he sketched the magnificent scenery of the sun setting in the sea behind the temple of Concordia. The present painting is topologically correct, however the artist might have taken some artistic liberty in rearranging the remains of the columns of the Hera temple to create a better perspective and direct the gaze of the viewer to the focal point of the composition; the temple of Concordia. Although the painting was long believed to have been created by an American painter, as the dramatic light and magnificent landscape are quite reminiscent of Hudson River School paintings, it is more likely that the painting has been created by a German romantic...

Traditional Oil Painting of the English Countryside with Horses by Modern British Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright was born in Peterborough in 1935 and now lives in Lincolnshire. James is a self-taught artist and a leading exponent of the traditional English landscape style. His early work concentrated on the busy fishing villages around the coast of Norfolk, Cornwall and Sussex. More recently, his traditional landscapes...

A fine and very detailed large Victorian British landscape painting. Painted in oil on canvas it is by listed and exhibited Victorian artist George Cole, dated 1859. A wonderful large work by Cole and one of his best. Cows are cooling themselves in the stream and a couple sit beside the water. A really charming Victorian painting. Signed lower right George Cole and dated 1859. Provenance. Surrey estate. Condition. Oil on canvas, image size is 40 inches by 30 inches and in good condition. Housed in a complementary frame, 50 inches by 40 inches framed and in good condition. George Cole (1810-1883) was a portrait landscape and animal painter in oils. He was the father of George Vicat Cole. Cole was born in Portsmouth to James and Elizabeth Cole. His mother died when he was 9 years old. According to the artist's grandson, Rex Vicat Cole, he was apprenticed to a ship's painter in the Royal Navy dockyards at Portsmouth. He taught himself to paint pictures, at first portraits and animals; he also painted posters for Wombwell's menagerie. In 1838 Cole's painting The Farm Yard was shown at the Society of British Artists. When he was 30 he changed his focus to landscapes and received instruction from John Wilson and started exhibiting in 1840. One anecdote has him painting the portrait of a Dutch merchant in Portsmouth. After the sitter refused to pay him, saying it was a bad likeness, Cole added wings and put the painting in a shop window with the title The Flying Dutchman. The man's friends recognised him and laughed; he paid for the painting, and Cole painted out the wings. His career has been regarded as a good example of the Victorian self-made man: in 1831 he married Eliza Vicat, of an old French Huguenot family. In 1852 he moved to Fulham and in 1855 to Kensington, where he lived for the rest of his life. In the mid-1860s he purchased Coombe Lodge, a small estate in Hampshire. In a series of richly coloured and detailed landscapes on large canvases executed during the 1860s and 1870s, Cole created an idealized version of the Hampshire moorlands and agricultural landscape; examples include Fern Carting, Harting Coombe (1873, Russell-Cotes Art Gallery and Museum, Bournemouth). Cattle continued to play an important role in his compositions, and he specialized in the depiction of river scenery with cows watering...

Antique oil painting, atmospheric seascape. 19th century. Oil on canvas. Unsigned. Dimensions without frame 80 cm x 122 cm. The painting and the frame are in an age-appropriate co...

Oil on canvas Canvas size: 24 x 42 inches Framed size: 32.5 x 50.5 inches Signed and dated 1866 lower left

James Edwin Meadows (British 1828-1888) "The Haywagon" 1866 Oil on Canvas Site: 24 x 40 inches Framed: 30 x 46 inches approx. A London landscape painter, James Edwin Meadows was the...

Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...

An original signed oil painting on canvas by English artist John Cheltenham Wake (1837-1882) titled "Fishermen Unloading the Day's Catch, Dover", 1874. Hand signed and dated by Wake ...

Oil on canvas, 20 7/8 x 15 inches Framed: 29 x 23 inches Benjamin Ferris Gilman was a native of New York whose mother, Julia Ferris Gilman (died 1923), had taught elementary drawing classes at the Philadelphia School of Design for Women (now the Moore College of Art). In 1877 he enrolled at the Pennsylvania Academy...

George Stanfield Walters (1838-1924) "Sunset on the Midway" c. 1880s Oil on Canvas Signed Canvas: approx 25 x 36 inches Framed Size: approx. 31 x 42 inches George Walters - George Stanfield Walters was born in 1838 and died in 1924. A marine and coastal painter. He was grandson to ship portraitist Miles Walters, and son and pupil of Samuel Walters...